I am sure you would never imagine that Yogyakarta, which I have always considered a secondary destination in Indonesia, is in fact a city capable of offering an attentive visitor cultural and historical insights of great value. Here, culture and history are not confined within books or tourist guides but take shape in the architecture of temples declared UNESCO World Heritage Sites, such as Borobudur and Prambanan, in the sacred enclosure of the Sultanate that still governs the province today, and in popular artistic manifestations that animate the city. And it is precisely in the center of Yogyakarta that this complex and layered identity becomes immediately perceptible. Urban life flows at its own pace, made up of continuous balances between tradition and everyday life. Along Malioboro Street, the most famous and frequented artery, there are shops, stalls, carts, and small informal spaces that tell an authentic and deeply popular Yogyakarta. Not a commercial street, but a meeting and observation place, where the traveler catches fragments of real life. Walking on Malioboro means immersing oneself in an atmosphere made of sounds, colors, and repeated gestures, where the past is not staged but simply lived. It is here that the most accessible face of the city offers itself without filters, naturally preparing for the discovery of its most symbolic places and the stories that lead from the urban heart to the Kraton and, a little further, to the great temples of the Javanese plain. Welcome, then, to Yogyakarta, “Jogja” for friends, which I do not believe is an exaggeration to define as the soul of the island of Java. In my opinion, it even surpasses the capital Jakarta, which, when I visited it, did not leave me particular emotions and which, among other things, will be replaced by Nusantara, the new capital under construction on Borneo Island, whose name recalls the idea of a “land among the islands.” But the role of Yogyakarta goes beyond its cultural dimension. Thanks to the wisdom and commitment of its Sultan, the city played a fundamental role in the birth of the Indonesian Republic, to the point of being awarded, unique among the provinces of the country, the status of Sultanate. The origins of this Sultanate date back to 1755, following a treaty mediated by the Dutch East India Company. Prince Mangkubumi became the first Sultan of Yogyakarta with the title of Hamengkubuwono I and founded the city together with the Kraton, destined to become its symbolic center. In the period following World War II, while Indonesia fought for independence, Sultan Hamengkubuwono IX made a decisive choice, aligning his people and resources alongside the young Indonesian state. Yogyakarta thus became the de facto capital of the emerging republic during the most delicate years of the conflict, a role that earned it official recognition of its special status and the confirmation of the Sultan as hereditary governor. The Sultanate of Yogyakarta still represents today a unique form of integration between traditional authority and republican administration, widely accepted at the national level and deeply felt locally as a pillar of the historical and cultural identity of the province. Kraton The Kraton, the royal palace of Yogyakarta, represents the symbolic and cultural heart of the city. Passing through its gates means entering a space where daily life and tradition intertwine following ancient rhythms. Guards in traditional uniforms guard courtyards and pavilions, while gamelan music and measured movements of dancers recall a still-practiced ceremonial. We are not talking about a simple historical site because the Kraton is a lived place, a religious and cultural center where refined arts such as Javanese classical dance, music, and court etiquette are passed down. Inside, precious manuscripts in ancient Javanese characters are preserved, testimony to a deeply rooted literary and philosophical tradition. Visiting the Kraton thus offers an essential key to understanding the identity of Yogyakarta and the journey toward the surrounding great temples. Prambanan Leaving Yogyakarta, the landscape opens up and the city gradually gives way to the plain. It is here that Prambanan reveals itself with its unmistakable silhouette, a set of elongated towers that create one of the most spectacular Hindu complexes in Southeast Asia. Dedicated to the Trimurti — Brahma, Vishnu, and Shiva — Prambanan tells of an era in which power and sacred dimension were deeply intertwined. The bas-reliefs decorating the temples narrate episodes from the Ramayana with a richness of details that give movement and depth to the figures, inviting the visitor to read the stone as a timeless story. Borobudur Continuing westward, the journey leads to Borobudur, the largest Buddhist monument in the world and one of Indonesia’s most powerful symbols. Unlike the verticality of Prambanan, Borobudur develops as an ascensional path, designed to be traversed slowly, also because the climb is tiring. The bas-reliefs decorating its terraces tell of the life of the Buddha and his teachings, transforming the ascent into a meditative experience. Reaching the summit, silence and the vastness of the landscape offer a moment of contemplation that represents the culmination of the spiritual journey of the Yogyakarta area. Mendut Ideally concluding this itinerary is the Mendut temple, more intimate and less monumental, but no less significant. Its intimate atmosphere invites a silent and reflective visit, offering a more human and meditative dimension after the grandeur of the larger complexes. Visiting Mendut concludes the journey through the sacred sites surrounding Yogyakarta, leaving the visitor with the sensation of having crossed a territory where spirituality, history, and culture follow one another naturally. Yogyakarta and its temples thus tell a journey that goes beyond simple cultural visit. From the living heart of the Kraton to the great sacred complexes of the Javanese plain, each stage helps unveil a land where history, faith, and identity have layered over time, leaving the memory of a profound and harmonious experience. Photos by Guglielmo Zanchi (Pluto) Here you can watch the video about Yogyakarta by FantasiaAsia:

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A flight of about forty minutes on a small Air Fast plane from Semarang (Java – Indonesia) to Karimunjawa, followed by an hour of boat ride, and here we are, Kura Kura. Reaching this island is not easy at all, as the journey is quite complex. But as they say, paradise is never easy to reach. And truly, it is paradise: as soon as you disembark on the island, beyond the necessary facilities that will welcome you, an Eden unfolds before your eyes. Instinctively, you hope not to meet Eve and the snake — because, for the four days planned, there’s only one thing you want: never to lose this little corner of the world you’ve just discovered because of a forbidden apple. Kura Kura, with its palm trees, its crystalline sea, and the calm that envelops everything, is a hidden tropical jewel in the heart of the Java Sea, located between the big islands of Java and Borneo. A refuge suspended between sky, water, and tranquility, where time still flows at a human pace — the natural rhythm that modern life’s frenzy has forced us to forget. Here, supreme nature still reigns. You notice it in the rebellious growth of the vegetation, which, despite the efforts of gardeners, continues to spread in total chaos; in the color and transparency of the surrounding sea; and in the coral reef that envelops the island, visible in the distance, hinting at the vibrant life it hosts. The island hosts a single, high-level resort that combines luxury and sustainability. Its buildings blend discreetly into the landscape, giving the sensation of living a rare privilege: an authentic and respectful experience where comfort merges with the untouched peace of nature. You move along shaded paths, between coconut palms silhouetted against the sky and tropical plants so imposing compared to our own that you feel small — almost transported to a primordial world where nature dominates unchallenged and you become a guest enchanted by its power. You can stroll alongside tiny secluded beaches that give the illusion of having a private cove for each cottage or villa, and at every step, the boundary between you and the island seems to thin, until you feel like part of the scenery itself. Perhaps that’s truly how we were in a remote time: immersed in a world where the sound of the sea and the slow rhythm of the forest accompanied us without asking for anything in return — a different realm, like this, that seems to exist outside of time. There’s no rush at Kura Kura, and honestly, what rush could there be in such a place? Here you can reclaim the spaces that society has denied you, and reconnect with the natural rhythms that belong to you but that you have forgotten. Suddenly, you realize that the day can pass simply by listening to the wind rustling through the vegetation or watching the perpetual motion of the waves gently crashing onto the shore. It’s surprising to realize that even just walking through the greenery or jumping into the sea feels almost superfluous — an intrusion that risks disturbing the poetry of the place. But at Kura Kura, you can go further, and this further is called Krakal: an even smaller, wilder island, about forty minutes away by speedboat, with the last stretch traveled in a rowboat due to the shallow waters. Landing on Krakal leaves you breathless. The island reveals itself at its best: sand so white it’s almost blinding, and a sea so transparent it seems like an irresistible invitation to dive into its warm, welcoming waters. Those heading to Krakal do so to be alone, with few possessions and without noise. Many guests of Kura Kura spend one or more days here to live a Robinson Crusoe-like experience: no electricity, days dictated by dawn and dusk, and three simple wooden huts that only accommodate already-formed groups. If the island is booked for two people, for example, they will be the only people in Krakal during those days. Most importantly, no internet: during the time you choose to stay, there’s no room for social media or WhatsApp. The only comforts are a bed with a mosquito net, a small library, and an “antique” phone to contact Kura Kura in case of emergency. “And what about food?” you might ask. Simple: when you arrive on the island for your “luxury castaway” experience, you are provided with enough food supplies for the days you will spend there. Naturally, nothing prevents you from fishing and cooking your own fish — I saw an artisanal grill and some wood waiting to be collected, but, small detail, I didn’t notice any fishing rods around. The rest of the time is spent walking, swimming, sunbathing, reading a few pages of a book, perhaps moments of reflection that will inevitably lead you to rediscover yourself… and then, nothing. Krakal has nothing to do. And that’s precisely why it’s worth it. Returning to Kura Kura after a few days in Krakal feels like coming back from Lesotho to New York: the sensation of a castaway returning to “civilized” life. You see the staff, the few resort guests, you return to “normal” meals, but inside, you feel that you’ve experienced something extraordinary. You go back to boat trips, snorkeling, and — if you’re a diver — to exploring the underwater world, hoping to spot a turtle among the colorful corals or perhaps something even more remarkable. Meanwhile, the days pass, and your stay at Kura Kura comes to an end. As you sail once again across the Java Sea or float in the air on the Air Fast plane heading back, you carry with you the awareness of having lived a truly unique experience. A feeling very similar to when an intense, beautiful dream is abruptly interrupted by the morning alarm clock — the memory of it will stay with you all day, leaving a pleasant, profound sense of serenity inside. That’s it: Kura...

