Promoting Local Artisans and Sustainable Travel in Asia INNSiDE by Meliá Bangkok Sukhumvit has launched ‘The GALLERY,’ a vibrant showcase dedicated to supporting talented Thai designers, artists, and craftspeople. Situated on the 32nd floor of the hotel, adjacent to the reception, this social enterprise celebrates Thailand’s rich cultural heritage while promoting sustainable livelihoods. A Space Where Creativity Meets Conscience Rooted in the philosophy of “Giving Art, Art of Giving,” The GALLERY connects local artisans with a global audience. All profits are directed towards scholarships for art and design students, helping communities in need and preserving traditional crafts that are vital to Thailand’s cultural identity. This initiative aligns with Thailand’s broader efforts to safeguard indigenous skills across over 302 communities nationwide, many of which surround properties owned by Asset World Corp Public Company Limited (AWC), the parent company of INNSiDE. Unique Artisanal Products Supporting Thai Communities The GALLERY offers a curated selection of meaningful products including handwoven textiles, ceramics, jewelry, and children’s toys. Many items come with “Meet the Artist” stories, providing insight into the craftsmanship and cultural significance behind each piece. For example, DAWOOD Voyage Travel Souvenirs crafts intricate tuk-tuk models and Grand Palace fridge magnets using sustainable wood, offering authentic keepsakes of Thailand’s iconic landmarks. Meanwhile, Ruen Klin produces eco-friendly, durable woven flower garlands from dried water hyacinth—an innovative and environmentally responsible alternative to plastic. A Mission for a Better Future in Travel and Asia Established by AWC, The GALLERY embodies the vision of “Building a Better Future,” supporting Thailand’s artisans and aligning with the United Nations Sustainable Development Goal 8. This goal promotes sustained, inclusive, and sustainable economic growth, full employment, and decent work for all. In addition to Bangkok, AWC has expanded The GALLERY to 18 other hotels, including Meliá Chiang Mai, further amplifying the positive impact of this initiative across Asia’s vibrant hospitality landscape. Experience Bangkok’s Premier Lifestyle Hotel The INNSiDE Bangkok Sukhumvit hotel itself offers a modern, stylish stay in Bangkok’s emerging On Nut neighborhood. With 208 rooms inspired by the city’s landmarks, guests can enjoy facilities such as a rooftop transparent swimming pool, a rooftop tapas bar, co-working spaces, and versatile meeting rooms—perfect for travelers seeking a blend of leisure and productivity. Book Your Stay and Support Thai Art To experience the cultural richness of Thailand and support local artisans through The GALLERY, visit Melia.com, email reservation.innside.sukhumvit@melia.com, or call +66 2 340 5499. Embark on a journey that combines luxury travel with meaningful cultural preservation in Asia.

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Nestled in the foothills of the Himalayas, the Kathmandu Valley stands as a testament to centuries of rich cultural, religious, and architectural development. Recognized as a UNESCO World Heritage property, the valley is inscribed as seven distinct Monument Zones, each representing a vital aspect of its historical urban and religious fabric. These zones include the historic Durbar squares of Kathmandu, Patan, and Bhaktapur, along with prominent religious ensembles such as Swayambhu, Boudhanath, Pashupati, and Changu Narayan. The Monument Zones and Their Significance The Durbar squares serve as the heart of each city, featuring palaces, temples, and bustling public spaces that reflect the political and cultural grandeur of Nepal’s historic kingdoms. Meanwhile, the religious ensembles are crucial for understanding the spiritual landscape of the valley. Swayambhu: Home to the oldest Buddhist monument in the valley, a venerable stupa that symbolizes the enduring Buddhist tradition in Nepal. Bauddhanath: Contains the largest stupa in Nepal, a major pilgrimage site and a hub of Tibetan Buddhism. Pashupati: Encompasses an extensive Hindu temple precinct dedicated to Lord Shiva, highlighting the importance of Hindu worship in the region. Changu Narayan: Features a traditional Newari settlement and one of the earliest inscriptions from the 5th century AD, along with a Hindu temple complex that exemplifies Nepalese temple architecture. Architectural Features and Craftsmanship The monuments are characterized by their distinctive architectural typologies, primarily constructed from fired brick, mud mortar, and timber. Their roofs are adorned with small overlapping terracotta tiles and gilded brass ornamentation, showcasing the high level of craftsmanship of the Newar people—the indigenous inhabitants of the valley. Richly carved windows, doorways, and roof struts further exemplify their artistic mastery. Stupas—symbolic Buddhist monuments—are notable for their simple yet powerful forms, with massive whitewashed hemispheres supporting gilded cubes bearing the all-seeing Buddha eyes. These architectural elements reflect both spiritual symbolism and artistic excellence. Cultural Fusion and Artistic Heritage The development of Buddhism and Hinduism in Nepal is marked by a remarkable fusion of religious practices and artistic traditions, especially between 1500 and 1800 AD. This period saw the emergence of intricate and highly developed craftsmanship in brick, stone, timber, and bronze, manifesting in palace complexes, temples, and stupas. The unique urban settlements of the Newars, with their detailed ornamentation and traditional construction techniques, stand as some of the most advanced in the world. Outstanding Universal Value The Kathmandu Valley’s monuments embody several UNESCO criteria: Criterion (iii): They are an exceptional testimony to the traditional civilization of the valley, reflecting a multi-ethnic society with distinct cultural traditions. The Newars’ craftsmanship and urban development are unparalleled, and the coexistence of Hinduism, Buddhism, animist rituals, and Tantrism is uniquely manifested here. Criterion (iv): The region’s architecture exemplifies highly developed cultural expressions, with palace complexes, temples, and stupas that are unique to the valley and represent a pinnacle of Nepalese artistry. Criterion (vi): The sites are directly associated with legends, rituals, and festivals that are integral to the spiritual and cultural life of the local communities, illustrating the tangible connection between religious practice and architectural expression. Preservation, Integrity, and Management The Kathmandu Valley’s attributes are well-preserved within the boundaries established by the World Heritage designation, with most buildings remaining in good condition. An Integrated Management Plan, adopted in 2007, coordinates efforts among various levels of government and non-governmental organizations to protect these monuments from urban encroachment and development pressures. While urbanization continues, the authenticity of the historical ensembles is maintained through their traditional forms, materials, and setting. The protection measures are reinforced by national legislation, including the Ancient Monument Preservation Act of 1956, which affords the highest level of protection to these sites. Furthermore, disaster risk management is a critical component of ongoing preservation efforts, ensuring that the valley’s monuments are safeguarded against natural calamities and future threats. Conclusion The Kathmandu Valley’s seven Monument Zones stand as a vivid reflection of Nepal’s rich cultural tapestry, architectural ingenuity, and religious diversity. Recognized for their outstanding universal value, these sites exemplify a unique blend of artistic excellence and spiritual tradition that continues to inspire and attract visitors from around the world. Through sustained management and preservation efforts, the enduring legacy of the Kathmandu Valley remains safeguarded for future generations.

