Marriott International’s Luxury Dining Series returns for its third edition, uniting world‑class chefs and cultural storytellers across Asia Pacific to celebrate what brings us together – one table at a time. Some of life’s most meaningful journeys begin not with distance travelled, but with a seat taken. Across a table, stories unfold, flavors linger, and strangers become companions. Returning for its third edition, Marriott International’s Luxury Dining Series invites guests to rediscover the quiet power of gathering – where a shared meal becomes a moment of connection, and time slows to the pace of conversation. Guided by the theme Across the Table, the series transforms dining into an intimate exchange – one shaped by generosity, curiosity and the joy of being present. Here, plates arrive with provenance, hands pass dishes meant for sharing, and chefs step beyond the kitchen to meet guests as storytellers. Every experience is designed to feel unguarded and alive, celebrating not just what is served, but what is shared. Unfolding across Asia Pacific, the 2026 Luxury Dining Series brings together celebrated culinary voices and evocative settings to create spaces where culture, creativity and human connection converge. From softly lit dining rooms to extraordinary destinations, Marriott International invites guests to take their place at the table – and discover how a single meal can become a lasting memory, carried long after the last course is cleared. The locations of the 2026 series include JW Marriot Phu Quoc Emerald Bay Resort & Spa, The Naka Island, a Luxury Collection Resort & Spa, Phuket, The St. Regis Maldives Vommuli Resort, Mandapa, a Ritz-Carlton Reserve, The Ritz-Carlton, Kyoto, and a trip across Japan on Luminara, The Ritz-Carlton Yacht. Exclusive stay packages will be available across the six destinations, inviting guests to experience Across the Table beyond the dining room. Offered only in conjunction with the Luxury Dining Series, these limited offerings pair signature culinary moments with thoughtfully curated stays – encouraging guests to slow the pace, deepen connections and discover each destination as an integral part of what is shared at the table. The full schedule of the series is as follows: Vietnam – August 5-9 – JW Marriot Phu Quoc Emerald Bay Resort & Spa Thailand – August 12-16 – The Naka Island, a Luxury Collection Resort & Spa, Phuket Maldives – August 25-30 – The St. Regis Maldives Vommuli Resort Indonesia – September 9-13 – Mandapa, a Ritz-Carlton Reserve Japan – September 23-27 – The Ritz-Carlton, Kyoto Japan – October 9-18 – Luminara, The Ritz-Carlton Yacht Collection More details on programming will be announced soon. Please visit the website for more information.

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How paradise is suffocating under traffic, waste, and its own global success Bali — from a small, archaic island on the Ring of Fire, to the “Island of the Gods” discovered by tourism, to an island drifting into post-capitalist consumer chaos. Did I make a mistake back then? When I traveled through Southeast Asia, captivated by the beauty of its countless islands, I chose Bali as my place to live. It could just as easily have been Lombok, Flores, or an island in Thailand—but Bali scored highest on my personal scale. There was culture, a distinct spirituality, and a vibrant alternative scene in Ubud. At the time, there was still abundant nature, little traffic, and no visible waste problem. I lacked foresight. I made no projections about what the growing streams of tourists would eventually bring. It wasn’t only the travelers and Indonesians from other islands coming to Bali for work who turned it into one of the most densely populated places on earth. There were also people like me—foreigners who didn’t just come for a holiday, but chose to stay. People from all over the world who saw Bali as the most attractive place to live in Asia: entrepreneurs, retirees, digital nomads, artists, healers, DJs, developers, restaurant owners. They all came seeking something—opportunity, freedom, meaning. Most stayed. And every year, more arrive. With this additional influx of non-Balinese residents, the island soon became overwhelmed. The government failed to keep pace with this development. No effective systems were created to manage waste or traffic. The narrow roads are hopelessly congested. Garbage is not systematically handled—it accumulates, spilling into daily life. So where does this lead? Can Bali still regain control? Or is this already a lost battle—an island slowly collapsing under the weight of its own success? And what about me? Do I have to admit that I failed to see far enough ahead? Will I one day have to leave in order to stay healthy? I began to wonder how other expats living in Bali deal with these issues, and how deeply they are affected by traffic, waste management, and the sheer density of the population. So I asked friends who have lived here long-term how these developments are shaping their perspective on staying—or leaving. Roswitha S., who has lived in Bali for 25 years, shared her experience: “After years of suffering from locals burning plastic, rubber, and construction debris in small fires next to their homes, I was relieved when a regulation was