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Brunei is not a country that reveals itself at once. You understand this as you cross the long Sultan Haji Omar Ali Saifuddien Bridge — a ribbon of asphalt suspended between mangroves and sky — linking the nation’s main territory to the Temburong enclave, isolated within Malaysian land. It’s an hour’s ride in a silent, almost ritual minivan. Outside the window, the jungle drifts by like a dense, impenetrable wall. Inside, Margelyn — known as Margy — speaks softly, her Filipino accent and gentle smile radiating the calm of someone at peace with herself. She knows the road well. Next to her, the driver steers carefully. They seem like family — and perhaps they are. For years, they’ve been guiding small groups of visitors into the heart of Ulu Temburong National Park, one of Southeast Asia’s most pristine corners. Ulu Temburong is often called the green lung of Borneo. It covers about 40 percent of the Temburong area and has been protected since the 1990s. The Bruneian government has preserved it with remarkable discipline: no paved roads, no industrial development, no extraction. Only scientific research, controlled tourism, and respect. Over 150 species of mammals, 300 species of birds, and thousands of plants — some still unclassified — live here. But you don’t need to know all that to feel small. You only need to step into the rainforest. This commitment to preservation is not just national but part of a wider regional effort. In 2007, Brunei, Malaysia, and Indonesia signed a historic agreement known as the Heart of Borneo initiative, also supported by organizations such as WWF. Its goal is to protect one of the largest remaining tropical rainforests on Earth — more than 220,000 square kilometers — through cross-border cooperation in protected area management, combating illegal logging, and fostering sustainable practices among local communities. Ulu Temburong is a cornerstone of this project: a tangible example of how a small nation can play a major role in safeguarding the planet’s natural heritage. Here, the jungle is not just a place to visit, but a living system — one that breathes thanks to a deliberate political choice: to place nature at the center, not at the margins. Our starting point is a small jetty on the Tutong River. A wooden boat with an outboard engine awaits us. Onboard is Mira, barely nineteen, a local guide with a light step and steady gaze, her patience glowing in her calm demeanor. It’s clear this is not her first time leading tourists. The ease with which she moves, her spontaneous smile, and her graceful gestures all reveal how much she loves her work. Her enthusiasm has the freshness of youth but the confidence of someone who already knows exactly what to do. The boat takes us to a base camp, a simple structure with open-air tables and a covered kitchen. This is Sumbiling Eco Village, a small settlement run in harmony with the forest, where thatched and wooden huts blend seamlessly into the landscape. It’s not a resort — more a functional resting place designed to welcome visitors respectfully within the natural environment. Meals are served outdoors, sitting on wooden benches while the sound of the river hums in the background. The atmosphere is sober, authentic, and stripped of excess — a return to essentials, where every detail invites you to live in tune with nature. We eat something quick, without asking much. The important thing is to continue. Soon we set off again, gliding upriver through a narrower stretch, between protruding stones and small rapids that our boatman navigates with skill. The boat slows and slides toward the riverbank. It touches the muddy ground, and we prepare to disembark, one at a time, with that subtle hesitation born of unsteady footing. With the river behind us and the forest ahead, we face an uneven stone staircase — an entrance of sorts, inviting us to begin our trek. The first obstacle is a suspension bridge, made of wooden planks and ropes. It sways slightly — a challenge for anyone afraid of heights, like me. But we cross it slowly, one step at a time. On the other side, the forest reclaims its dominion. The trees soar — some over sixty meters high. Vines hang like curtains, broad leaves cast shade even at noon. The air is humid and dense, but pure. There is no scent of decay — only wet earth, resin, life. Mira tells us the names of the plants: dahan, used for building canoes; nipah, the palm with broad leaves used for roofing; rattan, a strong vine prized for handicrafts. She speaks of animals — the colugo, a flying mammal akin to a bat; the Bornean red-headed parrot; the gibbon, whose cries echo at dawn. But today we see none. The jungle knows how to keep its secrets. I decide to stop at a wooden shelter — a rest spot with two stone benches, where peace is broken only by the hum of insects and a faint whisper of wind in the leaves. Alice and Mira continue ahead until they reach a sturdy metal tower, climbing up to the canopy walkway — a bridge suspended thirty meters above the ground, threading between treetops. Later, they’ll tell me that from up there, the forest looks like an endless green sea. I remain below, content to listen to the forest’s music, to breathe in that scent of damp leaves, and to feel — thanks to my fear of heights — part of something ancient. On the way back, the boat stops by a muddy bank along the Tutong River, where a small stream winds its way into the forest. We wade in with our feet submerged, brushing past roots, stepping over stones, and feeling the wide leaves graze our shoulders. The air cools. The main river’s murmur fades, replaced by the gurgle of water running between rocks. After a few minutes, we reach a small waterfall, hidden among the dense vegetation. As it...