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The Tourism Authority of Thailand (TAT) invites local and international travellers to experience Thailand Biennale Phuket 2025, a five-month celebration of contemporary art running from now until April 2026. The Biennale brings creative works from around the world to Phuket’s historic neighbourhoods, cultural landmarks, and scenic outdoor locations. Now in its fourth edition, the Biennale highlights Thailand’s growing creative economy and strengthens Phuket’s position as a destination for arts and culture. This year’s theme, “Eternal Kalpa”, encourages visitors to reflect on time, change, and the connection between people and nature. The artworks explore how memories, communities, and the environment continue to shape Phuket as it looks to the future. A total of 65 artists and collectives from 25 countries are participating. Their works are displayed across 19 venues in Mueang, Kathu, and Thalang districts, including the former Pearl Theatre, Phuket Contemporary Art Gallery, repurposed community buildings, and outdoor sites such as Saphan Hin and Promthep Cape. Each location has been transformed to offer a different perspective on Phuket’s culture and landscape. Alongside the main exhibition, visitors can explore 13 “Sala” created by artist groups and organisations from Thailand and abroad. Spread across the island, these Sala present additional artworks, workshops, and community activities. Each space offers its own interpretation of Phuket’s stories, traditions, and natural surroundings. Thailand Biennale Phuket 2025 aims to make contemporary art more accessible to the public while supporting Phuket’s development as a sustainable, creative city. The event encourages visitors to discover the island through art, engaging with its architecture, heritage, and people in a fresh and meaningful way. A series of collateral activities will take place until April 2026, including talks, guided programmes, and community-led events. These activities are designed to help visitors and residents enjoy the Biennale more deeply and understand the inspirations behind the artworks. With installations set in both urban and coastal areas, Thailand Biennale Phuket 2025 offers a unique way to explore the island, inviting travellers to experience art in unexpected and memorable settings. The event strengthens Phuket’s international profile and supports Thailand’s appeal as a destination for cultural and creative experiences. More information is available at www.thailandbiennale.org, facebook.com/thailandbiennale, and the Ministry of Culture Hotline 1765.

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The Tokyo Art Book Fair (TABF) returns in its 15th edition, expanding to two separate weeks for the first time, showcasing a diverse lineup of global art publishers and independent presses. This dynamic event is a must-visit platform celebrating the evolving landscape of art publishing. This year, the “GUEST COUNTRY” program spotlights Italy, exploring its rich publishing culture through exhibitions like YES YES YES Revolutionary Press in Italy 1966–1977 and OUT OF THE GRID: Italian Zine 1978–2006. Highlights include showcases by Corraini, an Italian publisher renowned for its innovative picture books by Bruno Munari, Enzo Mari, and Ettore Sottsass. Other features include a photography exhibition by Takashi Homma focusing on refugees worldwide, an archival presentation from Pace Gallery, and a festive “BOOK WRAPPING CORNER” with special wrapping papers designed by Bruno Munari, Norio Nakamura, and David Horvitz. The fair offers a packed schedule of talks, workshops, book signings, live performances, a kids’ area called “PLAYGROUND,” and community initiatives like “NEIGHBORS.” Visitors can also explore booths from brands like Sigma, New Balance, Bang & Olufsen, and more. Join us at the Museum of Contemporary Art Tokyo from December 11–14 and December 19–21, 2025, to celebrate creativity, culture, and the future of art publishing. Tickets go on sale November 20th at 12:00 PM. Learn more at tokyoartbookfair.com. Venue: Museum of Contemporary Art Tokyo – Address: 4-1-1 Miyoshi, Koto-ku, Tokyo 135-0022 Admission: Online ticket (date and time designated) — General: ¥1,000 + ¥165 online booking fee (tax included) *Free for elementary school students and younger. ※Same-day ticket: ¥1,200 (available until 16:00 each day; sales end once sold out). A limited number of same-day tickets will be available. Dates: Week 1 Dates: 12:00-19:00, December 11 (Thu),  2025 Last Admission: 18:30 11:00-18:00, December 12 (Fri) -14 (Sun), 2025 Last Admission: 17:30 Week 2 Dates: 12:00-19:00, December 19 (Fri),  2025 Last Admission: 18:30 11:00-18:00, December 20 (Sat) – 21 (Sun), 2025 Last Admission: 17:30 About TOKYO ART BOOK FAIR TOKYO ART BOOK FAIR started in 2009; the first book fair in Japan to specialize in art publications.Held annually, it gathers independent publishers, gallery presses, bookshops as well as individual artists and groups. The fair has seen constant growth in its scale and content over the years, and the event now gathers more than 350 participants from Japan and abroad and attracts more than 20,000 visitors every year.At the fair, visitors can communicate with and buy publications directly from hundreds of publishers and artists who create unique and innovative art publications; they can also enjoy various events including special exhibitions, talks/panel discussions and film screenings.As the biggest of its kind in Asia, TOKYO ART BOOK FAIR aims to champion and lead art publishing culture in the region, and create the ideal opportunity for visitors to experience the ever evolving, vibrant arena of arts publishing. Photos by Henry Anim Del Rio 

