Meliá Pattaya Hotel in Thailand has opened a new boutique to showcase the wares of talented Thai designers, artists and craftspeople in support of artistic development for children and youth. Organized as a social enterprise, The GALLERY connects local artisans with a wider audience through a thoughtful collection of Thai-made gifts, handicrafts, home décor, wellness products and souvenirs. All profits from The GALLERY boutique at the hotel are reinvested to support artistic development for children and youth by helping to create opportunities for a new generation to foster Thai creativity and preserve local craftsmanship. “We’d like our guests to have an opportunity to discover meaningful products carrying stories that celebrate Thailand’s communities and their fascinating traditions and creativity,” said Meliá Pattaya Hotel’s general manager Alexander Lopez. Among The GALLERY’s diverse offerings are products by DAWOOD Voyage Travel Souvenirs, whose craftspeople create intricate tuk-tuk souvenirs from sustainable wood that evoke one of Thailand’s most recognisable modes of transport. The collection also encompasses wellness and aromatic products from Mesook Farm (Agarwood Farmer Group), including jasmine and lemongrass-scented massage body oils and aroma wood, along with ceramics, decorative pieces and other locally crafted gifts. Also represented is Maison Craft in Thailand, which experiments with weaving materials and techniques as part of efforts to keep distinctive folk crafts and traditional skills relevant for generations to come. “It is rewarding for our team to provide a platform for Thai artisans and contribute to opportunities for children and young people to develop their artistic potential and continue craftsmanship handed down the generations,” said Lopez. “Together, the products illustrate The GALLERY’s focus on items with purpose and provenance, giving hotel guests the opportunity to take home a tangible connection to Thailand and support the people and skills behind each piece.” Based on the mission of “Building a Better Future”, The GALLERY was established by Asset World Corp Public Company Limited (AWC), the owner of Meliá Pattaya Hotel, to promote Thai artisans’ work and foster positive social impact. Based on the concept “Giving Art, Art of Giving”, the initiative stems from AWC’s commitment to creating long-term value for communities through responsible and sustainable development. The GALLERY forms part of a growing network of social enterprises at AWC hotels across Thailand, including Meliá Chiang Mai and INNSiDE by Meliá Bangkok Sukhumvit. For more information or to make a booking, visit melia.com, email info.pattaya@melia.com or call +66 33 168 555.

The post The GALLERY at Meliá Pattaya Hotel Supports Thai Artisans appeared first on Asian Itinerary.

As part of its 125th anniversary celebrations, the landmark Sofitel Legend Metropole Hanoi has acquired a curated set of 16 signed, limited-edition photographic prints by British photographer Andy Soloman. The works will be known as The Soloman Metropole Collection. The exhibition “Hanoi: Traces of Time” will run at the hotel from Oct. 9 to Dec. 9 and forms part of the Metropole’s ongoing commitment to preserving the cultural heritage of Hanoi by collecting and sharing significant artistic perspectives on Vietnam. The Soloman Metropole Collection offers a distinctive visual record of everyday life in Hanoi, with photographs capturing streets, markets, schools, factories and the rhythms of daily life. Each work is printed on Ilford Galerie Gold Fibre Pearl archival photographic paper, mounted, framed, signed and individually editioned, underscoring the collection’s importance within the Metropole’s permanent holdings. Soloman will host a complimentary artist talk on Oct. 10 at the Metropole, sharing stories of his travels in Vietnam in 1992–93 and his subsequent quest to reconnect with people more than three decades later. Reservations can be made via Eventbrite. “Vietnam has been central to my photography for many years, and the images in this collection come from encounters and moments that have stayed with me,” Soloman said. “I’m delighted that Sofitel Legend Metropole Hanoi has acquired the collection and is exhibiting it as part of the hotel’s 125th anniversary celebrations. It’s a privilege for these works to have found a permanent home at the Metropole while being shared with guests.” George Koumendakos, General Manager of Sofitel Legend Metropole Hanoi, said: “As we mark our 125th anniversary, we are deepening our engagement with art and Hanoi’s cultural heritage. Acquiring and exhibiting the Andy Soloman collection is an important part of this journey. These photographs capture the character and rhythm of life in Hanoi with great sensitivity, and they enrich both our art collection and the experience of our guests during this milestone year and beyond.” The collection features images such as Early Morning Exercise (1992); Mid-Autumn Festival Vendor (1997); Cyclo Drivers in Hanoi’s Old Quarter (1992); Vietnamese Heroic Mothers (1997); Dong Xuan Market (1992); and Bia Hoi Delivery by Cyclo (1997). Together they form a coherent body of work that speaks to memory, place, cultural heritage and everyday experience in Vietnam. For more information on the hotel and its “125 Years of a Legend” programme, please contact Sofitel Legend Metropole Hanoi at +84 24 3826 6919, email metropolehanoi.info@sofitel.com or visit https://www.sofitel-legend-metropole-hanoi.com/125th-anniversary/

The post Sofitel Legend Metropole Hanoi Acquires and Exhibits Andy Soloman Photo Collection appeared first on Asian Itinerary.

Banyan Tree Samui, one of Thailand’s leading beachfront resorts, has announced a partnership with T.A.I Studio, bringing a collection of handwoven bags and baskets from Phatthalung in southern Thailand to the resort’s onsite boutique, Banyan Tree Gallery Samui. The collection is made from krajood sedge and banana tree fibre — materials grown and gathered in Phatthalung — transformed by combining traditional weaving and production methods with contemporary design. T.A.I Studio was founded by husband-and-wife Nick and Sai Rawling as a way of connecting these existing materials, skills and making traditions with luxury hospitality. Today the studio works alongside a network of growers, weavers and specialist makers around Phatthalung, with different hands contributing weaving, hand-loomed cotton, embroidery, leatherwork and finishing. “When these traditions are thoughtfully integrated into contemporary hospitality, something else becomes possible,” said Rawling. “Visitors encounter a culture that is living rather than displayed.” “The product isn’t the whole experience,” Rawling added. “It’s a way into a much bigger story about people and place. That’s why working with Banyan Tree feels particularly relevant — there is a shared interest in connecting hospitality to its surroundings rather than importing a sense of place.” Banyan Tree has a longstanding commitment to both sustainability and working with local communities. “We chose T.A.I Studio bags because they closely align with ‘Banyan Tree’s founding ethos of ‘Embracing the Environment, Empowering Communities’,” said Spa & Gallery Manager Naphasawan Badklang. “These products celebrate local craftsmanship and heritage.” “By showcasing these bags at Banyan Tree Gallery Samui, we help promote the artisans’ stories and craftsmanship to a wider audience,” she added. Banyan Tree Samui’s onsite boutique showcases a number of locally infused handicrafts and signature amenities, including Banyan Tree bath & body treatments and aromatherapy collections, which combine Asian-inspired ingredients with natural botanical blends. All retailed products meet Banyan Tree’s criteria of supporting personal wellbeing while being mindful of the environment. Banyan Tree Gallery was founded on a simple belief – that commerce can be an engine for good. For more than three decades, the brand has supported artisan livelihoods worldwide, preserving the cultural heritage of craft, and advancing a more sustainable future. What began as a small initiative has grown into a global ecosystem of purposeful commerce. To date, Banyan Tree Gallery has commissioned more than 1.2 million products, supported 339 communities, and collaborated with 240 non-profit organisations. A Sanctuary for the Senses Banyan Tree Samui’s 88 spacious pool villas, each with its own private infinity pool, provide a serene and secluded oasis where guests can unwind and reconnect with nature. Designed to seamlessly blend with the surrounding landscape, the villas feature contemporary Thai architecture and are adorned with locally sourced materials and artwork, creating a truly authentic and immersive experience. The resort hosts three restaurants, including Saffron which was recently listed in the 2025 MICHELIN Guide. Other onsite facilities include a fitness centre, a kids’ club, a meetings and events centre, a spa with unique Rainforest hydrotherapy facility, and a library. For reservations and more information, contact samui@banyantree.com or tel: +66 077 915 333. Villas at Banyan Tree Samui, each with a private infinity pool, start from US$585 per night.