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Borneo is mainly popular among tourists because of its breathtaking natural beauty. From pristine beaches and lush rainforests to the most exotic wildlife, this Asian island has it all. This island is a haven for all nature lovers and has long been on their bucket list. But what many people don’t know is that the festival season in Borneo is also something that you must not miss out on. This is the best time to get an insight into the unique culture of the island.  If you love exploring new cultures but aren’t aware of the cultural calendar of Borneo, you are truly in for a surprise. The festival season in Borneo turns every town, city, and village on the island into a remarkable display of culture with glorious music, dance, and endless traditions. So, if you want to experience the true soul of Borneo, make sure to plan your holiday during the festival season. Here is everything you must know about this vibrant time on the island.  Is Borneo’s Festival Season Worth Experiencing? If you need a straightforward answer to this question, it can only be one thing: “Yes, Borneo’s festival season is surely worth experiencing”. This season is a window to the cultural soul of the island, where indigenous, Malay, and Chinese heritage combine. There can only be something exciting coming out of a combination of various rich cultures, and you will never regret experiencing it.  From celebrating history to modern entertainment, the festivals on the island are diverse and unforgettable. One day, you will get a chance to be part of centuries-old harvest celebrations, and the next day, you will be participating in modern art and jazz festivals. There is no better way to bring the communities together than these vibrant festivals.  During the festival in Borneo, you will get a chance to engage with the local traditions, see the region’s hospitality, and treat yourself to the diverse cuisine. The combination of ancient festivals and modern celebrations is unparalleled and will give you some of the most unforgettable memories of your life.  Best Time to Visit Borneo For Culture and Festivals You might know Borneo is a year-round destination. The nature that the island is known for is in its prime all year round, attracting tourists from around the world. However, the best time to visit Borneo for its culture and festivals is from May to August. Many of the popular festivals on the island take place during this time, and being a part of them will truly satisfy the culture geek in you.  Festivals like the major harvest festivals of the island and the Rainforest World Music Festival happen during this time. These festivals promise an unforgettable cultural experience. If this is what you want, plan your Borneo holiday sometime between May and August.  Top Festivals in Borneo Some of the top festivals in Borneo, along with their hosting dates, are listed below.  Gawai Dayak (June – Sarawak, Malaysia) This is the grand harvest celebrated by the Dayak people in June. During this festival, numerous traditional dances, music played on gongs, rice wine, and elaborate feasts showcase the local community’s hospitality and spirit. You will get a chance to experience the true Dayak lifestyle and hospitality if you visit one of the longhouses that open their doors to tourists during this festival.  Kaamatan Festival (May – Sabah, Malaysia) The Kaamatan Festival is another harvest festival, but it honours the Kadazan-Dusun people’s agricultural traditions. During this festival, numerous singing and sports competitions are held, in which communities participate and enjoy. Additionally, the Unduk Ngadau beauty queen is announced during this festival, which symbolises sacrifice and beauty, and is a prominent part of local culture.  Rainforest World Music Festival (July – Kuching, Sarawak) This music festival is now unknown to music lovers. During this festival, musicians from around the globe gather in the middle of Borneo’s lush rainforest. This is the festival when international music, indigenous tunes, rhythms, and cultural workshops come alive in the lush landscapes of the island. There are only a few festivals in the world as diverse, unique, and immersive as this one.  Chinese New Year (January/February – Across Borneo) As Chinese heritage also influences Borneo, the Chinese New Year here is truly unmatched and is celebrated throughout the entire island. From dragon dances and lantern festivals to firecrackers and lively colours all across the streets, the region is brighter than ever with countless celebrations during this time.  Hari Raya Aidilfitri (dates vary – Across Borneo) Borneo is also home to a significant Muslim community, and they celebrate this festival at the end of the holy month of Ramadan. Muslims also open their homes to tourists in the spirit of unity and forgiveness. They serve delicious feasts to all the visitors during this time.  Summing Up Festival season in Borneo is an absolute treat for culture lovers. This season is the invitation by the locals for the tourists to come and experience their rich heritage. Therefore, cultural travellers who want to go beyond the glorious beaches and lush rainforests of Borneo would love to visit the island during the festival season. If you are passionate about sharing cultural journeys, you can also write for us and contribute your travel stories. Before you decide on a time to visit the island. Make sure that you have an idea of the festivals that you want to be a part of during your time on the island. Only then will you be able to visit Borneo at the perfect time.

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Traveling with kids always presents the challenge of finding activities that engage their imaginations while also offering cultural enrichment. On our latest trip to Bali, my six-year-old son and I were fortunate to experience the mesmerising Devdan Show – Treasure of the Archipelago at the Nusa Dua Theatre, an experience that exceeded all expectations. Located in the heart of the luxurious Nusa Dua‘s Complex Indonesia Tourism Development Corporation (ITDC), the theatre is surrounded by beautiful resorts and pristine beaches, adding a touch of elegance to the entire evening. We were generously hosted by the theatre and treated to some of the best seats in the house, offering an unobstructed view of the dazzling stage. From the moment the curtains lifted, my son was captivated. The Devdan Show is a vibrant and energetic performance that brings to life the diverse cultures of Indonesia, showcasing the country’s traditional dances and rituals from Bali, Java, Sumatra, Borneo, and Papua. The way the show blends modern elements with ancient traditions truly held his attention throughout. He was particularly thrilled by the acrobatic performances and the colourful costumes, which seemed to transport us to another world. The professional dancers and artists made the show even more spectacular. Their ability to convey the stories of Indonesia’s regions through movement, music, and stunning visual effects was nothing short of incredible. Each segment introduced a new island and its unique cultural heritage, and the transitions between traditional and contemporary styles were seamless. My son loved the aerial acts and fire dancing, often leaning over to tell me how “cool” it was! I cannot thank the theatre enough for providing us with such an enriching experience. For families traveling with kids, the Devdan Show offers a fantastic blend of entertainment and education. The visual spectacle kept my son engaged, and as a parent, I appreciated the cultural depth and the artistry behind every performance. In conclusion, if you’re visiting Bali with children, I highly recommend adding the Devdan Show to your itinerary. It’s a fantastic way to introduce young ones to Indonesia’s rich cultural heritage while enjoying a fun-filled evening that’s sure to create lasting memories for the whole family. Devdan Show VIDEO: https://www.youtube.com/watch?v=ZC_f9MomAyk  WEBSITE: https://www.devdanshow.com Bali Nusa Dua Theatre Kawasan Pariwisata Nusa Dua, Komplek ITDC Nusa Dua 80363, Bali – Indonesia | P. +62 361 770197 FB: https://www.facebook.com/DevdanShowBali Mondays, Wednesdays, Saturdays, ticket boot opens at 19.00, shows starts 19.30 Echo Bali Car Rental AsianItinerary drove around the island of Bali with a reliable car provided by Echo Bali Car Rental in Jalan Pantai Sentosa No 4,Canggu, Seminyak, Bali – You can contact Mr. Wayan Suyadnya – Tel: +62 87860131999  /  +62 85100151909 – FACEBOOK https://www.facebook.com/echobalicarrental – MAP: https://maps.app.goo.gl/m5fEDoZx8BSGfF3q7 – EMAIL: info@echobalicarrental.com