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Raffles Grand Hotel d’Angkor has welcomed a new artist in residence ahead of the launch of a new exhibition of artworks, as the iconic 93-year-old luxury hotel in Siem Reap, Cambodia continues to spotlight talented Khmer creatives. Teang Borin, popularly known as ‘DinArt’, is an audacious, self-taught artist whose work captures and exalts the essence of Cambodia’s rich religious and societal heritage. His latest exhibition, inspired by the majesty of Khmer royalty and the distinguished colour palette of the Raffles Royal Doorman, features vivid, brilliant hues often set against a stark backdrop. “The central concept revives the historical tradition of Khmer royalty, specifically focussing on the Royal Guards’ pantaloons. Historically, the colour of a king’s attire would change to correspond with the day of the week—a vibrant, visual reminder of the calendar and its spiritual significance,” said curator Nat Di Maggio of the local Tribe Art Gallery. Raffles Grand Hotel d’Angkor will host DinArt for a ‘meet-the-artist’ event on Dec. 18 (starting at 6 p.m.) that includes a gin and canape pairing priced at $25. The exhibition of DinArt’s works can also be experienced on a private guided tour led by the resident artist or by Di Maggio. “Raffles remains committed to highlighting the remarkable artists of Cambodia, and we are pleased to present this Raffles Curated Collection featuring the remarkable works of DinArt,” said Raffles Grand Hotel d’Angkor General Manager Joseph Colina. The exhibition is the latest in Raffles Grand Hotel d’Angkor’s ongoing art and cultural series, and follows a two-artist show that concluded in October and a display earlier this year of notable works by another celebrated Khmer painter. Raffles Grand Hotel d’Angkor originally opened in 1932 as a rest stop for archeologists and adventurers exploring the kingdom of Angkor Wat, which is today one of the world’s most popular UNESCO World Heritage sites. The hotel’s exclusive ‘Curated Journeys,’ introduced in 2024, offer guests new ways to experience Siem Reap’s rich culture and history, while its on-site ‘Resort Programme’ showcases heritage and traditions at the hotel. Last month, Raffles Grand Hotel d’Angkor landed on Fodor’s list of ‘The 100 Most Incredible Hotels in the World’. It was the only hotel in Cambodia to be recognised. Travel + Leisure magazine also honoured Raffles Grand Hotel d’Angkor as one of the world’s ‘500 Best Hotels’ for a fourth-consecutive year in May. For more information on Raffles Grand Hotel d’Angkor, or to make a booking, please call +855 23 982 598 or visit www.raffles.com/siem-reap/.

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The Hari Hong Kong has partnered with White Cube Hong Kong, to share a selection of works from ‘Thresholds,’ a group exhibition featuring the work of contemporary artists whose practices are rooted in or connected to Indonesia. Through a diverse range of mediums, the temporary exhibition explores the interwoven cycles of life, death and transformation, with a focus on themes of ritual, spirituality, and reincarnation. Artworks will be on display at the hotel until 31 March 2026. To celebrate the exhibition, The Hari Hong Kong is offering menu specials inspired by Indonesian cuisine. At The Lounge, one of the public spaces where ‘Thresholds’ adorns the walls, visitors can enjoy dishes such as chicken karaage wrapped in pandan leaf, or pandan coconut panna cotta. These can be enjoyed alongside the Threshold Special, a pandan-flavoured cocktail or mocktail. The pandan leaf, a staple in Indonesian cooking, adds a sweet aroma and vibrant green colour to the limited-time dishes and drinks. The pandan leaf also holds spiritual significance. Known as a symbol of purity, the leaf is often used for the woven basket of Canang Sari, daily offerings. Curated by Galuh Sukardi, an independent curator based in Indonesia, ‘Thresholds’ brings together painting, sculpture, textile, drawing and silverware by multigenerational artists: Galuh Anindita, Arahmaiani, Christine Ay Tjoe, Nadiah Bamadhaj, Kei Imazu, Ines Katamso, I Gusti Ayu Kadek Murniasih (Murni), Citra Sasmita and Jennifer Tee. Each artist charts their own individual journey of transformation: spiritual, political, physical or mythological. Forming a chorus of unique experiences, each shaped by the crossing of a ‘threshold’, the works selected reflect an understanding of the coexistence of light and dark; a dynamic whereby opposite forces are not at odds but held in balance. Rooted in Indonesian traditions, and amid contemporary ecological, spiritual and social fractures, the exhibition takes the concept of the black-and-white Balinese poleng cloth as a point of a departure. Traditionally used to adorn statues, shrines and sacred trees, the cloth’s bold, criss-crossing pattern symbolises a harmony of opposites. ‘Thresholds’ at The Hari Hong Kong extends White Cube’s collaboration with the hotel through their annual The Hari Art Prize, which originated in The Hari London, with Irene Bradbury, Global Director, Artist Liaison at White Cube, serving on the judging panel for the London prize. In 2023, The Hari Hong Kong introduced this event, now in its third year.  Wendy Xu, Managing Director, Asia at White Cube, is part of the judging panel for The Hari Art Prize 2026 in Hong Kong. ‘Thresholds, curated by Galuh Sukardi’ is on view at White Cube Hong Kong until 10 January 2026. Concurrently, the exhibition extends to The Hari Hong Kong until 31 March 2026.