The post Banyan Tree Samui Sustainable New Partnership With Local Artisans appeared first on Asian Itinerary.

If you close your eyes and picture Japan, what do you see? Likely, it is a vision created by a man who died over 170 years ago. You see the snow-capped peak of Mount Fuji, standing stark against a red sky. You see the terrifying, claw-like foam of a great wave threatening to swallow boats near Kanagawa. You see the quiet elegance of geishas or the surprising scurry of urban life in Edo. This is the Japan of Katsushika Hokusai. But as any traveler knows, the reality behind the postcard is always more complex, more chaotic, and infinitely more interesting than the image. The Man Who Couldn’t Sit Still When you travel through Japan today, you might meet artisans who have spent decades perfecting a single craft in a single studio. Hokusai was the opposite. If he were alive today, he’d likely be the type of traveler with a worn-out passport and a dozen SIM cards. According to curators and historians, Hokusai changed his name at least 30 times during his life—roughly once a decade. He wasn’t just reinventing his brand; he was reinventing his soul. He moved house over 90 times. Imagine the logistics of that! But for Hokusai, movement was life. He once wrote, “From the time I was six, I was in the habit of sketching things I saw around me.” He didn’t just observe Japan; he devoured it. A Rebel with a Brush For a traveler interested in the counter-culture of the Edo period, Hokusai is your guy. He was a rebel. At 14, he was apprenticed to a wood carver, and later joined the Katsukawa school. But he was too curious for their rigid traditions. At a time when Japan was isolationist, Hokusai was secretly studying Western art—specifically French and Dutch engravings that had been smuggled into the country. He incorporated Western perspective and shading into traditional ukiyo-e (pictures of the floating world), revolutionizing the art form. His rebellion cost him. He was eventually expelled from the Katsukawa school by his master’s successor. But, as he later reflected, “What really motivated the development of my artistic style was the embarrassment I suffered at Shunko’s hands.” The “Old Man Mad About Painting” If you visit the museums of Tokyo or the prints shops of Kyoto, you will inevitably stumble upon his most famous work: Thirty-six Views of Mount Fuji. Created when he was in his 70s, this series gave the world “Red Fuji” and, of course, “The Great Wave.” But to understand the traveler’s spirit of Hokusai, you have to understand his obsession with time. He wasn’t afraid of getting old; he was impatient for it. In a quote that reads like a manifesto for lifelong learning, Hokusai said: “When I was 50 I had published a universe of designs, but all I have done before the age of 70 is not worth bothering with. At 75, I’ll have learned something of the pattern of nature… At 100 I shall be a marvellous artist. At 110, everything I create — a dot, a line — will jump to life as never before.” He died at 88, reportedly on his deathbed sighing, “If only Heaven will give me just another 10 years… Just another five more years, then I could become a real painter.” The Graphic Novel Perspective As noted in the recent graphic novel Hokusai – a graphic biography, there is a powerful myth surrounding the artist. The book reflects on how Hokusai transformed his existence into an “immortal work.” The text asks a poignant question: Who is Hokusai? Is he the sum of the legends—the man who painted a giant Daruma with a broom, or chased a chicken with red feet across paper to create a “maple leaf” river? Or is he simply the man who fled a fire, not caring about his possessions, but clutching his brushes tightly to his chest? The text suggests that while many anecdotes might be invented or embellished, they serve a purpose: they illustrate a man who protected his art above all else. Even when his studio burned down in 1839, destroying much of his work, he didn’t stop. He picked up a brush and kept going. The Takeaway for the Traveler When you travel to Japan, you are walking through the landscape that Hokusai sketched 200 years ago. The cities have changed, the buildings are taller, but the spirit of the “Floating World” remains. Hokusai teaches us that travel isn’t just about the places we go, but the curiosity we bring to them. He teaches us that it is never too late to start, and never too early to move. As the graphic novel puts it, “Maybe we don’t know many things about Hokusai… but even if they were completely invented, perhaps this is a good reason not to stop telling them.” So, go to Kanagawa. Look at the sea. And remember the Old Man who was never satisfied, who moved 90 times, changed his name 30 times, and still believed his best work was just five years away.

The post Hokusai: The Old Man Mad About Painting appeared first on Asian Itinerary.