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Have you heard of forest sign language? Did you know it exists in Borneo? Associate Professor Dr. Tariq Zaman from the University of Technology Sarawak (UTS) shared his insights on Borneo’s sign language, focusing on efforts to preserve it for younger generations amidst advancing technology. This invaluable cultural treasure has been passed down among the Penan people, who were Borneo‘s nomads and undeniable masters of the jungle. Dr. Tariq has spent the past 15 years working in Malaysian Borneo. His first encounter with Oroo’ sign language was in 2010 during his Ph.D. research when he met Penan elder, Garen Jengan, and became involved with Oroo’ language. Globally, indigenous languages are in decline, with projections indicating that half of the world’s 6,000 languages may become extinct by 2050. For over 4,000 years, Oroo’ has been essential for the Penan, helping them communicate across 200 square kilometers of forest. Despite its cultural significance, it remains under-documented. At the Advanced Centre for Sustainable Socio-Economic and Technological Development (ASSET) at UTS, Dr. Tariq leads an initiative to preserve Oroo’, establishing a long-term partnership with the Penan community in Long Lamai. Their goal is to create digital tools to safeguard Oroo’. Working closely with 75-year-old Garen Jengan, he has learned about the traditional Penan lifestyle. Garen, enthusiastic about ICT, believes technology can spark young Penan’s interest in their indigenous history and forest life. “He usually takes me to a nearby forest and tells me how fascinating forest life is on the way. He tells me about the plants and shows me some Oroo’ signs, which are interesting to me, but he doesn’t know much about them. So, he referred me to Richard, another Penan elder of Long Lamai who loves Oroo’ and is the master of Oroo’ signs. Richard is passionate about preserving these signs for future generations, and from there, we began working on it,” said Dr. Tariq Zaman. The time spent with Garen ignited a profound interest in Dr. Tariq, compelling him to help despite the challenges ahead. “What we aim to do is integrate the language into modern communication systems, such as making it available on the internet and mobile devices, so that it remains relevant in the digital age. This required a thorough investigation to materialize,” he explained. Dr. Tariq and Garen began a joint exploration to design digital technologies for preserving indigenous knowledge. Documenting Oroo’ involves capturing, categorizing, and expanding this unique form of communication. Researchers, working closely with the Penan community, collect signs placed on “Batang Oroo‘” (message sticks), the ground, or carved into trees. These signs, made from leaves, sticks, and vines, represent stories. A major challenge is the lack of a documented grammar for Oroo’. Understanding the rules for combining signs is crucial. The “Batang Oroo'” indicates direction, influencing how signs convey messages. Researchers printed all signs and had elderly community members categorize them, collecting 67 signs from eight Baram communities over 13 years. They identified nine categories: Instructions, Warnings, Information, Directions, Durations, Animals, Number of People, River Place Activity, and Hungry. The Penan community has expanded its Oroo’ sign language, introducing signs for the birth of a baby boy or girl and distinguishing between men and women. This expansion follows community principles, with a consensus on preserving Oroo’. The book “Oroo’ Language of the Forest – Ha’ Jin Tana” was written, including textual data confirmed by elders before being photographed and translated. This marks the initial study phase. Recording in a book is insufficient; digital technologies are needed for applicability. Researchers explored two teaching approaches: tangible tools and gamification. The first approach used capacitive sensing tangibles linked with 2D tablet representations, showing promise but raising concerns about practicality. The second approach involved an Oroo’ adventure PC game and a PO-SMS application, engaging youth but needing further refinement. Digitization efforts require improvement. Young community members’ engagement has led to a co-design approach, ensuring the project’s alignment with community needs. The revitalization effort has gained national and international attention, attracting scholars and students to Borneo. Some scholars have applied the study paradigm to sign languages in other countries, such as Indonesia. Prof. J. Stephen Lansing collaborated with the UTS team to apply the PO-SMS approach to the Punan Batu community’s sign language. Paulina Michnowska is working with the ASSET team on art-based methodologies to make Oroo’ more relevant for young Penan. This study received media coverage from organizations such as BBC News and earned several awards, including the SIGCHI Honourable Mention Award in 2015 for the best papers at CHI 2015. It was also honored at CHI 2015. Additionally, in the same year, it received the IFIP Interaction Design for International Development Award and the Brian Shackel Award. According to Dr. Tariq, even though most signs have been collected, there is still more to discover as certain villages have yet to be approached. Moreover, the world of technology is continuously evolving with new ideas, making research essential in this endeavor. In conclusion, the Oroo’ project represents a beacon of hope for preserving this unique indigenous language facing the precipice of extinction. Through meticulous documentation, in-depth research into sign combinations, and innovative teaching methods, the Penan community, alongside dedicated researchers, is working tirelessly to ensure Oroo’’s survival for generations to come. This collaborative effort underscores the resilience of indigenous languages and their capacity to thrive in the digital age while retaining their cultural roots.

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Asia, a continent bursting with diversity, offers some of the most unique and mesmerising wildlife encounters in the world. From the dense forests of India to the pristine landscapes of Borneo, wildlife enthusiasts are spoiled for choice. Here, we spotlight four Asian countries that stand out as perfect destinations for those looking to immerse themselves in nature escape and witness wildlife adventures in its most unadulterated form. Read on! 1. India – A Land of Majestic Tigers and Colorful Birds India is a wonderful place to see amazing animals. You can find big, beautiful tigers and lots of colourful birds flying around. It’s like a big outdoor zoo but way better because the animals are in their real homes. People come to India from all over just to see these creatures up close. It’s a great spot for animal lovers who want to see something really special. 2. Borneo – A Sanctuary for Orangutans and Pygmy Elephants Borneo is a very special place. It is home to some amazing animals like orangutans and tiny pygmy elephants. These animals can’t be found in many places, making Borneo one of the best spots in Asian countries to see them. The forests are thick and green, perfect for these animals to live and play. People from all over the world come to Borneo to see the orangutans up close. They are very smart and fun to watch. Plus, seeing the small elephants is something you can’t do just anywhere. Borneo is a must-visit for anyone who loves animals and wants to see them in the wild. 3. Sri Lanka – An Island of Leopards and Gentle Giants Sri Lanka is a cool place if you like big animals. It has lots of leopards and giant, friendly elephants. People come to Sri Lanka to see these amazing animals living free and happy. The leopards are sneaky and hard to spot, but it’s super fun when you do see one. The elephants are big and kind, and you can watch them walking around, eating, and playing. It’s a fun adventure for families or anyone who likes to see wild animals up close. 4. Thailand – Jungles Alive With Gibbons and Asiatic Bears Thailand is a cool place with lots of jungles where you can find funny gibbons playing in the trees and big Asiatic bears. It’s like an adventure movie, but you’re in it! The forests are green and full of life. People go there to see the animals and have fun walking around. If you like animals and adventures, you’ll love Thailand. Want to see all these awesome places in Asia on a cool trip? Check out Explorient’s luxury Asia vacations and start your journey today. Learn All About Wildlife Adventures Wildlife adventures in Asia are super fun and exciting. You get to see animals you don’t find everywhere, like big tigers, funny orang-utans, and cool bears. It’s awesome to see them living in the wild, running around, and playing. If you like animals a lot and want to go on a big adventure, Asia is the place to be. Go see these amazing animals, have lots of fun, and make memories that last forever! Did you find this article helpful? Check out the rest of our website.