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Raffles Hotel Le Royal, one of Southeast Asia’s most renowned luxury heritage hotels located in Phnom Penh, is marking its 96th anniversary this month with a charity gala and the launch of a new art exhibition spotlighting talented young Cambodian artists. The hotel will host a charity gala dinner and art auction on Friday, Nov. 24 at its award-winning Restaurant Le Royal. The evening will feature a three-course gourmet dinner with fine wines, accompanied by a live auction of artworks created by the children of Sunrise Cambodia, a local non-profit charitable organisation. All proceeds from the dinner and auction will directly support the care and education of underprivileged children through Sunrise Cambodia’s various programs. Tickets are priced at $96 for two persons and the evening begins at 6 p.m. Earlier this month, Raffles Hotel Le Royal launched a heartfelt art exhibition titled ‘I Spy – The Magic of Raffles’, which invites guests to look closer at unique details of the storied hotel, a longstanding cultural landmark with a strong commitment to community, education and the arts. The children’s artworks from the exhibition will be part of the auction on Nov. 24. “Through the eyes of Cambodia’s youth, this unique art project captures not just the beauty of our historic hotel, but also the essence of heritage, imagination and hope,” Raffles Hotel Le Royal General Manager Dagmar Lyons said. As part of the project, Raffles Hotel Le Royal organised an art competition for 25 children from Sunrise Cambodia. Guided by renowned Cambodian artist Chhim Sothy and supported by fellow artists Li Ming Hang and Emmeline Mulder, the children were invited to artistically interpret ‘The Magic of Raffles’ in their own way. On Children’s Day, five outstanding artworks were selected and transformed into limited-edition postcards, now available at the Raffles Boutique, with proceeds benefiting Sunrise Cambodia’s creative education programs. Green Globe Certification The 96th anniversary celebrations come as Raffles Hotel Le Royal was also recently recognised for a second-straight year with an industry-leading Green Globe Certification highlighting the hotel’s commitment to sustainable practices. The designation was awarded based on the hotel’s efficient resource management, its innovative and engaging community programmes, unique environmental initiatives and other best practices. The Green Globe programme traces its roots back to the United Nations Rio de Janeiro Earth Summit in 1992, where 182 heads of state from around the world endorsed the Agenda 21 principles of sustainable development. Today, Green Globe has grown to become the world’s leading certification for sustainable operation and management of travel and tourism worldwide. The Green Globe Certification Standard includes 44 criteria in four groups and supported by over 380 compliance indicators. The standard has been developed over three decades and guarantees the highest level of sustainable operations and management. For more information on the gala dinner and auction, or to make a booking at Raffles Hotel Le Royal, please contact +855 23 981 888 or visit www.raffles.com/phnom-penh.

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As the holiday season approaches, 1664, the iconic French beer brand, is making waves across Asia with its first-ever artist collaboration featuring renowned French artist Camille Walala. This exciting partnership spans markets including Hong Kong, mainland China, Singapore, Malaysia, and Vietnam, bringing a fresh, colorful twist to traditional celebrations like Christmas and Lunar New Year. Starting from October2025, consumers can look forward to limited-edition packaging, immersive experiences, and exclusive merchandise that blend artistic innovation with cultural traditions. A Colorful Fusion of Art and Festivity Camille Walala is celebrated worldwide for her striking use of color, geometric patterns, and immersive installations that breathe new life into any space. Her partnership with 1664 aims to fuse her contemporary artistic style with the rich cultural tapestry of Asian festivities. Imagine bottles of 1664 Blanc, Rosé, and Brut adorned with Walala’s playful, bold designs—an eye-catching fusion that captures the exuberant spirit of the season. Beyond packaging, the collaboration introduces a series of co-branded merchandise and collectibles, such as red envelopes, tote bags, glasses, and umbrellas. Each item is thoughtfully designed to reflect cultural nuances across Asia, elevating 1664’s premium portfolio while celebrating local traditions. These collectibles serve as both functional items and cherished keepsakes, perfect for gifting or personal enjoyment during the festivities. Art, Culture, and Community Engagement This collaboration is more than just eye-catching design; it’s part of Carlsberg Group’s broader vision under the Accelerate SAIL strategy, launched in early 2024. This strategy emphasizes bold growth, innovative branding, and cultural relevance. By partnering with an artist like Camille Walala, 1664 aims to deepen its connection to local communities and showcase the brand’s commitment to creativity and cultural resonance. Throughout the festive season, from mid-October to Lunar New Year, the campaign will feature on-ground activations across key cities. Expect striking installations, engaging events, and behind-the-scenes glimpses into Walala’s creative process. A highlight will be a captivating installation in Kuala Lumpur this December, with further activations planned in major Chinese cities, Singapore, and Vietnam in the coming months. Rommel P. Fuentebella, Senior Director of Premium and Execution at Carlsberg Asia, shared, “Our collaboration with Camille Walala creates a space where art and celebration collide—bringing joy and color into everyday moments. It’s a reflection of our desire to blend French elegance with local creativity, making each festivity unique and memorable.” Embracing Traditions with a Modern Touch One of the most exciting aspects of this partnership is how it reimagines longstanding traditions. From fireworks lighting up the night sky to the glow of lanterns and the aroma of festive delicacies, Walala’s vibrant artwork adds a contemporary layer to these cherished rituals. It’s a celebration of cultural diversity, designed to inspire shared joy and community connection. Travelers and festival-goers alike can look forward to immersive experiences that showcase Camile Walala’s creative vision—offering a unique opportunity to see art, culture, and celebration come alive in unexpected ways. Whether exploring Kuala Lumpur’s upcoming installation or participating in lively activations across Asia’s bustling cities, this collaboration promises to elevate the holiday experience.

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A Star in Hong Kong’s Creative Scene Over the last 25 years, Wing Shya has become one of Hong Kong’s most influential creative forces. Known globally for his bold photography and artistic vision, he has built a reputation that spans fashion, cinema, and contemporary art. From high-gloss magazine covers to film collaborations with director Wong Kar-wai, his work embodies the restless and experimental spirit of Hong Kong. From Designer to Multi-Hyphenate Artist Wing began his career as a graphic designer before moving into photography. His style—vivid, saturated, and emotionally layered—quickly earned him attention across Asia. His images have graced the pages of Vogue, Tatler, Numero, and Visionnaire, while his projects have been showcased in international galleries and museums. But photography is only one part of his creative journey. Wing has also directed films, commercials, and music videos, making him a true multi-hyphenate artist. In Hong Kong, where entertainers often wear many hats, Wing has mirrored that same versatility in the visual arts. The Wong Kar-wai Connection Wing’s career took a turning point in the mid-1990s when he met filmmaker Wong Kar-wai, known for the visually poetic Chungking Express and In the Mood for Love. Wong invited Wing to document his films, giving him freedom to capture not just scenes but the feeling of the set. In Buenos Aires, during the filming of Happy Together, Wing shot stills of actors Tony Leung and Leslie Cheung in raw, candid moments. His images later became the basis for a photobook and striking promotional posters, extending Wong’s cinematic universe into a visual diary. This collaboration positioned Wing as an essential creative voice in Hong Kong cinema. Fashion, Photography, and Storytelling Wing treats every assignment like a mini-film. Instead of static portraits, his fashion and commercial photography captures moments within a story, creating an emotional resonance for viewers. He has worked with global brands such as Nike, Louis Vuitton, Rolex, Swarovski, and Maison Martin Margiela, while continuing to collaborate with Asia’s biggest stars. His approach—spontaneous, cinematic, and narrative-driven—blurs the line between commercial photography and fine art. Beyond Fame: A Shift in Vision As Wing entered his 50s, he began shifting focus from fame to personal expression. Projects like Sweet Sorrow, an eerie visual exploration of Hong Kong youth, reflect his growing interest in spirituality and social commentary. This self-funded project, involving over 100 collaborators, became a love letter to his city and a critique of its materialistic culture. Wing has also explored environmental issues, most recently through #EnoughPlastic, a public campaign featuring some of Hong Kong’s top creative personalities. His ability to merge art with activism demonstrates his evolving role as both an artist and social commentator. A Lasting Legacy in Hong Kong Art With decades of groundbreaking work, Wing Shya continues to be a defining figure in Hong Kong’s creative landscape. Whether behind the camera, directing films, or staging art installations, his projects are united by a distinctive style that is both emotional and visually daring. He may describe himself simply as “just a photographer,” but his influence extends far beyond a single medium. Wing embodies the spirit of Hong Kong—dynamic, cross-disciplinary, and constantly reinventing itself. For more information, visit the Shanghai Center of Photography.