Upper House is proud to announce WITHIN, a new multi-sensory immersive theatre production created in partnership with internationally-renowned creative studio ONE HUNDRED. As the newest chapter in the brand’s Art Encounters programme, the experience reimagines its luxury hotel environments into dynamic, interactive stages where audience joins the narrative. WITHIN debuts across three consecutive weekends this October, staging sequential runs in Hong Kong, Chengdu, and Shanghai. Crafted by key visionaries behind Punchdrunk’s acclaimed Sleep No More, WITHIN offers an intimate theatrical adventure for the audience and performers across three House-specific chapters: Upper House Hong Kong presents The Dreamer, an ascending, dreamy journey into a peaceful sanctuary; Upper House Chengdu hosts The Phoenix, an exploration across time leading into a hidden garden; and Upper House Shanghai unveils The Collector, an exploration of secret encounters and curiosities. “With every edition of Art Encounters, we look for new and unexpected ways to connect people with culture,” said Teresa Muk, Head of Brand and Strategic Marketing at Swire Hotels. “WITHIN captures the very essence of Upper House, from our spirit of unscripted hospitality and genuine connection to the fact that no two Houses are the same. It gives our guests a fresh way to feel our spaces, filled with surprise, sensory wonder and creative discovery.” “Great immersive theatre thrives on intimacy and curiosity, and Upper House has given us the creative freedom to redefine the way art is experienced,” said Conor Doyle, Artistic Director and Choreographer at ONE HUNDRED. “Through WITHIN, we’ve taken what makes each House special and used performers, movement, light, and sound to turn quiet corridors into living stories. Audiences don’t just watch—they step directly into the performance and shape their own experience.” First launched in 2019 as Encounters Across Cultures and now renamed Art Encounters, Upper House’s signature programme celebrates the power of cross-cultural collaboration, grounded in the belief that creativity flourishes at the intersection of cultures. Inspired by both local and international perspectives, the programme encourages artistic exploration, cultural exchange, deep emotional connections and new ways of seeing the world. WITHIN arrives in Hong Kong, Chengdu and Shanghai this October. Complimentary and open to all, the immersive 20-minute experience is available by advance reservation, with limited spaces available. Priority booking for Upper House members begins on 2 September with public bookings opening on 14 September. Upper House’s Art Encounters 2026 – WITHIN Experience Dates The Dreamer – Upper House Hong Kong Date: 9-11 October 2026 The Phoenix – Upper House Chengdu Date: 16-18 October 2026 The Collector – Upper House Shanghai Date: 23-25 October 2026 For more information on the programme and reservations, visit the WITHIN page here. ABOUT UPPER HOUSE Upper House is a collection of refined, highly individual properties renowned for their distinctive designs and exceptional service. From Hong Kong to Shanghai and Chengdu, each House is a sophisticated, singular work of design, created by talented architects to reflect the unique character of its surroundings. Upcoming openings include Houses in Shenzhen, Xi’an, and Tokyo, as well as branded residences in Bangkok, extending its signature unscripted hospitality to those who seek a different, intimate, and personalised experience. ABOUT ART ENCOUNTERS Launched in 2019, Upper House’s signature art programme celebrates the power of cross-cultural collaboration. We invite global creators to draw inspiration from our House cities, exploring everything from multimedia and technology to live performance. Every edition is an invitation to experiment with the unfamiliar, whilst honouring the unique cultural identity of the places we call home. ABOUT ONE HUNDRED ONE HUNDRED is an internationally recognised immersive theatre and experience design studio creating transformative worlds where theatre, movement, architecture, design and technology converge. Working internationally across Shanghai, London and New York, the creative team has spent more than eighteen years at the forefront of immersive performance, helping to shape some of the world’s most influential immersive productions while developing an internationally recognised practice of their own. Previous projects include Narcissus, The Ten Gifts, Smoke & Mirrors, Lost in Play 2, The Museum of Trees, and collaborations with Valentino, Gucci, Stella McCartney, Patek Philippe, Mytheresa, Moschino, Tmall and the McKittrick Hotel in New York.

The post Upper House Unveils ‘WITHIN’: An Immersive Theatre Series appeared first on Asian Itinerary.

Johannes Vermeer‘s masterpiece will be on display at the Nakanoshima Museum of Art for a limited time this summer. For the first time in fourteen years, and quite possibly for the very last time, Johannes Vermeer’s most famous painting is coming to Japan. Girl with a Pearl Earring will be the centerpiece of a special exhibition at the Nakanoshima Museum of Art in Osaka, running from 21 August to 27 September 2026. The exhibition is organized by the museum in collaboration with The Asahi Shimbun and Asahi Television Broadcasting Corp. A Rare and Historic Loan The painting’s journey to Japan is a significant event in the art world. Owned by the Mauritshuis museum in The Hague, the Netherlands, Girl with a Pearl Earring is rarely permitted to travel. In 2014, the museum officially declared the painting a permanent fixture of its collection, essentially banning it from future loans due to its status as a star attraction. This summer’s exhibition is a highly exceptional circumstance, made possible because the Mauritshuis will be temporarily closed for renovations. The last time the painting travelled abroad was as part of a 2012-2014 world tour, which attracted millions of visitors in Japan and the United States. According to Martine Gosselink, general director of the Mauritshuis, “We welcome thousands of Japanese tourists every year who love Vermeer’s ‘Girl with a Pearl Earring.’ For the Mauritshuis, the Girl’s journey is therefore a special opportunity to share her with the Japanese public, perhaps for the very last time.” This statement underscores the significance of the exhibition as a potentially final chance to view the work in Japan. More Than Just the Girl While Vermeer’s masterpiece is the star, the exhibition, titled “Vermeer, Vermeer’s Girl with a Pearl Earring: Dutch masterpieces of the 17th century,” offers a much broader experience. The show will feature a carefully curated selection of twelve masterpieces from the Mauritshuis collection. This includes a second, lesser-known painting by Vermeer, Diana and her Nymphs, which is his only work with a mythological subject. Painted when Vermeer was in his early twenties, it is considered a rare departure from the domestic interiors for which he is most famous. The exhibition will also showcase works by other masters of the Dutch Golden Age, such as Rembrandt van Rijn, whose character study The Laughing Man will be on display. Other highlights include Jan Steen’s lively and moralizing genre scene As the Old Sing, so Pipe the Young, and Cows Reflected in the Water by Paulus Potter, a significant work in the development of Dutch animal painting. The exhibition also features a piece by the female painter Maria van Oosterwyck, Flowers in an Ornamental Vase, whose work is currently being re-evaluated by art historians. The presence of these works offers visitors a complete picture of seventeenth-century Dutch painting, from the quiet mystery of Vermeer to the boisterous scenes of Jan Steen and the technical precision of Van Oosterwyck. The Masterpiece and Its Fame Girl with a Pearl Earring is a “tronie,” a Dutch Golden Age genre depicting an imaginary figure with an exaggerated expression or in exotic costume. Painted around 1665, the work is celebrated for Vermeer’s masterful rendering of light on the girl’s face and the famous luminous pearl itself. The striking blue and yellow turban was painted using ultramarine, a pigment made from the semi-precious stone lapis lazuli, which was more valuable than gold in the seventeenth century. Often referred to as the “Mona Lisa of the North,” the painting achieved global fame and recognition after inspiring a best-selling novel and a Hollywood film. Planning Your Visit Given the immense popularity of Vermeer’s work, the exhibition is expected to be a major attraction. The Nakanoshima Museum of Art is located in Osaka’s Kita Ward, approximately five minutes on foot from Watanabebashi Station on the Keihan Nakanoshima Line. The museum is open from 9:30 am to 5:00 pm, with last entry at 4:30 pm. On select days — 28 August, 4 September, 11 September, and from 18 to 27 September — the museum will extend its hours to 8:00 pm. Ticket Information and Important Purchase Requirements Admission: General ¥3,000, University and High School Students ¥1,500, Junior High and Elementary School Students ¥500. Preschoolers are free. Location: Nakanoshima Museum of Art, Osaka (NAKKA) (5F Galleries), just a short walk from Watanabebashi Station Reservations: Timed-entry only with advance reservations required through the https://vermeer2026.exhibit.jp/en/  Hours: 9:30 AM – 5:00 PM (last entry 4:30 PM); with extended evening hours until 8:00 PM on select dates Important: This is a timed-entry exhibition, and organizers have confirmed that no tickets will be sold at the door on any day of the run. You must secure a ticket for a specific date and time slot in advance. Due to high demand and issues with scalping, a lottery system through Ticket Pia will be used for ticket sales. Book your ticket as soon as possible to avoid disappointment.