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Nestled amidst the lush landscapes of Sabah, Malaysian Borneo, lies the charming town of Lawas. Tucked away in the northernmost tip of the state, Lawas may be small in size, but it boasts a wealth of cultural heritage, natural beauty, and adventure waiting to be explored. One of the most intriguing aspects of Lawas is its rich cultural tapestry. Home to various indigenous communities such as the Lun Bawang, Kelabit, and Lundayeh, the town offers a unique opportunity to immerse oneself in the traditions and way of life of these vibrant ethnic groups. Visitors can witness traditional dances, sample authentic local cuisine, and even participate in homestays to gain a deeper understanding of the local customs and practices. For nature enthusiasts, Lawas is a paradise waiting to be discovered. Surrounded by pristine rainforests, cascading waterfalls, and crystal-clear rivers, the town offers plenty of opportunities for outdoor adventures. Hiking trails wind through dense jungles, leading to breathtaking viewpoints and hidden gems off the beaten path. One such highlight is Bukit Kuda, a scenic hill that offers panoramic vistas of the surrounding landscape, perfect for sunrise or sunset photography sessions. The rivers of Lawas are also a playground for adventure seekers. Kayaking and rafting expeditions allow visitors to navigate through winding waterways, passing by lush vegetation and spotting wildlife along the banks. Fishing enthusiasts will also find ample opportunities to cast their lines in the hope of landing a prized catch, with the rivers teeming with various freshwater species. History buffs will find plenty to explore in Lawas as well. The town is home to several historical sites and landmarks that offer a glimpse into its colonial past. The Lawas District Museum showcases artifacts and exhibits detailing the region’s history, from its early settlement to its role in the Brooke administration. Meanwhile, remnants of old forts and trading posts dot the landscape, serving as a reminder of Lawas’s importance as a trading hub in centuries past. Despite its relatively secluded location, Lawas is easily accessible by road and air. The Lawas Airport provides regular flights to major cities in Malaysia, making it convenient for travellers to reach this hidden gem. Additionally, the town is well-connected by road, with scenic drives offering stunning views of the countryside along the way. Lawas may be a small town, but it packs a big punch when it comes to offering memorable experiences for travellers. Whether you’re seeking adventure in the great outdoors, immersing yourself in local culture, or simply unwinding amidst serene natural beauty, Lawas has something to offer for everyone. So why not venture off the beaten path and discover the hidden charms of Lawas on your next trip to Sabah, Malaysian Borneo?

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The Lun Bawang community in Sarawak is looking forward to the annual Irau Aco Lun Bawang (Lun Bawang Festival) to be held from 30 May until 1 June 2023 in Lawas, Sarawak, Borneo, Malaysia. The festival, a celebration of Lun Bawang’s rich culture and heritage through displays of traditional music, performances, exhibitions and community sports, is organized yearly by the Lun Bawang Association of Sarawak since 1988. “Irau Aco Lun Bawang is the most sought after event by the Lun Bawang community in Sarawak and also across the region where our fellow natives are situated including in Sabah, Brunei and Kalimantan, Indonesia. With the rounding success from last year’s event, we are bringing the festival to a bigger venue at Lawas Stadium so all activities are concentrated in one place. It will also allow participants and visitors to fully enjoy and experience the festival,” said Dolphina Balang, President, Lun Bawang Association of Sarawak. The 3 days festival will be a display of various cultural programs and sporting activities which will see at least 3,000 participants involved including the opening ceremony, cultural nights, arts and cultural exhibitions. To promote unity amongst community, modern sports are held including football, volleyball and badminton while community sports like tug of war and blowpipe for men and women are included to add variety. This year, a fun run with a cultural theme will be added into the program to kick off the festival. Dolphina added, “The planning has begun earlier this year and the Association believes the organizing of this year’s festival will continue its success and even better. The festival hopes to also boost economic opportunities for the locals whilst discovering Lawas unique tourism offerings.” For the year 2024, Irau Aco Lun Bawang is supported by the Ministry of Tourism, Creative Industry and Performing Arts Sarawak, Limbang Resident Office, Lawas District Office and the Limbang Tourism Task Force Group which has been the driving force of the festival’s success over the years. The 37th edition will carry the theme ‘Culture Inspires Unity’ and the Association has also named Mr Jude Benjamin Lisa as the organizing chairman for the third consecutive year. Jude said, “The success of Irau Aco Lun Bawang relies a lot on sponsorship as being a self funded program. We invite corporate partners to participate and leverage this as part of their community engagement. Aside from arts and culture, brand activation can also be explored through other aspects like sports, women and youth. As we aim to be inclusive for all to celebrate, it will be a synonymous branding exercise especially catered for the northern region of Sarawak.” Kicking off the 2024 festival, the search for Ruran Ulung and Padan Liu Burung competition for Lun Bawang’s beauty pageant for the ladies and warrior contest for the men, has opened its registration which offers total cash prizes worth RM20,000. Enrollment to participate is open to Lun Bawang descent across Malaysia, Brunei and Indonesia with registration closing by 30 April 2024. click here For more information and highlights, follow Irau Acu Lun Bawang on Facebook and Instagram. For sponsorship and partnership inquiry, contact Jude Benjamin Lisa at 017 877 3871. READ ABOUT PREVIOUS LUN BAWAN HERE

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The enchanting tale behind Fort Margherita in Kuching, Sarawak, Malaysian Borneo, unveils a story of love and protection, often overshadowed by the grandeur of more famous landmarks like the Taj Mahal. While many are familiar with the romantic narrative of the Taj Mahal‘s creation, Fort Margherita’s origin story remains relatively obscure, nestled within the annals of Sarawak‘s rich history. Constructed in 1879 by Sir Charles Brooke, the second Rajah of Sarawak, Fort Margherita stands as a testament to a love as enduring as its sturdy walls. Sir Charles built this fortress for his beloved wife, Margherita Alice Lili de Windt, a French noblewoman, as a symbol of his deep affection. Designed in the likeness of an English castle, the fort’s primary purpose was to safeguard the city of Kuching from marauding pirates, although it never had to engage in battle. Over time, Fort Margherita underwent several transformations, serving as a police museum from 1971 before eventually being entrusted to the Sarawak Government as a tourist attraction. The architecture of Fort Margherita is reminiscent of the majestic castles of old, featuring a three-story layout constructed from plastered stone and adorned with wooden floors and spiral staircases. Iron mastheads grace each corner, adding to its imposing silhouette. Throughout its storied past, Fort Margherita has played various roles, from a base for Sarawak Rangers to a strategic outpost for the Japanese army during World War II. Recognising its historical significance, the National Heritage Department embarked on a conservation project to preserve this architectural gem, investing 2.3 million Malaysian Ringgit over two years. Today, Fort Margherita, now known as the Brooke Gallery, stands as a testament to the legacy of the Brooke Dynasty, housing artifacts and relics that chronicle the reign of the White Rajahs and their impact on Sarawak. The fortress has witnessed the changing tides of history, its flagpole proudly bearing the flags of Sarawak, Japan and Britain over the years. Perched atop a hill near the State Legislative Assembly Complex and overlooking the Sarawak River, Fort Margherita remains a steadfast reminder of Sarawak‘s colonial past. Visitors to Kuching are urged not to miss the opportunity to traverse the passageways of this historic landmark, which offers a glimpse into a bygone era. Accessible by road or a leisurely river cruise, Fort Margherita beckons travellers to explore its corridors and immerse themselves in the rich tapestry of Sarawak‘s history. Whether admiring its architectural splendour or marvelling at its panoramic views, a visit to Fort Margherita promises an unforgettable journey through time. For those planning a trip to Kuching, a visit to Fort Margherita is a must, offering not only a glimpse into the region’s past but also an opportunity to experience its enduring charm firsthand. As you wander through its halls, you’ll discover a love story etched in stone and a legacy that continues to captivate hearts around the world. Opening Hours: Monday – Friday: 9am–4.45pm Saturday, Sunday and Public Holidays: 10am-4pm Admission: Malaysian: RM 10 Non-Malaysian: RM 20 Children (under 7): Free