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A Window Into Japan’s Storytelling Past Japan has always been a land of stories—told through calligraphy, poetry, puppetry, and theater. Among its many traditions, Kamishibai Japanese street theater holds a special place. Once a popular form of entertainment in the early 20th century, Kamishibai combined illustrated picture cards with the skill of a storyteller who narrated tales in public spaces. Though it faded with the rise of television, Kamishibai remains a cultural treasure and a fascinating glimpse into Japan’s history. What is Kamishibai? The word Kamishibai translates to “paper play.” A performer, often on a bicycle equipped with a small wooden stage, would stop in parks or street corners. Using a series of illustrated cards inserted into the stage, the storyteller narrated folk tales, legends, or even moral lessons to children and adults gathered around. This form of storytelling wasn’t just entertainment—it was also interactive and community-driven. Listeners bought small sweets or snacks from the Kamishibai performer, making the event both a show and a livelihood. The Golden Age of Kamishibai Kamishibai rose to fame during the 1920s and 1930s, especially in urban neighborhoods. For children growing up in Japan’s pre- and post-war years, it was their equivalent of cinema or television. Episodes of popular stories unfolded week by week, and audiences eagerly returned to find out what happened next. During wartime, Kamishibai was even used as a tool for propaganda, proving its power to influence and engage. Later, its visual storytelling techniques inspired Japanese manga and anime, which today are among Japan’s biggest cultural exports. Why Did Kamishibai Disappear? With the spread of television in the 1950s, Kamishibai lost much of its audience. Families began gathering around TV screens instead of street corners, and the once-vibrant art form declined. Performers faded away, and by the late 20th century, Kamishibai was nearly forgotten. Yet, it never fully disappeared. Schools, libraries, and cultural institutions in Japan and abroad have revived Kamishibai as an educational tool. Its simplicity—pictures, words, and human connection—still captivates both children and adults. Kamishibai in Modern Japan Today, you can still experience Kamishibai in certain cultural festivals, children’s libraries, or dedicated theaters across Japan. Some storytellers keep the tradition alive, while others experiment by blending it with digital media, theater, or even tourism experiences. For travelers interested in Japanese culture, catching a Kamishibai performance is like stepping back in time. It offers a chance to understand how storytelling shaped everyday life in Japan long before Netflix and social media. Why Kamishibai Matters for Travelers Exploring Kamishibai gives visitors more than just an entertaining story—it provides insight into Japan’s social history and community spirit. The art of Kamishibai is about slowing down, gathering together, and sharing a narrative that sparks imagination. When visiting Japan, travelers seeking authentic cultural experiences beyond the usual shrines and sushi tours should look out for Kamishibai workshops or performances. They are often small, intimate, and deeply rewarding. Final Thoughts Kamishibai may no longer be the main stage of Japanese entertainment, but its influence is still felt in today’s manga, anime, and storytelling traditions. More importantly, it reminds us that the best journeys often start with a story shared among strangers. For travelers exploring Japan, experiencing Kamishibai is a chance to connect with a timeless cultural practice—one that celebrates art, imagination, and community spirit. For a deeper dive into Kamishibai’s history and educational uses, visit the International Kamishibai Association of Japan (IKAJA).

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Raffles Grand Hotel d’Angkor, the 93-year-old luxury hotel on the doorstep of ancient Khmer archeological sites in Cambodia, has introduced a new art exhibition spotlighting works by two of the country’s most influential contemporary painters. The show, titled “Harmony,” is an artistic homage to the delicate balance of Cambodia’s natural world, featuring vibrant new works by Morn Chear and Nak Noy, who were both born and raised in Siem Reap. The exhibition, which opened last month and runs until September, was curated by Nat Di Maggio from Tribe Art Gallery. The birds, fish, elephants and other creatures in the paintings symbolize not only Cambodia’s rich biodiversity, but they are also integral to Khmer culture, folklore and the livelihoods of modern Cambodians. As the world faces mounting pressures from global environmental changes, the exhibition serves as both a visual reminder and a call for taking shared responsibility to protect our natural wonders for future generations. The exhibition is part of Raffles Grand Hotel d’Angkor’s ongoing art and cultural series, and follows a display of notable works by Khmer painter Channy Chhoeun that opened in January. Raffles Grand Hotel d’Angkor originally opened in 1932 as a rest stop for archeologists and adventurers exploring the kingdom of Angkor Wat, which is today one of the world’s most popular UNESCO World Heritage sites. The hotel’s exclusive ‘Curated Journeys,’ introduced last year, offer guests new ways to experience Siem Reap’s rich culture and history, while its on-site ‘Resort Programme’ showcases heritage and traditions at the hotel. Travel + Leisure magazine honoured Raffles Grand Hotel d’Angkor as one of the world’s ‘500 Best Hotels’ for a fourth-consecutive year in May. For more information on Raffles Grand Hotel d’Angkor, or to make a booking, please call +855 23 982 598 or visit www.raffles.com/siem-reap/. ABOUT RAFFLES Raffles Hotels & Resorts boasts an illustrious history and some of the most prestigious hotel addresses worldwide. In 1887, Raffles Singapore set the standard for luxury hospitality, introducing the world to private butlers, the Singapore Sling and its enduring, legendary service. Today, Raffles continues this tradition in leading cities and lavish resort locales, enchanting travellers with meaningful experiences and service that is both gracious and intuitive. Connoisseurs of life choose Raffles, not merely for its aura of culture, beauty and gentility, but for the extraordinary way they feel when in residence with Raffles. Each Raffles, be it Paris, Istanbul, Dubai, Warsaw, Jakarta or the Seychelles, serves as a venerated oasis where travellers arrive as guests, leave as friends and return as family. Raffles is part of Accor, a world-leading hospitality group consisting of more than 5,100 properties and 10,000 food and beverage venues throughout 110 countries.