The post The Girl with the Pearl Earring Returns to Japan appeared first on Asian Itinerary.

This guide is written for travellers across Asia who treat Chiang Mai as the region’s easiest creative getaway. If you are flying in from Kuala Lumpur, Singapore, Bangkok or Ho Chi Minh City for a long weekend, the festival you pick shapes the whole trip. It is also for the city’s own community of expats, digital nomads, and northern Thais who plan their cool-season calendar around music and art. Chiang Mai hosts five music and art festivals worth building a trip around in 2027: Gaia Beats Festival, Imagine Music & Arts Festival Thailand, Thantawan Festival, the Chiang Mai International Music, Art and Culture Festival and the Chiang Mai Performing Arts Festival. Gaia Beats leads the list as a social-enterprise festival set in a natural hot spring, where the money you spend stays in northern Thailand. The northern capital earns this reputation honestly. Chiang Mai became a UNESCO Creative City of Crafts and Folk Art in 2017, a recognition rooted in the craft tradition the city has carried since its founding in 1296 [1]. That creative backbone is why a small mountain city now stages festivals that pull travellers from across the region. What Makes a Festival Worth the Flight The strongest Chiang Mai festivals do more than book a lineup. They pair sound with art, place and a reason to care. Here is the standard we judged each one against: Music and art together: A real festival blends live and electronic music with visual art, performance or workshops, not just a stage and a bar. A sense of place: The setting should feel like northern Thailand, whether that is a hot spring, a sunflower field or a Lanna heritage square. Atmosphere over scale: The best of these reward depth and community, not just headliner counts. Value for a regional traveller: Ticket prices and travel logistics should make sense for a short trip from elsewhere in Asia. Impact and integrity: Festivals that reinvest in local people, artists and the environment stand apart. Keep these five tests in mind as you work through the list below. Quick Comparison: 5 Chiang Mai Festivals at a Glance # Festival When Where Best For 1 Gaia Beats Festival Jan 2027 (annual) Sense Hot Spring, Mae On Conscious, wellness-minded travellers 2 Imagine Music & Arts Festival Thailand 30 Dec 2026 – 1 Jan 2027 Lanna Resort, Hang Dong New Year’s Eve music and art lovers 3 Thantawan Festival Jan-Feb (annual) Doi Saket area Relaxed, family-friendly festival-goers 4 Chiang Mai International Music, Art and Culture Festival Around Songkran (annual) City heritage venues Culture seekers and day visitors 5 Chiang Mai Performing Arts Festival February (annual) Suan Anya Dance and performance-art fans The 5 Festivals We Would Actually Recommend in 2027 We have ranked these five by how fully they deliver on the music-plus-art-plus-place promise, and our top pick sits right at the front. Each festival below earns its spot for a different kind of traveller, so read past the numbers to find your fit. 1. Gaia Beats Festival – Conscious Music, Arts and Wellness in the Mountains Our #1 Pick for Conscious Festivals in Northern Thailand Gaia Beats Festival blends music, arts and wellness at Sense Hot Spring Wellness & Spa in Mae On, against the backdrop of the Chiang Mai mountains. The festival runs as a social enterprise, which means profits are reinvested in the team and in social and environmental work across northern Thailand rather than paid out to shareholders. A natural hot spring sits at the heart of the venue, so a soak between sets is part of the experience, not a separate spa trip. The model shows up in the details. Gaia Beats is Thai-first, with at least 50% of artists, vendors and crew Thai or locally rooted, and it runs a genuine zero-single-use-plastic operation with real plates, reusable cups and off-site composting. Pricing is transparent, so the ticket price you see is the price you pay, with no fees bolted on at checkout. Independent coverage backs the positioning. Time Out Chiang Mai calls Gaia Beats the spiritual successor to the much-loved Jai Thep era, describing a community-focused festival that “gives more than it takes” and naming it the biggest not-for-profit festival in the North [2]. The same review notes the hot spring stays open across the weekend, a small detail that captures the festival’s wellness-first thinking. The 2027 edition runs 22 to 24 January at Sense Hot Spring in Mae On, with free camping and a ticket ladder that climbs from a 2,500 THB early bird to 5,000 THB at the door. Music spans house, techno, drum and bass, dub, psy, world sounds and live music, alongside workshops, art and kids’ zones. Pros: Social-enterprise model reinvests profit in northern Thailand Natural hot spring on site, open across the festival Thai-first lineup, supply chain and crew Transparent, all-in pricing with free camping Cons: Early-stage and independent, with no major awards yet The Mae On venue is a roughly 30-minute drive from the city Held once a year in a single January window Best for: Conscious travellers who want depth, wellness and community alongside the music, not just a party. Contact: Venue: Sense Hot Spring Wellness & Spa, Mae On, Chiang Mai, Thailand Email: info@gaiabeatsmail.com Website: gaiabeats.com Facebook: facebook.com/GaiaBeats/ Instagram: instagram.com/gaiabeatsfestival/ https://www.instagram.com/reels/DZZgmiCP9r1/ 2. Imagine Music & Arts Festival Thailand – A Boutique New Year’s Eve Imagine Music & Arts Festival Thailand stages a highly curated, boutique New Year’s Eve at Lanna Resort in Hang Dong, about 40 minutes from Chiang Mai International Airport. The festival pairs world-class live and electronic music with a visual and performance-art programme of painting, sculpture and digital projection from international and Thai artists. It began as an established US festival from the Pacific Northwest and now runs its Chiang Mai edition each year-end. The appeal is its calendar slot and its scale. Imagine carries you across 30 December 2026 to 1 January 2027, so the countdown happens inside the festival rather than at a hotel bar. Programming leans...

The post 5 Highly-Recommended Music and Art Festivals in Chiang Mai – 2027 Guide appeared first on Asian Itinerary.