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One of my housemates, whom I rented with last year, mentioned that he did his internship at the Ranee Museum in Kuching, Sarawak, Borneo Malaysia. His statement prompted me to inquire further, though my knowledge was limited; to my understanding, the Old Court House presently comprises only two remarkable restaurants and a bistro. However, he merely chuckled, indicating that there’s more to it than meets the eye. So here I am, embarking on the journey of exploring another heritage site in Sarawak. Yet, despite his revelation, I didn’t take any action. I continued to ponder over it until my office informed me about a Brooke Tour they had organised for us. Being part of the tourism industry, I thought, “Okay, let’s do it.” I believed it would be more enjoyable to go as a group rather than venturing alone. As scheduled, we convened at the Old Court House – Ranee Museum right after lunch. An evening tour seemed ideal as we could all return home afterward, creating a more relaxed and laid-back atmosphere. Similar to the Brooke Gallery, the Ranee Museum is affiliated with the Brooke Trust. If you plan to visit the Brooke Gallery, make sure to stop by the Ranee Museum first. Why? Because you wouldn’t want to miss witnessing the sunset at The Fort Margherita; it’s truly captivating and worth your time. Now, what about the Ranee Museum? As the name suggests, the museum commemorates the life of Ranee herself, Margaret Alice Lili De Windt, the wife of the Second Rajah of Sarawak, Charles Brooke. Despite being born in France and raised in the UK during a much more modern era, she possessed a fervent desire to learn about and explore different cultures and places. At the tender age of 19, she embarked on a journey across the ocean to begin her married life. During her time in Sarawak, she immersed herself in the local community, learning about various customs, cultures, and beliefs. As a result, she was admired for her grace, humility, and friendliness towards the locals. The museum showcases a photograph of her alongside prominent Sarawakian women such as Dayang Lehut, Dayang Sahada, Mrs. Maxwell, and other attendants. According to the museum curator, she greatly valued local customs, evident in her collection, which includes exquisite ‘Songket and Keringkam’ embroidery by the Sarawak Malay community. Songket is a traditional woven fabric, while Keringkam is a type of Malay embroidery featuring gold or silver threads, typically worn as a headscarf by women. It’s said that she cherished this attire and continued to wear it long after leaving Sarawak. This sentiment is echoed in the personal possessions exhibited at the museum, including heritage textiles, paintings, crafts, and literature spanning 140 years. Words alone cannot fully encapsulate her profound love for this nation. Therefore, I highly recommend a visit to the Ranee Museum to delve deeper into her remarkable journey. Similar to The Fort, there’s an admission fee, but if you opt for the full tour (both Brooke Gallery and Ranee Museum), you’ll enjoy a discounted price. Opening Hours: Monday – Sunday & Public Holidays: 9:00 am – 4:45 pm WWW: https://sarawaktourism.com/attraction/ranee-museum Admission Fee Malaysian: Adult – RM10 Child (7-12 yrs) – RM5 Non – Malaysian: Adult – RM20 Child (7-12) -RM10

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The Banjaran Hotsprings Retreat, Sunway’s natural five-star sanctuary in Ipoh, has announced an exciting new culinary collaboration that will bring together two iconic Malaysian chefs – Daniel Yap, Co-owner and Head Chef of GOODDAM in Kuala Lumpur, and The Banjaran’s own Executive Chef, Lee Choon Boon – for the “Four Hands Dinner,” a truly original and exclusive epicurean event. Chef Boon hails from Ipoh and enjoyed a stellar career at Asia’s leading hotels, including Shangri-La Singapore, before returning home to become Executive Chef at The Banjaran. Passionate about local produce, he sources many ingredients from the Sunway Organic Gardens, a vast 20-acre working farm, to craft regularly rotating menus at the resort’s restaurants. These include Jeff’s Cellar, the award-winning signature venue which is set inside the softly-illuminated chamber of a limestone cave. Chef Daniel graduated from the prestigious La Scuola Internazionale di Cucina Italiana in Parma and went on to work at top restaurants in Italy before moving to the Michelin-starred STUD!O in Copenhagen. At GOODDAM, the highly acclaimed restaurant in KL, he uses fresh produce to showcase his “new style” of Italian cuisine, inspired by the regional dishes of Piedmont, Lombardy, Emilia Romagna and Tuscany. Together, these Malaysian trailblazers will treat diners to a highly innovative tasting menu melding modern European and local ingredients. This curated culinary journey will highlight a new set of ingredients, including house-cured and smoked tongkol hitam “katsuobushi,” nasturtium hot sauce, Chef Boon’s own aged rice wine, and of course, a bountiful harvest of fruit, vegetables and herbs from The Banjaran’s gardens, which have been certified with a myOrganic license from the Malaysian government. This epicurean odyssey commences with a selection of snacks, including Chef Boon’s Buah Nipar (foie gras mousse with glazed onion, palm sugar & glazed palmfruit) and Petai Belalang (mini tart filled with pulled beef cheek, ricotta labneh, wild petai and fried shallots), and Chef Daniel’s Crudo (a cold soup of green hornet tomato & selom with cured snapper and candied kaffir lime), and Bonito Flan (house-made katsuobushi custard with confit calamari, nasturtium hot sauce and pomelo). These light bites will be followed by a series of delectable dishes. Chef Daniel will present the Art of Yeast (Ipoh coffee-glazed Parker roll with roasted yeast butter), Game Ice Cream (Australian truffle ice cream with smoked duck bone caramel terrine, gooseberry relish & pucuk paku), Raviolo (with heirloom zucchini, fried sweetbread in emping padi, and hazelnut & kukur mushroom butter), and Surf & Turf (wagyu rump cap aged in koji, glazed Borneo lobster, breadfruit and caramelized pepper jus). Tantalizing diners’ taste buds, Chef Boon’s inventive creations will include Kohlrabi (velouté with coconut, Amur caviar from Tanjong Malim and pickled kohlrabi with jungle wild pepper), Tanah Kita (organic vegetables from the resort’s farm with confit guinea fowl and fresh truffle), and Ikan Keli (dry-aged catfish with fermented ginger flower, sorrel and crispy bone). A tempting trio of desserts will include Chef Daniel’s Rice (roasted bario rice ice cream, rice wine ice and pickled jicama mousse), Chef Boon’s Berries (highland strawberry mousse, dehydrated mulberry, bee pollen, oxalis and 12 years aged balsamic reduction), and a selection of Petit Fours (passionfruit pouches, pandan macaron filled with kaya & salted butter, pineapple & spice madeleines, and local Chemor dark chocolate with bario salt). This multi-sensory experience will be staged in the serene surroundings of Jeff’s Cellar, a spectacular subterranean dining destination where guests are surrounded by stalactites, stalagmites and rippling water, beneath a 260 million year-old landscape of mountains and rainforest, to create an otherworldly ambience. “After years of talking to host a cooking collaboration, we are over the moon to finally team up and cook a one-night-only dinner. To break out of our comfort zone, we will apply a new set of ingredients, very technically driven and with inspirations from each others’ backgrounds to this specially curated menu. We are super excited to cook up a storm together!” stated Chef Boon and Chef Daniel. Nestled in a 22.7-acre valley in the Malaysian state of Perak, surrounded by ancient jungle, soaring limestone peaks and hidden caves, The Banjaran is an extraordinary destination for foodies. Along with Jeff’s Cellar, the multi-award-winning signature restaurant, Pomelo is an elegant all-day dining destination with indoor and alfresco seating, perched over rippling ponds, and the Star Deck is a stunning setting for cocktails and stargazing. The “Four Hands Dinner” is available for one night only, on Saturday 22nd July 2023, priced at MYR990 nett per person. For more information and to book your place at this unmissable event, please call or WhatsApp +605 210 7777. The Banjaran Hotsprings Retreat and to combine this dining experience with a luxurious weekend stay, please visit www.sunwayhotels.com/the-banjaran.