introduced prohibiting the burning of household waste, with a fine of 50,000 rupiah. From then on, garbage collection became regular—twice a week, costing around 100,000 rupiah per month. Only occasionally would someone refuse to pay even a small amount—around €2.50—for weekly collection and continue burning their waste. But at least there was now a system in place, and complaints could be made. Eventually, waste collection became properly established. But now, it has begun again. In 2026, neighbors started burning their trash once more after the island’s main landfill was abruptly closed by government decree. The idea was that residents should separate plastic, paper, and glass for collection, while burying organic waste themselves. A short-sighted solution. Who, with only 100 square meters of land, has space to create a functioning compost system? And what about construction waste or materials that cannot be recycled or buried? Rumor has it that a new shopping mall is planned next to the landfill site, and the investor did not want unpleasant odors nearby—so pressure was applied to shut it down. At the same time, years earlier, a French company had proposed building a waste-to-energy incineration plant near Gianyar. But excessive permit fees—from both government authorities and, as is common in Bali, the local adat structures—made the project economically unviable. It would have taken over 15 years to turn a profit. The investor withdrew. The project collapsed. And now, the situation has reached a critical point. Hotel underground parking areas are filling up with garbage bags that are no longer being collected. Without a functioning system, the only alternatives seem to be uncontrolled burning—or worse. One begins to think, almost involuntarily, of Albert Camus and the quiet, creeping onset of a plague. Only recently has the government begun to react. The landfill has been temporarily reopened for two months to deal with the accumulated waste. But temporary measures are not enough. Something fundamental has to change. After all, six million tourists per year now pay a €9 tourism levy—a kind of visitor tax—intended to support waste management. Surely, that should be sufficient to finally build proper infrastructure, perhaps even a modern incineration facility.” I went on to speak with another expat, a friend from Switzerland, Cyrill, who chose Bali as his home after many years in Malaysia and Thailand, and who is deeply familiar with life in Southeast Asia. He offered a different perspective: “There have always been critical voices on these issues. Even back in 2000, when I was living on Koh Samui, traffic, waste, and development were exactly the same concerns. In that sense, it’s nothing entirely new. What often changes is ourselves. The longer you stay in one place, the more you begin to notice its downsides. And sometimes the grass on the other side suddenly looks greener. Ultimately, much in life is a compromise—and living in one place is no different. You decide what you can live with and what you cannot. For me, the scooter traffic here even has a certain charm—if you are willing to engage with it. These small ‘freedom rides’ give you a different connection to a place. You notice things that remain hidden when you sit in a car: smells, light, people, little scenes by the roadside. Personally, I even appreciate a certain degree of this chaos. Of course, waste management could be better organized—that’s obvious. But where I live, it functions reasonably well. And when I recently spent two weeks in Phuket, (Thailand), I realised it’s not that different there....

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There is a moment, somewhere between the last view of Bali’s crowded coastline and the first outline of Lombok rising from the sea, when something inside you quiets down. Not dramatically. Not in the way travel brochures promise transformation. More like a subtle exhale. As if the island ahead is not asking for your attention—but simply offering space. Lombok has always lived in the shadow of its louder neighbor. Less mythologized, less performed. And yet, for those who arrive—whether for a few days or a longer drift—it reveals itself in layers that feel at once familiar and distinctly its own. The New Frontier of Short-Term Paradise In recent years, Lombok—especially the southern coast of Lombok Tengah—has begun to attract a different kind of visitor. Not backpackers chasing the cheapest bungalow, but short-term residents of comfort: families from the Middle East, urban travelers from Jakarta and Singapore, and an increasing number of international tourists looking for a curated escape. Private villas now sit on hills overlooking the Indian Ocean, minimalist in design, infinity pools spilling toward the horizon. High-end compounds with staff, chefs, and drivers. At the same time, just a few bends down the dusty road, surfer hostels buzz with a completely different rhythm—shared rooms, early mornings, boards stacked against the walls, salt still in the air from yesterday’s session. It’s a coexistence that feels almost accidental, yet somehow works. Mandalika — Vision Meets Asphalt At the heart of this transformation lies Mandalika. What was once a quiet stretch of coastline has been reimagined as a flagship