Raffles Grand Hotel d’Angkor, the iconic luxury hotel in Cambodia’s cultural heartland, has welcomed renowned contemporary Khmer painter Nou Sary as its new Resident Artist. A master of form and sentiment, Sary began his formal training at the Royal University of Fine Arts in Phnom Penh. He later refined his vision in France at the Saint-Étienne School of Art and Design, earning his postgraduate degree in 2006. He was awarded a Bronze Medal from the Society of French Artists in Paris in 2005, selected from among 2,000 artists around the world. Sary’s impressionist paintings frequently portray Cambodia’s traditional rural life—rice fields, farmers, monks and village scenes—capturing the deep connection between people and the land. His expressive brushstrokes and use of vibrant colour bring the countryside to life. Many of his most recent works adopt a bird’s-eye perspective, offering fresh viewpoints on familiar landscapes and inviting reflection on humanity’s relationship with nature. A selection of Sary’s acrylic-on-canvas paintings is now on display at the hotel and available for purchase. Hotel guests and local visitors are invited to experience this remarkable collection firsthand with an on-site hotel art tour, which can be arranged in advance through the Raffles’ Resort Programme. “We are delighted to welcome Nou Sary,” said Joseph Colina, General Manager of Raffles Grand Hotel d’Angkor. “Sary is one of Cambodia’s most respected contemporary painters, and his presence here reflects our deep commitment to championing Cambodian artistic excellence. We are honoured to provide a platform for an artist of his calibre and look forward to the unique perspective and inspiration he will bring to our guests and the wider community.” This announcement builds on several recent developments for the hotel. Earlier this month, Raffles Grand Hotel d’Angkor was named one of the world’s ‘500 Best Hotels’ by Travel + Leisure for the fifth consecutive year. In March, the hotel unveiled the immersive new ‘Grand Path of History’ tour featuring rare photographs, video footage, architectural drawings and more. This permanent exhibition is complemented by the new book, A Tale of Two Hotels – Raffles in Cambodia, which showcases the property alongside Raffles Hotel Le Royal, its sister property in Phnom Penh. Originally opened in 1932 as a rest stop for archaeologists and adventurers exploring the ancient kingdom of Angkor Wat, Raffles Grand Hotel d’Angkor remains a timeless landmark. The hotel masterfully blends 1930s French Art Deco design with refined Cambodian influences and contemporary touches across its 119 elegant rooms, suites and villas. Guests can further immerse themselves through the hotel’s ‘Curated Journeys’ programme, which includes a candlelit ‘Bespoke Temple Dinner’ within the Angkor temple complex, the ‘Lost Civilisations of Angkor by Vespa’ tour, and the ‘Siem Reap Art Tour’. For more information on Raffles Grand Hotel d’Angkor, or to make a booking, please call +855 23 982 598 or visit www.raffles.com/siem-reap/.

The post Raffles Grand Hotel d’Angkor Welcomes New Resident Artist appeared first on Asian Itinerary.

Promoting Local Artisans and Sustainable Travel in Asia INNSiDE by Meliá Bangkok Sukhumvit has launched ‘The GALLERY,’ a vibrant showcase dedicated to supporting talented Thai designers, artists, and craftspeople. Situated on the 32nd floor of the hotel, adjacent to the reception, this social enterprise celebrates Thailand’s rich cultural heritage while promoting sustainable livelihoods. A Space Where Creativity Meets Conscience Rooted in the philosophy of “Giving Art, Art of Giving,” The GALLERY connects local artisans with a global audience. All profits are directed towards scholarships for art and design students, helping communities in need and preserving traditional crafts that are vital to Thailand’s cultural identity. This initiative aligns with Thailand’s broader efforts to safeguard indigenous skills across over 302 communities nationwide, many of which surround properties owned by Asset World Corp Public Company Limited (AWC), the parent company of INNSiDE. Unique Artisanal Products Supporting Thai Communities The GALLERY offers a curated selection of meaningful products including handwoven textiles, ceramics, jewelry, and children’s toys. Many items come with “Meet the Artist” stories, providing insight into the craftsmanship and cultural significance behind each piece. For example, DAWOOD Voyage Travel Souvenirs crafts intricate tuk-tuk models and Grand Palace fridge magnets using sustainable wood, offering authentic keepsakes of Thailand’s iconic landmarks. Meanwhile, Ruen Klin produces eco-friendly, durable woven flower garlands from dried water hyacinth—an innovative and environmentally responsible alternative to plastic. A Mission for a Better Future in Travel and Asia Established by AWC, The GALLERY embodies the vision of “Building a Better Future,” supporting Thailand’s artisans and aligning with the United Nations Sustainable Development Goal 8. This goal promotes sustained, inclusive, and sustainable economic growth, full employment, and decent work for all. In addition to Bangkok, AWC has expanded The GALLERY to 18 other hotels, including Meliá Chiang Mai, further amplifying the positive impact of this initiative across Asia’s vibrant hospitality landscape. Experience Bangkok’s Premier Lifestyle Hotel The INNSiDE Bangkok Sukhumvit hotel itself offers a modern, stylish stay in Bangkok’s emerging On Nut neighborhood. With 208 rooms inspired by the city’s landmarks, guests can enjoy facilities such as a rooftop transparent swimming pool, a rooftop tapas bar, co-working spaces, and versatile meeting rooms—perfect for travelers seeking a blend of leisure and productivity. Book Your Stay and Support Thai Art To experience the cultural richness of Thailand and support local artisans through The GALLERY, visit Melia.com, email reservation.innside.sukhumvit@melia.com, or call +66 2 340 5499. Embark on a journey that combines luxury travel with meaningful cultural preservation in Asia.

The post The GALLERY at INNSiDE Bangkok appeared first on Asian Itinerary.

The Tourism Authority of Thailand (TAT) invites local and international travellers to experience Thailand Biennale Phuket 2025, a five-month celebration of contemporary art running from now until April 2026. The Biennale brings creative works from around the world to Phuket’s historic neighbourhoods, cultural landmarks, and scenic outdoor locations. Now in its fourth edition, the Biennale highlights Thailand’s growing creative economy and strengthens Phuket’s position as a destination for arts and culture. This year’s theme, “Eternal Kalpa”, encourages visitors to reflect on time, change, and the connection between people and nature. The artworks explore how memories, communities, and the environment continue to shape Phuket as it looks to the future. A total of 65 artists and collectives from 25 countries are participating. Their works are displayed across 19 venues in Mueang, Kathu, and Thalang districts, including the former Pearl Theatre, Phuket Contemporary Art Gallery, repurposed community buildings, and outdoor sites such as Saphan Hin and Promthep Cape. Each location has been transformed to offer a different perspective on Phuket’s culture and landscape. Alongside the main exhibition, visitors can explore 13 “Sala” created by artist groups and organisations from Thailand and abroad. Spread across the island, these Sala present additional artworks, workshops, and community activities. Each space offers its own interpretation of Phuket’s stories, traditions, and natural surroundings. Thailand Biennale Phuket 2025 aims to make contemporary art more accessible to the public while supporting Phuket’s development as a sustainable, creative city. The event encourages visitors to discover the island through art, engaging with its architecture, heritage, and people in a fresh and meaningful way. A series of collateral activities will take place until April 2026, including talks, guided programmes, and community-led events. These activities are designed to help visitors and residents enjoy the Biennale more deeply and understand the inspirations behind the artworks. With installations set in both urban and coastal areas, Thailand Biennale Phuket 2025 offers a unique way to explore the island, inviting travellers to experience art in unexpected and memorable settings. The event strengthens Phuket’s international profile and supports Thailand’s appeal as a destination for cultural and creative experiences. More information is available at www.thailandbiennale.org, facebook.com/thailandbiennale, and the Ministry of Culture Hotline 1765.