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The Ko Magic Art Garden, formerly known as The Kingdom of Somchai’s Affection, is an avant‑garde open-air sculpture exhibit located inland on Koh Mak, an idyllic island in eastern Thailand’s Trat province. Created by local artist Somchai, the garden features a provocative and whimsical series of erotic sculptures, focusing on human sexuality, affection, and humor—presented with bold, playful intent. The site provides a striking contrast to the island’s serene beaches and coconut plantations. Location & Accessibility Hidden down a dirt road off the main island route, access to the garden can be challenging. Several reviewers noted it’s easy to miss and that the signage is minimal. Visitors are advised to watch for statues guiding the path and sometimes to rely on GPS landmarks. Some pathways inside feel overgrown or abandoned. Despite this, many consider it a fascinating “hidden gem.” Experience & Atmosphere Once inside, you’re greeted by statues clustered densely together—often the pathways don’t lead anywhere, making navigation tricky. Some visitors describe the layout as chaotic, with sculptures literally touching or piled together. Yet others celebrate it as a quirky, thought‑provoking, artistic statement that breaks the mold of typical island attractions. Expect a somewhat eerie, forest‑edged setting, with overgrowth creeping up many of the sculptures. Artistic Themes & Highlights The art is adult‑oriented, with exaggerated statues, suggestive poses, and deliberate nods to human eroticism—intended for mature audiences. The sculptures serve dual roles—as visual commentary and occasionally as functional pieces like stone tables or fountains. Among the standout pieces are stylized mermaids, oversized female figures, and abstract forms blending whimsy with bold sensuality. History & Legacy Somchai began building this garden in the late 20th century, long before Koh Mak gained tourist appeal. He lived and worked on site until his passing in 2023. Though the original creator is gone, a dedicated group of art enthusiasts now maintain and promote the garden, aiming to preserve Somchai’s visionary legacy. Visitor Tips & Practical Info Admission is free, and access is open 24 hours—though daylight visits are recommended. Not suitable for children or modest travelers due to explicit content. Some reviewers reported on-site inhabitants (e.g., locals or caretakers) living in makeshift shelters—please respect boundaries and sensitivities. Bring insect repellent, and consider wearing long sleeves and sturdy shoes for exploring the wooded paths. Why Visit? Appeal & Attractions Offbeat and unique: A distinctive contrast to Koh Mak’s usual beach and nature-focused sites. Thought-provoking: Whether you find it controversial or ingenious, the garden sparks conversation about sexuality, art, and cultural norms. Intriguing photo opportunities: Quirky, bizarre sculptures among lush greenery lend a surreal atmosphere. Authentic local art: Created by a single artist with personal vision, it lacks commercialization—giving it raw authenticity. Suggested Visit Format Combine with a visit to Laem Tukata, or Ao Suan Yai beach, for a full-day exploration of the island’s varied attractions. Drive via scooter or tuk-tuk with a guide—directions can be unreliable and roads are uneven. Spend approximately 30–60 minutes inside, depending on your pace. Best for art lovers, curious travelers, and those open to unusual, boundary-pushing experiences. Final Thoughts Ko Magic Art Garden is an artistic oddity that stands in bold relief against the tranquil beauty of Koh Mak and its beaches. It is not a mainstream attraction, but for those curious to explore creative expression and Thailand’s less conventional art scene, it is an unforgettable stop. Visitors should approach with an open mind and sense of humor—and leave ready for conversation.