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Fairy tale times, or perhaps time for a fairy tale. Yes, because walking here and there among the stands at the Rainforest World Music Festival in the Malaysian Borneo, at the concerts and meetings with the most varied and fascinating people, there is always a story to hear, a life story that ignites your imagination or unleashes a river of emotions. Real life stories or legends, or real facts that have been handed down for generations. Fairy tales in the truest sense of the term: those short narrations in which both men and animals, plants or other inanimate beings can be the protagonists. These are generally symbols or representations of typically human aspects of life that have the purpose to make a moral truth easily understood. I leave the moral truth hidden in the story that follows to those who want to get to the bottom of it. I limit myself to relating it as it has been told to me, hoping that in defining it a ‘fairy tale’ I do not enrage the various Aesops, Phaedrus, La Fontaine, Trilussa and all those ‘real’ writers whose fairy tales we have listened to since we were children, and with whom we grew up. “Domine non sum dignus”… I’m just a little short of a storyteller. Still, fairy tales they are, tales where animals perhaps play a fundamental role but where the real protagonist is always the ‘orang’: the person. Fiona is an artist from the Melanau tribe. We meet her at the ‘Borneo Boat Lute Revival’, an interactive exhibition aimed at keeping alive in the new generations, and at making foreigners familiar with the art of the various forms of the Malaysian lute. Instinctively nice and sociable, Fiona is eager to talk, and to tell: “My family and I cannot eat deer meat”. This is apparently because of an agreement, a kind of contract signed hundreds of years earlier between an ancestor of hers and… a deer of course. Nothing in writing, of course, much less a notarial stipulation but, not for this reason, a less binding and significant agreement. She learned this story the hard way when, at the age of nine, after accidentally eating venison, she developed a severe rash. Although Fiona is a young woman, I imagine that perhaps when she was a child there were no specialist doctors nearby to consult. So it was that an aunt, one of her father’s sisters, suggested a cure to follow: she had to take fragments of deer antlers, but without killing the animal. She had to collect the splinters that fell when the deer ‘sharpened’ the antlers on the trees, mix them with essences, burn them and get her body ‘smoked’ for three consecutive nights. Naturally Fiona recovered. Sure, we could easily dismiss the incident as a banal allergy to deer meat. But here we are not in a dreamless and cold American metropolis; we are in Sarawak, where there is still room for fairy tales and legends. At the time, Fiona asked her grandmother about an explanation, and she told her a tale: one of her ancestor, a hunter, had been seriously injured in a leg while in the forest. The wound was slow to heal and the leg continued to lose blood; it almost seemed there was no way out and that the fate of the unfortunate hunter was to bleed to death. But some benevolent spirit had decided otherwise. A deer had arrived and had licked his wound until it healed completely, and the man was saved. The hunter, grateful to the animal, entered into a pact on the basis of which there should be no bloodshed between future generations of men and deers, binding the descendants of the man to the pact that they should never again eat the meat of the descendants of the deer. Fiona gladly accepted the explanation but a doubt remained: why had one of her brothers who lived in Kuala Lumpur eaten venison several times without suffering any consequences? But of course… the deal was with the Sarawak deers, not with those of Peninsular Malaysia. Fiona laughed at this explanation and pointed out that “something is not right”. Despite life’s injustices, to my question: “Did you ever think of going to eat venison in Kuala Lumpur with your brother?”, Fiona replied that she was so traumatised by that experience that she would never eat venison again anywhere in the world. Fairy tales almost always have a happy ending, and during our trips in Kuching and Miri we had the opportunity to listen to a few of them. They tell us about women in a type of society where they may find it difficult to emerge, but when they do emerge they are always almost disruptive personalities. Women who express a solid characters that has its own affirmation as its goal, while not turning its back on its religion, its traditions and the rules of the community. Women who perhaps try to get where they want with the help of some innocent subterfuge, but proving in the end that they were right thanks to their merits, in a world where no one gives you pink quotas.

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The Gambus Melayu is a lute-like stringed instrument found in Central and South Sumatra, Indonesia. It can be played alone to accompany singing, or in instrumental ensembles to accompany dances in Muslim homes and community celebrations. It brings a strong association with Muslim identity to the Malay world. – (Prof. Roger R. Vetter – Javanese music scholar). The fairy tale Once upon a time, there was a 14 years old Sabah girl who used to watch her grandfather play the gambus. She was so attracted by that sound that the more she listened to it, the more curiosity and the desire to cuddle that wooden object and to try to extract sounds from it grew in her. But her grandfather was jealous of his instrument and he didn’t even allow her to touch it. Moreover, she was a girl, and no female had ever played an instrument in Sabah before. It was not going to happen with his gambus. Mind you, that stubborn little girl would not resign so easily, and when her grandfather eventually abandoned himself to his well-deserved sleep, she secretly got hold of the instrument. She then went into a nearby forest and tried to pull notes and harmonies out of the strings of that piece of wood. It is a smiling Fauziah who tells this story to the audience during one of the workshops held in Kuching as part of the Rainforest World Music Festival 2022. Her veiled face frames a sweet smile, and she does not seem to be seized by any emotion as she abandons herself to memories. She does however manage to convey emotions to those who are listening to her: to her colleagues, who are also part of this all-female workshop, who listen, amused, amazed and incredulous to what almost seems like a fairy tale; to her audience, who listens in silence to this beautiful story, only to give in to an applause when Fauziah stops narrating, caresses her gambus and lets its notes take over; and finally to me, a wanderer in search of good stories to document. Oh, you want to know how her story ends, right? I almost forgot… Night after night, forest after forest, sleeping grandfather after sleeping grandfather, the little girl grew up and her music improved. At some point the girl realized that she was progressing fast and she felt the need to test herself, to compare herself with other musicians or apprentices. Until one fine day the opportunity presented itself in the form of a musical competition but, alas, as was to be expected in a traditionalist region like Sabah, open to males only. What to do?  There had to be a way out. But yes, of course! Easy! Showing up at the competition with a man’s name and dressed in men’s clothes, without the veil and with short hair covered by a male headdress, that would do the trick! And so it was: she registered using a male name, Fauziah, which she still uses today, and that’s how it started. Unfortunately, Murphy is always lurking with his law that falls on you like a judgement, so rest assured that if something can go wrong, it will. And something did go wrong because our girl or, better, our boy, did win the contest but her grandfather was present when the winner was announced. When he recognised his granddaughter and realized the situation, he first cast icy glances at the girl and then, either out of necessity or swollen with pride, he took the stage, publicly announcing that this boy was actually his granddaughter. If Orpheus, with the sound of the lyre, had tamed even Charon, the ferryman of souls, Fauziah, with the sound of her gambus, tamed her grandfather and had the green light to start a brilliant career, one that crowned her for several years as the only woman capable of playing the gambus in Sabah. Fauziah at the RWMF All this, as previously mentioned, was told by Fauziah in a confident English during a workshop before an almost enraptured audience.  “So what. What’s so peculiar about it?”, you may say. Nothing, except that Fauziah had been learning English for less than a year, encouraged by a friend who had stressed the importance of speaking Shakespeare’s language when she found herself on a stage. Stubborn to the end, this little girl who is now 34 years old and she is no longer a girl. Far from it: Fauziah is a beautiful woman, and the blue veil she wears and which has long since ceased to cover, with timeless prohibitions, the prejudices and artistic skills of the women of Borneo, acts as a frame to a pretty face illuminated by a beautiful smile that, when it shows, it enchants people. Fauziah Binti Suhaili, who naturally chose Fauziah Gambus as her stage name, was born on November 6, 1988, and after her first competition she started a fairly intense artistic path that saw her from graduating in Musical Arts at the Academy of Arts, Culture and National Heritage, to then continuing with her career as a singer, musician, composer and lyricist and, more recently, to a song taken from her second album which was shortlisted among the top five songs for the Best Ethnic Pop category at the 21st Music Industry Awards (AIM21). Fully aware that the local music is generally not followed by young people, Fauziah tries to carry on continue upon a musical path that, by applying various fresher and more pleasant elements and rhythms, can make young people more interested in listening to traditional music. All this without renouncing her first love: the gambus. And from the warm welcome she received on the Kuching stage, it is quite clear that the stubborn girl is still winning her challenge. Photos by Guglielmo Zanchi (Pluto)