The post Thailand Biennale Phuket 2025 now open through April 2026 appeared first on Asian Itinerary.

The Tokyo Art Book Fair (TABF) returns in its 15th edition, expanding to two separate weeks for the first time, showcasing a diverse lineup of global art publishers and independent presses. This dynamic event is a must-visit platform celebrating the evolving landscape of art publishing. This year, the “GUEST COUNTRY” program spotlights Italy, exploring its rich publishing culture through exhibitions like YES YES YES Revolutionary Press in Italy 1966–1977 and OUT OF THE GRID: Italian Zine 1978–2006. Highlights include showcases by Corraini, an Italian publisher renowned for its innovative picture books by Bruno Munari, Enzo Mari, and Ettore Sottsass. Other features include a photography exhibition by Takashi Homma focusing on refugees worldwide, an archival presentation from Pace Gallery, and a festive “BOOK WRAPPING CORNER” with special wrapping papers designed by Bruno Munari, Norio Nakamura, and David Horvitz. The fair offers a packed schedule of talks, workshops, book signings, live performances, a kids’ area called “PLAYGROUND,” and community initiatives like “NEIGHBORS.” Visitors can also explore booths from brands like Sigma, New Balance, Bang & Olufsen, and more. Join us at the Museum of Contemporary Art Tokyo from December 11–14 and December 19–21, 2025, to celebrate creativity, culture, and the future of art publishing. Tickets go on sale November 20th at 12:00 PM. Learn more at tokyoartbookfair.com. Venue: Museum of Contemporary Art Tokyo – Address: 4-1-1 Miyoshi, Koto-ku, Tokyo 135-0022 Admission: Online ticket (date and time designated) — General: ¥1,000 + ¥165 online booking fee (tax included) *Free for elementary school students and younger. ※Same-day ticket: ¥1,200 (available until 16:00 each day; sales end once sold out). A limited number of same-day tickets will be available. Dates: Week 1 Dates: 12:00-19:00, December 11 (Thu),  2025 Last Admission: 18:30 11:00-18:00, December 12 (Fri) -14 (Sun), 2025 Last Admission: 17:30 Week 2 Dates: 12:00-19:00, December 19 (Fri),  2025 Last Admission: 18:30 11:00-18:00, December 20 (Sat) – 21 (Sun), 2025 Last Admission: 17:30 About TOKYO ART BOOK FAIR TOKYO ART BOOK FAIR started in 2009; the first book fair in Japan to specialize in art publications.Held annually, it gathers independent publishers, gallery presses, bookshops as well as individual artists and groups. The fair has seen constant growth in its scale and content over the years, and the event now gathers more than 350 participants from Japan and abroad and attracts more than 20,000 visitors every year.At the fair, visitors can communicate with and buy publications directly from hundreds of publishers and artists who create unique and innovative art publications; they can also enjoy various events including special exhibitions, talks/panel discussions and film screenings.As the biggest of its kind in Asia, TOKYO ART BOOK FAIR aims to champion and lead art publishing culture in the region, and create the ideal opportunity for visitors to experience the ever evolving, vibrant arena of arts publishing. Photos by Henry Anim Del Rio 

The post the 15th Edition of Tokyo Art Book Fair 2025 appeared first on Asian Itinerary.

Raffles Grand Hotel d’Angkor has welcomed a new artist in residence ahead of the launch of a new exhibition of artworks, as the iconic 93-year-old luxury hotel in Siem Reap, Cambodia continues to spotlight talented Khmer creatives. Teang Borin, popularly known as ‘DinArt’, is an audacious, self-taught artist whose work captures and exalts the essence of Cambodia’s rich religious and societal heritage. His latest exhibition, inspired by the majesty of Khmer royalty and the distinguished colour palette of the Raffles Royal Doorman, features vivid, brilliant hues often set against a stark backdrop. “The central concept revives the historical tradition of Khmer royalty, specifically focussing on the Royal Guards’ pantaloons. Historically, the colour of a king’s attire would change to correspond with the day of the week—a vibrant, visual reminder of the calendar and its spiritual significance,” said curator Nat Di Maggio of the local Tribe Art Gallery. Raffles Grand Hotel d’Angkor will host DinArt for a ‘meet-the-artist’ event on Dec. 18 (starting at 6 p.m.) that includes a gin and canape pairing priced at $25. The exhibition of DinArt’s works can also be experienced on a private guided tour led by the resident artist or by Di Maggio. “Raffles remains committed to highlighting the remarkable artists of Cambodia, and we are pleased to present this Raffles Curated Collection featuring the remarkable works of DinArt,” said Raffles Grand Hotel d’Angkor General Manager Joseph Colina. The exhibition is the latest in Raffles Grand Hotel d’Angkor’s ongoing art and cultural series, and follows a two-artist show that concluded in October and a display earlier this year of notable works by another celebrated Khmer painter. Raffles Grand Hotel d’Angkor originally opened in 1932 as a rest stop for archeologists and adventurers exploring the kingdom of Angkor Wat, which is today one of the world’s most popular UNESCO World Heritage sites. The hotel’s exclusive ‘Curated Journeys,’ introduced in 2024, offer guests new ways to experience Siem Reap’s rich culture and history, while its on-site ‘Resort Programme’ showcases heritage and traditions at the hotel. Last month, Raffles Grand Hotel d’Angkor landed on Fodor’s list of ‘The 100 Most Incredible Hotels in the World’. It was the only hotel in Cambodia to be recognised. Travel + Leisure magazine also honoured Raffles Grand Hotel d’Angkor as one of the world’s ‘500 Best Hotels’ for a fourth-consecutive year in May. For more information on Raffles Grand Hotel d’Angkor, or to make a booking, please call +855 23 982 598 or visit www.raffles.com/siem-reap/.

The post Raffles Grand Hotel d’Angkor New Artist in Residence appeared first on Asian Itinerary.