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The Hari Hong Kong has launched a cultural immersion experience that guides guests through the remarkable rota of art adorning its walls and Wan Chai neighbourhood’s exciting art scene. “The Hari Art Trail” is underpinned by a personalised art tour with the hotel’s in-house art ambassador, practicing artist Bibek Rai, who shares anecdotes behind the hotel’s eclectic art collection and contemporary design. Spanning a variety of mediums including installations, mixed media, surreal photographs, graphic paintings, three-dimensional images and digital film pieces, the art is curated by London-based art advisory A Space For Art, which also selects works for sister hotel The Hari London. Vast “The Monumental Melt” by Rado Kirov using mirrored stainless steel, Tseng Kwong Chi’s iconic black and white self-portrait series, and Lee Leenam’s mesmerising digital reinterpretation of the “New Kiss” are among standouts in The Hari Hong Kong’s permanent collection. The hotel’s rotating display includes works from The Hari Art Prize Hong Kong Edition in support of talented emerging artists. Following Bibek’s art tour, guests are encouraged to continue the art trail by visiting two of Wan Chai’s hidden gems; 1960s tenement block turned creative hub Foo Tak Building and appointment-only gallery PHD Group. Described by locals as a “vertical art village”, Foo Tak Building has partially subsidized rental units at below-market rates. Its variety of arts and cultural organisations, focused on the likes of visual arts, literature and publishing, sound and performing arts, and community development, pursue their artistic endeavours without burdensome rents. Housed in a renovated space that used to be a private rooftop clubhouse in the 1970s, contemporary gallery PHD Group’s concrete walls and floors showca se creations from the region’s emerging and mid-career artists. Wai Chai and neighbouring Central District are home to a host of art galleries including Woaw Gallery, Kiang Malingue, 10 Chancery Lane Gallery, Villepin, White Cube Hong Kong, Pearl Lam Galleries, Over The Influence, Tang Contemporary Art and Kwai Fung Hin Art Gallery. “With art running through The Hari Hong Kong’s DNA, our art trail affords a whole new perspective of our hotel and Wan Chai, one of Hong Kong’s oldest yet most creative districts,” said The Hari Hong Kong’s General Manager Edward E. Snoeks. “Bringing more depth and substance to a stay with us, Bibek connects guests with the narratives behind our artworks and our hotel’s design before guests step out into Wan Chai to interact with its edgy art scene,.” The elegant 30-story hotel bears the stamp of acclaimed British interior designer Tara Bernerd, comprising 210 guest rooms, including three signature rooftop suites, with views overlooking Wan Chai, Causeway Bay, The Peak and Victoria Harbour. Authentic Italian ristorante Lucciola, contemporary Japanese restaurant Zoku (with a remarkable ceiling of angled timber slats in origami-like forms), alfresco terrace bar aptly named The Terrace and The Lounge, an all-day sitting area adorned with a compelling collection of art and books, make for the hotel’s diverse dining landscape. The exclusive art tour with Bibek, who is also part of the hotel’s restaurant services team, is available by appointment only and subject to availability. Offering The Hari Art Prize and The Hari Chronicles, an ongoing series of conversations about art, design, culture and Hong Kong, The Hari Hong Kong makes for a gateway to art and culture. The globe’s leading scientific benchmarking, certification and advisory group for sustainable travel has awarded The Hari Hong Kong ‘EarthCheck Benchmarked Bronze status’ for its raft of sustainability measures. For more information about The Hari Hong Kong, visit https://www.thehari.com/hong-kong/, email askme@thehari.com or call +852 2129 0388.

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London Curates a Hong Kong Art Trail The Hari Hong Kong has launched a cultural immersion experience that guides guests through the remarkable rota of art adorning its walls and Wan Chai neighbourhood’s exciting art scene. “The Hari Art Trail” is underpinned by a personalised art tour with the hotel’s in-house art ambassador, practicing artist Bibek Rai, who shares anecdotes behind the hotel’s eclectic art collection and contemporary design. Spanning a variety of mediums including installations, mixed media, surreal photographs, graphic paintings, three-dimensional images and digital film pieces, the art is curated by London-based art advisory A Space For Art, which also selects works for sister hotel The Hari London. Following Bibek’s art tour, guests are encouraged to continue the art trail by visiting two of Wan Chai’s hidden gems; 1960s tenement block turned creative hub Foo Tak Building and appointment-only gallery PHD Group. An Umbrella Village in the Sky In a salute to Chiang Mai’s Bo Sang Umbrella Village, Meliá Chiang Mai’s signature restaurant Mai Restaurant and Bar and executive The Level Lounge make for a visual marvel. Guests enter the 21st floor under an arch that pays homage to a nearby temple, to be greeted by large lit installations of umbrella ribs clinging to the ceiling and various artworks of umbrella canopies hung on the walls, such as those made from antique Chiang Mai textiles and bamboo frames. Concentric patterns in the likes of gun metal gray, periwinkle and soft amber hues reference umbrella tops in a striking yet subdued way. 250 Oil Paintings Detail Life in Vietnam Opening doors on Vietnam’s rich culture, talented Vietnamese artists were commissioned by The Anam Mui Ne, which opened in January 2023, to create 250 unique oil paintings for each room and suite, as well as the lobby and hallways. The artists include painters Bui Van Quang, who is renowned for his paintings portraying daily Vietnamese life, and Vu Trong Anh, who’s won acclaim for his modern, abstract interpretations of Vietnamese scenery. Pottery art, such as clay vases and statues, made by the Cham people has been included in the UNESCO list of intangible cultural heritage in need of urgent safeguarding. The Giant Swing and Kites Galore Remarkable artwork throughout INNSiDE by Meliá Bangkok Sukhumvit takes guests on an abstract journey across Bangkok by referencing some of the city’s famed attractions. Beside the hotel’s jewel in the crown, an awe-inspiring infinity pool on the 34th floor, a compelling contemporary interpretation of Bangkok’s Brahman structure The Giant Swing makes for a dramatic photo backdrop. LUZ Bangkok Tapas Bar’s striking angled lines and cabling pay tribute to Rama VIII Bridge. The Kites Eatery’s walls are adorned with kites, depicting the popularity of kite flying at state park Sanam Luang. In addition to striking black and white photography of Bangkok hung on the hotel’s walls, other artistic endeavours include a stairwell between the 31st and 32nd floors that makes for an optical illusion. The Open Living Lounge’s design takes cues from Wat Phra Kaew, with, for example, a golden counter inspired by the temple’s traditional Thai decorations gilded in gold leaf. Delve Deeply in a Gallery for Wellness TIA Wellness Resort has painted a new image of a well-rounded, wellbeing approach with the launch of its new art gallery space in May. Building on the tool of creativity as a way to calm the mind and regulate emotions, the new gallery sits alongside TIA’s Creative Space, where daily creativity workshops are hosted. The new gallery space features 32 images. Ten photographs were created by Jeff Courdrec, a French artisan photographer who used an analogue technique for this exclusive collaboration with TIA that delves deeply into its overall wellness philosophy. The abstract art on display reflects the resort’s Zen Splash concept, which is about inspiration, boldness, and creation. These ink images were created by a Hoi An-based calligrapher, Nguyễn Xuân Sinh. 700 Pieces of Art in a Single Setting Palace Hotel Tokyo, a Forbes Five-Star property overlooking the Imperial Palace gardens, features such a vast art collection that the local gallery that helped install it offers a special tour for guests to introduce some highlights. The more than 700 artworks on display draw inspiration from the hotel’s unique setting, which faces, in one direction, the city’s rich past, with the historic palace grounds. In the other direction, it points toward the future and the vibrant business district of Marunouchi. Many artists who created works here are globally renowned and highly sought after by collectors. The Palace Hotel Tokyo art tour, led by Art Front Gallery, explores major works both in the public areas of the hotel, including the reception lobby, as well as in guest rooms and restaurants, delving into subject, technique, symbolism and more. Did 13 Emperors Run Out of Luck? In Vietnam’s former imperial capital, the 122-room Azerai La Residence, Hue is home to an art gallery featuring portraits of all 13 emperors of the Nguyen Dynasty, which ruled Hue from 1802 to 1945. The gallery is believed to be the only place in all of Vietnam where images of all 13 leaders can be viewed in a single location. Hue is steeped in history, and Azerai La Residence, Hue is located just across the Perfume River from many of the area’s most popular historic attractions, including the Citadel and the city’s iconic flagpole. Apsara in Another Medium Two of Cambodia’s most iconic luxury heritage hotels – Raffles Hotel Le Royal in Phnom Penh and Raffles Grand Hotel d’Angkor in Siem Reap – regularly showcase the works of leading Khmer contemporary artists. Raffles Hotel Le Royal recently presented “Sacred Dancers” at the hotel’s Restaurant Le Royal featuring DinArt, one of Cambodia’s most important abstract painters, and Ramya Chuon, who draws inspiration from the country’s legendary Apsara dancers. Raffles Grand Hotel d’Angkor likewise launched a new on-property art series earlier this year featuring a celebrated Khmer painter. The works were displayed in the hotel’s elegant public areas and restaurants. Both exhibitions included partnerships with top local galleries. Bring...