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When people think of a DJ music festival, images of young people wasting themselves at the sound of rowdy music always come to mind. Also, DJ music festivals are often organised in big cities of well-known countries. The Borneo Music Festival Live 2022, which happened on September 9 and 10, brought a change to this perception.  In fact, this event was not organised in a big town like Kuala Lumpur, but in the humble land of the hornbill, in the town of Kuching, state of Sarawak, in the amazing island that is Borneo.  While looking online for information about this musical event, which involves electronic dance music (EDM), I came across several comments that stated that Borneo Music Festival Live is less attractive than other more known DJ music festival (like Tomorrowland Festival in Belgium and others). I am a local, so I decided to get the assignment from Asian Itinerary and go prove them wrong.  The 2 days event as such was a blast, gathering 6000 people on Friday and 8000 on Saturday at Sarawak Cultural Village, for a total of 14000 people, not bad for a debut. During the event I interviewed random attendees on the spot, getting a great overall feedback.  Savannah from Germany agreed that different festivals have different uniqueness, and she loved both the jungle setup and the great DJ lineup: “The location is perfect. I love the fact that this event does not just showcases the DJs but also local artists, which is something distinctive. The food is very nice, and we enjoyed both DJ Soda and DJ Alan Walker”. Her friends Fina from Brunei, Greg from Scotland, Jowena and Dalton from USA told me they were very amazed by the DJ lineup, and they also loved the idea of performing local artists such as Tuku Kame and At Adau, who never fail to bring the sound of Borneo into the music element. Local Zaphne Philip said that she had really been looking forward to Borneo Music Festival Live 2022 as for the first time international artists of this caliber, who usually perform in Kuala Lumpur, made it here in Borneo: “It’s the time for Sarawak and Borneo as a whole to receive international artists as we also have a great venues here. The booming economy and people living in harmony is a value added to the event, which I hope can continue in the future. I believe whatever negative comments out there should not stop the event. Personally, I agree the organisers did a good job in making this event a success, providing a good platform for the young generation to have a safe party”. A guy named Nash said that “the event was hype and happening, all the audience was enjoying the DJs performances joyfully regardless of their music taste. For me personally, it was a really unique event as it was held near both a beach and the rainforest, taking the experiences to a whole new level”. Nash added: “As someone who loves art and works on art, I can tell you that the stage area was well-lit and very artistic; the lighting play, the sound system experiences, the crowd with their lead band added to the great scenery”. Local vendor AJ mentioned to me that he expected an “awkward crowd”, but that in the end people just enjoyed the music in their own way. “Everyone has their own way of partying, and for me, that is what makes it beautiful”. Borneo Music Festival is the largest EDM music event so far in Malaysia, and the second largest event in Borneo after the Rainforest World Music Festival. Borneo Music Festival proved that you can actually mix EDM music DJs with fusion and traditional music, achieving an amazing connection between music and music lovers. Borneo Music Festival Live 2022 was organised exclusively by Firmament Event Studio in collaboration with More Entertainment and supported by Ministry of Tourism, Creative Industry and Performing Arts Sarawak.

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Our visit to Simunjan (Sarawak, Borneo, Malaysia) was not a planned one. We somehow ended up there after scrapping up our original plan to visit the magnificient Belungei Waterfall in Lundu at the last minute. Something happened that made us head towards an alternative location, and I must say this amendment was not to be regretted.  Wong Panchor is a waterfall in Kampung Mentu, Simunjan. The hike to Wong Panchor is relatively easy, and takes about 45 minutes. If that’s not enough for you, continue on to Wong Mawang waterfall for an additional hike of just 30 minutes that is worth the sweat.  We started our journey early in the morning on a Saturday. Simunjan town is 2 about hours away from Kuching via either the Kuching-Serian Road or the Samarahan Road. We woke at 5,30am aiming to be ready to leave at 6am, after picking up our mates.  Looking at the sun rise, driving to Simunjan in the early morning is totally refreshing for the eyes. The views are amazing, quite a treat. We passed Siburan and Serian, and followed the Gedong road until we hit the town.  We decided to stop in a food spot in order to refill our energies before starting our hike. In Malaysia, ordering teh tarik (pulled tea: a milk tea that is pulled until it bubbles) is a must, yet some of us prefer black coffee or a plain tea. Teh tarik goes well with Kueh Tiaw Goreng or Mee Goreng (fried noodles) and fried eggs. I am a vegetarian so I skip the dishes containing meat and try other breakfast delicacies instead.  Once we were done with the food, we drove towards Kampung Mentu, the location where the hike starts. From Simunjan to Kampung Mentu it’s a 1 hour drive, a tough one! The road is like a roller coster and at certain places the conditions were pretty bad. This road used to be a palm oil truck road. If your car is not in good conditions, do not attempt it. The bumpy ride is compensated by the views of the journey: Iban people villages with their traditional longhouses.  At our arrival, we met up with our tour guide and at 10am we stepped into the woods and were on the hike towards the waterfall. The path is smooth: at first we were inside the forest for a few minutes, then we walked downhill along a stream on a stoned path until we passed a water pipe.  We reached the impressively big Wong Panchor waterfall after 1 hour of hiking. The pond it forms is quite deep and dark, and the water is refreshing. After taking turn to shoot photos of the waterfall, we decided to start preparing lunch. Some started cooking, other went for a swim. Eventually we had lunch, and after that some hanged their hammock and went for a siesta.  Sometime passes before we decide to pack up and move on to another waterfall: Wong Mawang. Though the hike only took 30 minutes, most of the path was challenging and climbing ups we were relieved when we reached the place. Wong Mawang is a mesmerising waterfall, so we all took some photos of it, before starting our hike back.  All went smooth on the day, and everyone feels safe and happy. We wrapped up by paying our tour guide and left the area.  This area of Simunjan is vast, the landscapes are undeniably beautiful so yes, I loved it all! Taking a trip and a hike there with a group of friends was the best choice. 

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