The Hari Hong Kong has partnered with White Cube Hong Kong, to share a selection of works from ‘Thresholds,’ a group exhibition featuring the work of contemporary artists whose practices are rooted in or connected to Indonesia. Through a diverse range of mediums, the temporary exhibition explores the interwoven cycles of life, death and transformation, with a focus on themes of ritual, spirituality, and reincarnation. Artworks will be on display at the hotel until 31 March 2026. To celebrate the exhibition, The Hari Hong Kong is offering menu specials inspired by Indonesian cuisine. At The Lounge, one of the public spaces where ‘Thresholds’ adorns the walls, visitors can enjoy dishes such as chicken karaage wrapped in pandan leaf, or pandan coconut panna cotta. These can be enjoyed alongside the Threshold Special, a pandan-flavoured cocktail or mocktail. The pandan leaf, a staple in Indonesian cooking, adds a sweet aroma and vibrant green colour to the limited-time dishes and drinks. The pandan leaf also holds spiritual significance. Known as a symbol of purity, the leaf is often used for the woven basket of Canang Sari, daily offerings. Curated by Galuh Sukardi, an independent curator based in Indonesia, ‘Thresholds’ brings together painting, sculpture, textile, drawing and silverware by multigenerational artists: Galuh Anindita, Arahmaiani, Christine Ay Tjoe, Nadiah Bamadhaj, Kei Imazu, Ines Katamso, I Gusti Ayu Kadek Murniasih (Murni), Citra Sasmita and Jennifer Tee. Each artist charts their own individual journey of transformation: spiritual, political, physical or mythological. Forming a chorus of unique experiences, each shaped by the crossing of a ‘threshold’, the works selected reflect an understanding of the coexistence of light and dark; a dynamic whereby opposite forces are not at odds but held in balance. Rooted in Indonesian traditions, and amid contemporary ecological, spiritual and social fractures, the exhibition takes the concept of the black-and-white Balinese poleng cloth as a point of a departure. Traditionally used to adorn statues, shrines and sacred trees, the cloth’s bold, criss-crossing pattern symbolises a harmony of opposites. ‘Thresholds’ at The Hari Hong Kong extends White Cube’s collaboration with the hotel through their annual The Hari Art Prize, which originated in The Hari London, with Irene Bradbury, Global Director, Artist Liaison at White Cube, serving on the judging panel for the London prize. In 2023, The Hari Hong Kong introduced this event, now in its third year.  Wendy Xu, Managing Director, Asia at White Cube, is part of the judging panel for The Hari Art Prize 2026 in Hong Kong. ‘Thresholds, curated by Galuh Sukardi’ is on view at White Cube Hong Kong until 10 January 2026. Concurrently, the exhibition extends to The Hari Hong Kong until 31 March 2026.

The post The Hari Hong Kong Partners with White Cube appeared first on Asian Itinerary.

Lanson Place Causeway Bay, Hong Kong has been honoured as the Best Urban Hotel in the Africa, Asia & Middle East region by the Condé Nast Johansens Awards for Excellence 2026. The winners were officially announced recently in London at a ceremony attended by hospitality industry representatives from around the world. This recognition from Condé Nast Johansens follows an extensive selection process that included online voting, guest feedback and insights from local experts over the past year. For over 40 years, Condé Nast Johansens has served as the premier reference guide for independent travellers, celebrating properties that exemplify the highest standards of quality. This accolade marks a significant milestone for Lanson Place Causeway Bay, as it is the second consecutive year the hotel has been recognised by Condé Nast Johansens since its reopening in 2024. Last year, the hotel was named the Best Recently Renovated Hotel, and this year’s Best Urban Hotel award underscores its continued commitment to excellence. The transformation of Lanson Place Causeway Bay, led by French master of luxury Pierre-Yves Rochon, captures the essence of a private sanctuary, setting the hotel apart within Hong Kong‘s luxury hospitality scene. The combination of French-inspired sophistication and personalised, intuitive service crafts a unique identity that offers guests homely comforts amid the hustle and bustle of Causeway Bay. Cecilia Lo, Area General Manager of Lanson Place Causeway Bay, expressed her gratitude upon receiving this prestigious industry recognition: “This achievement is a testament to our team’s dedication and affirms our vision of offering a sanctuary of warmth for today’s travellers. We extend our heartfelt thanks to everyone who voted for us, to Condé Nast Johansens for this esteemed recognition and to our incredible team, whose unwavering pursuit of excellence and genuine care for our guests are integral to our success. Looking ahead, we remain committed to curating unique travel experiences for our guests at this distinctive property we call home”. For more information on Lanson Place Causeway Bay, visit lansonplace.com/causewaybay. To learn more about the Condé Nast Johansens Awards for Excellence, visit johansens.com/awards/.

The post Lanson Place Causeway Bay Hong Kong Best Urban Hotel appeared first on Asian Itinerary.