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In a world where digital displays and short moments are becoming more normal, take time to sit, inspect and create, which can feel like a radical function of self-care. You detect a peaceful place to sit and make. This is the one that is about the “art in the canopy”: drawing and writing among the stunning ancient forest monuments. This is an invitation to connect with nature at a very intimate and reflective level, transforming passive observation into active interpretation. This essay will help you catch the essence in the throat of the sanctuaries like Muir woods, which will improve your artistic skills and deepen your relations to nature. What artists love about old forests? Artists and creative people are drawn to ancient forests like no other place because they have so many textures, lights, and historical connections. The twisted bark of trees that are hundreds of years old conveys stories of strength and time, and the way light and shadow bounce off of the thick canopy makes patterns that change all the time. These places are peaceful, which helps people focus and think beyond the box. The size and long-lasting presence of old trees may make you feel little and big at the same time, inspiring the artist to capture their peaceful beauty on paper. In these places, the artistic process becomes linked to a genuine love for the beauty of nature that lasts. Important Tools for Your Artistic Journey To go on an artistic trip into the woods, you want just a few, well-selected objects, things which are portable and useful. You’ll need a light notebook and paper that works with different kinds of art materials, as well as some different pencils, pens or a watercolour sets. If you plan on doing most of your sitting in the wild, on uneven terrain, consider packing a little fold-up stool or mat to protect your bum. You’ll also want to have a very small bottle of water, as well. And ideally carry a little pouch or bag to keep your things organised and out of the weather. The key is to keep your gear small so you can be nimble and concentrate less on humping gear and more on creating. How to Draw Nature: Making Trees Come to Life It is not enough, she says, to draw the shapes of the old trees and what’s around them; the artist also has to reveal the personality and life force of each. To start, draw in the original shape and overall flow of this tree using some quick, loose lines. Think about where the light comes out and casting, and how it causes highlights and shade that gives your drawing form and dimension. The Forest’s Dynamic Dance: Getting Light and Shadow Light and shadow are probably the most variable parts of a forest. Especially note how sunlight comes through the canopy and makes patterns on the ground, or how deep shade makes the shape of tree tights. These differences give more life and feeling to your picture. Try with several ways of shading, such cross-hatching, stippling, or smooth blending, to get these complicated light effects. Understanding how light affects the forest will greatly improve the quality of your artistic interpretations. The meditative act of making: Finding Peace Within Being Mindful: When you draw or write into a diary, create a point of bringing your attention to the present. Note how your hand goes, how the pen or pencil feels on the page, and how your comments keep coming. Patience and incompleteness: Instead of trying to be innocent, enjoy the process. Whatever problems or disappointments you have, and see them as part of the creative flow. The Historical sanctuaries provide unwavering inspiration from the astonishing redwoods of places like Muir Woods worldwide to many other old types of woodland. Going on an artistic excursion into the heart of a historical forest monument is actually a rewarding experience that combines the peace of nature with the thrill of being creative.

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Alma Resort Cam Ranh is ushering acclaimed Vietnamese artist Bui Van Quang on to its grounds weekly to craft portraits of guests. Affording the ultimate holiday memento priced at VND 300,000 per pencil portrait, the family resort is offering portrait sessions with the artist every Thursday at Alma Garden from 8am-10am and Alma Food Court from 12-1.45pm. Renowned for his authentic paintings depicting customs, traditions and the daily lives of Vietnamese people through use of the country’s rich and vivid colours, Mr Quang is a local artist who, over more than 35 years, has produced many works highly regarded by the national and international art communities. He has won a plethora of awards nationally and internationally, with his works showcased in exhibitions nationally and internationally including in China, England, France, Germany, Japan, Russia, South Korea, Switzerland. “As the saying goes, ‘art is too important not to share’,” said Alma’s managing director Herbert Laubichler-Pichler. “We want to offer our guests the opportunity to enrich their holiday by experiencing the magic of our thriving local art scene; right before their very eyes in a way that’s meaningful to them.” The overwhelmingly positive feedback from guests, young and the young at heart, who have sat for their portraits has, according to Mr Quang, brought him “joy and happiness”. “I hope this experience piques the guests’ interest in art and creativity and that they wish to learn more about Vietnam’s rich and diverse artistic landscape,” said Mr Quang, a member of the Vietnam Fine Arts Association. Alma has hosted numerous artists-in-residence programs, encouraging guests to witness artists craft their works, and is looking to offer guests more experiences with local artists in the new year. To contact Alma or to make a booking, please visit alma-resort.com, call +84 258 399 1666 or email info@alma-resort.com See YouTube video of Mr Quang creating portraits for Alma guests here: https://youtu.be/POL8UqWbY7g

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