Regent Phu Quoc’s signature scenographic pop-up culinary experience, Taste Studio, returns to the idyllic five-star resort this November with A Spectrum of Contrasts. Set to captivate with a multi-disciplinary choreographed interplay between flavour, art, dance, music and Vietnamese culture, this unique event is an immersive and evocative journey that transcends the plate for an interactive dining spectacle one will not soon forget. Throughout the event, a dialogue flows between chefs and artists with paradigms changed and spaces transformed. Exploring the theme of duality through varied artistic expressions, A Spectrum of Contrasts evolves with dramatic interludes designed to evoke contemplation. A musing on humanity’s connectedness to the universe, each act and corresponding course present the rich tapestry of Phu Quoc island, where the essence of duality comes alive. This duality reflects a harmonious balance where opposites coexist and complement each other, shaping the core values and identity of the Vietnamese people throughout history. Through expressions of music, dance, culinary arts and performance, guests are invited to embark on an inspiring sensorial adventure. As the luxuriously curated evening unfurls, artists conjure a living symphony of opposites: light and dark, mountain and sea, day and night, lightness and density, hot and cold. Balancing colour, ingredients and flavour with the works of performance and visual artists, gastronomic storytellers skillfully evoke a spectrum of contrasts. Each masterful dish by Regent Phu Quoc’s culinary team is a showcase of colour, fragrance and taste that articulates the Vietnamese concept of yin and yang. Flavours are ever heightened by sublime artistic performances, culminating in an evening that places guests at the centre of this extraordinary experience. The participating artists for this year’s Taste Studio include the multi-disciplinary Paris-based AC3 Studio, US-born choreographer Sabra Johnson, Regent Phu Quoc executive chef Francesco Andreoni and his renowned culinary team; award-winning paper Truc Chi artists and a music trio, Limebócx. Seating just 32 guests, this exclusive culinary and visual narrative is an ethereal masterpiece that will long be cherished. Running on the 28, 29 and 30 November from 6:00 p.m, the event begins with a welcome cocktail and concludes with a grand finale, where guests enjoy meeting the artists and chefs behind Taste Studio. A Spectrum of Contrasts is the fourth annual Taste Studio experience by Regent Phu Quoc, a celebrated destination for luxurious, immersive and multi-sensory dining experiences. THE CREATIVE TEAM: Designers of Emotions A multi-faceted evening of flavour and moving art forms, A Spectrum of Contrasts is a collaboration between the extraordinary talent of these creatives. AC3 Studio Visual Artists Founded in Paris, France, this multi-disciplinary creative technology atelier creates visually arresting works from onscreen designs to real-world sensory moments. Their expansive team of creative and technological experts, AC3 Studio uses scenography, video mapping projections, motion design, kinetic lighting and interactive installations to curate deeply immersive experiences. Their aim is to consistently produce tailor-made and all-encompassing experiences that creatively elevate brands, leaving a lasting visual impression on audiences. Renowned for crafting bespoke experiences for the world’s most prestigious luxury houses, AC3 brings to Taste Studio a poetic lens and refined mastery that redefines spatial storytelling, leaving behind not just an impression, but an imprint. Sabra Johnson Choreographer Sabra Johnson hails from Utah, USA and was the winner of “So You Think You Can Dance” Season 3 at 19 years old. She has since performed with companies and taught around the world; America, Australia, South Africa, Mexico, Colombia, Germany, Austria, Korea, and Japan all before landing her in Vietnam where she began to direct and choreograph on collaborative and personal ventures. Sabra is highly influenced by America’s traditional form of entertainment, Jazz and Vaudeville, bringing drama, excitement, and humor to every stage. Choosing to stay in Vietnam nearly a decade, Sabra immersed herself in the local culture, collaborating with various artists and contributing to the burgeoning contemporary dance scene. She has inspired countless students through her workshops, classes and performances. Her dedication to fostering creativity and her passion for dance have made her a cherished contributor to the Vietnamese arts community, bridging cultures and sharing her love for movement with a new generation of dancers. As a part of Taste Studio, Sabra brings her rich international experience and creative spirit to the stage, promising a performance that celebrates movement as a universal language. Vietnam Truc Chi Art Originating from the idea of “gives paper the ability to escape its status as a background to become an independent work of art,” Trúc Chỉ was developed by artist Phan Hải Bằng and his collaborators since 2000, with 2012 marking a milestone when the art form received its first fine arts awards. Together with artist Ngô Đình Bảo Vi, Trúc Chỉ has reached wider audiences through numerous exhibitions in Vietnam and abroad, including in France and Germany, and most recently in 2022 through a collaborative project with artist Dominique Rosseau at the French Institute in Huế. With its distinctive technique, “trucchigraphy” – a fusion of traditional papermaking, water pressure, and printmaking principles – Trúc Chỉ creates a unique spectrum of tones and luminous effects, celebrating the contrasts of light and shadow, yin and yang. Humble materials such as bamboo, straw, sugarcane, banana, leaves, and grasses are elevated into contemporary beauty, resonating deeply with the emotions of its viewers. Limebócx Music Trio Limebócx is a musical trio from Hanoi, Vietnam that positions itself between tradition and futurism. Blending nostalgic dàn tranh (Viêt zither) riffs, looped vocal harmonies, driving basslines, shimmering guitars and smooth electronic production, this revisioning of Ca Trù awakens a sensitive, soulful side of northern Vietnamese culture. A longing for expressing music in the most natural way. Limebócx’s way of blending Vietnamese traditional sound into modern music represents freedom and eclecticism and is not set within any specific genre or rules. Francesco Andreoni Regent Phu Quoc executive chef Francesco Andreoni and his team of renowned chefs, including executive sous chef Huan Tran, executive pastry chef Duyen Nguyen and Oku chef de cuisine Andy Huynh Hailing from Milan, Italy, Regent Phu Quoc executive chef Francesco Andreoni has worked in the kitchens of many well-known hotels and high-end restaurants...

The post REGENT PHU QUOC PRESENTS TASTE STUDIO appeared first on Asian Itinerary.

As the holiday season approaches, 1664, the iconic French beer brand, is making waves across Asia with its first-ever artist collaboration featuring renowned French artist Camille Walala. This exciting partnership spans markets including Hong Kong, mainland China, Singapore, Malaysia, and Vietnam, bringing a fresh, colorful twist to traditional celebrations like Christmas and Lunar New Year. Starting from October2025, consumers can look forward to limited-edition packaging, immersive experiences, and exclusive merchandise that blend artistic innovation with cultural traditions. A Colorful Fusion of Art and Festivity Camille Walala is celebrated worldwide for her striking use of color, geometric patterns, and immersive installations that breathe new life into any space. Her partnership with 1664 aims to fuse her contemporary artistic style with the rich cultural tapestry of Asian festivities. Imagine bottles of 1664 Blanc, Rosé, and Brut adorned with Walala’s playful, bold designs—an eye-catching fusion that captures the exuberant spirit of the season. Beyond packaging, the collaboration introduces a series of co-branded merchandise and collectibles, such as red envelopes, tote bags, glasses, and umbrellas. Each item is thoughtfully designed to reflect cultural nuances across Asia, elevating 1664’s premium portfolio while celebrating local traditions. These collectibles serve as both functional items and cherished keepsakes, perfect for gifting or personal enjoyment during the festivities. Art, Culture, and Community Engagement This collaboration is more than just eye-catching design; it’s part of Carlsberg Group’s broader vision under the Accelerate SAIL strategy, launched in early 2024. This strategy emphasizes bold growth, innovative branding, and cultural relevance. By partnering with an artist like Camille Walala, 1664 aims to deepen its connection to local communities and showcase the brand’s commitment to creativity and cultural resonance. Throughout the festive season, from mid-October to Lunar New Year, the campaign will feature on-ground activations across key cities. Expect striking installations, engaging events, and behind-the-scenes glimpses into Walala’s creative process. A highlight will be a captivating installation in Kuala Lumpur this December, with further activations planned in major Chinese cities, Singapore, and Vietnam in the coming months. Rommel P. Fuentebella, Senior Director of Premium and Execution at Carlsberg Asia, shared, “Our collaboration with Camille Walala creates a space where art and celebration collide—bringing joy and color into everyday moments. It’s a reflection of our desire to blend French elegance with local creativity, making each festivity unique and memorable.” Embracing Traditions with a Modern Touch One of the most exciting aspects of this partnership is how it reimagines longstanding traditions. From fireworks lighting up the night sky to the glow of lanterns and the aroma of festive delicacies, Walala’s vibrant artwork adds a contemporary layer to these cherished rituals. It’s a celebration of cultural diversity, designed to inspire shared joy and community connection. Travelers and festival-goers alike can look forward to immersive experiences that showcase Camile Walala’s creative vision—offering a unique opportunity to see art, culture, and celebration come alive in unexpected ways. Whether exploring Kuala Lumpur’s upcoming installation or participating in lively activations across Asia’s bustling cities, this collaboration promises to elevate the holiday experience.

The post 1664 / Camille Walala: Art Collaboration 2025 appeared first on Asian Itinerary.