tourism project—wide roads, planned zones, security gates, and, most visibly, the Mandalika International Street Circuit. MotoGP has arrived, and with it, a vision of Lombok stepping onto a global stage. The circuit itself feels like a statement carved into the landscape: ambition, speed, spectacle. And yet, just beyond its curves, the older Lombok remains. Fishermen pulling in nets. Cows grazing where engines roar just weeks before. It is this contrast that defines Mandalika—not just what has been built, but what continues to exist beside it. The Gilis — Between Party and Stillness Off Lombok’s northwest coast, the three Gili Islands—Trawangan, Air, and Meno—float like fragments of different moods. Gili Trawangan is the extrovert. Nights that stretch into mornings, beach bars pulsing with music, travelers dancing barefoot in the sand. It is a place where time loosens its grip. Gili Air softens the edges. A balance between movement and pause. Yoga in the morning, snorkeling in clear water where turtles glide past without urgency, dinners by candlelight. Gili Meno, the quietest of the three, feels almost like a retreat into absence. Fewer voices, more space. The kind of silence that reminds you how loud you have been elsewhere. Senggigi — Echoes of an Earlier Era Before Mandalika, before Kuta Lombok found its rhythm, there was Senggigi. From the 1980s to the early 2000s, this stretch of coast was Lombok’s introduction to tourism. Hotels lined the shore—some ambitious, some modest—welcoming travelers who wanted proximity to Bali, but without its intensity. Today, Senggigi carries a different energy. Slightly faded, yes—but not without charm. A place where time has not rushed forward quite as aggressively. Where older hotels still stand, telling quiet stories of an earlier wave of discovery. Into the Interior — Where Lombok Breathes Deep If the coast is where Lombok meets the world, the interior is where it returns to itself. Mount Rinjani rises not just as a peak, but as an experience that demands commitment. Trekking up its slopes is not a casual undertaking. It is a slow negotiation with altitude, fatigue, and awe. Nights spent at the crater rim, tents pitched against the wind, stars stretching across a sky unpolluted by city light. Below, the crater lake rests in stillness, almost unreal. Elsewhere, in Tetebatu, the pace shifts again. Jungle paths, waterfalls hidden behind layers of green, hot springs, small villages where daily life unfolds without performance. It is here that Lombok feels least interrupted—where the island’s rhythm predates tourism and will likely outlast it. The Sasak — Culture in Continuity At the heart of Lombok are the Sasak people. Their villages—simple, grounded, shaped by tradition—offer a glimpse into a way of life that has adapted, but not disappeared. Houses built with natural materials, communal spaces, rituals that continue not for display, but because they belong. And yet, Lombok is also deeply Islamic. Mosques are present in every village, the call to prayer marking the day with a steady rhythm. But this is not an Islam that feels imposed on the visitor. It is, as one might call it, a Lombok Islam—practiced, present, yet accommodating. Tourists ride motorbikes in shorts and bikinis, beach bars serve cold beer, and nightlife exists without friction. It is a balance that is neither fully explained nor formally structured—but lived. Waves, Roads, and the Western Comfort Zone For surfers, Lombok is not an alternative—it is a destination. From the breaks around Kuta to Selong Belanak, from the more remote spots in the Ekas region to well-known waves that carry names whispered with a certain respect—Desert Point, Inside Ekas, Outside Ekas—the island offers consistency, power, and space. Back in Kuta Lombok, the infrastructure has quietly grown. Restaurants serving everything from local dishes to international cuisine, cafés with strong coffee and stronger Wi-Fi, bars with live music in the evening, small shops lining the streets. It is not Bali. Not yet. And perhaps that is precisely the point. Between What Is and What Comes Next Lombok exists in a delicate in-between. Between development and restraint. Between global attention and local continuity. Between the desire to become—and the risk of becoming too much. When living in Bali gets overwhelming and the future of overload has already settled in – I escape to Lombok – there I can find my type of Bali as I have loved it in the year 2000. A timeless vibrant nature, local life, that is enough in itself,  that doesn’t need performances and glamour, combined...

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In Bali, sound is not something you can shut out. Sound enters through the thin doors, the cracks in the wood, the spaces between walls and roof. Noise weaves itself through rafters and window frames, it clings to the walls like dupa, the incense of rituals. The soundscape is vast, without edge. Try to keep the sound out – by closing warped wooden doors, latch windows made of little more than a thin frame and a single pane of glass. But nothing closes here completely. No seal is airtight. The house breathes—through the gentle space where light and noise slip in like wandering spirits. At first, one tries to keep it out—the rooster’s crow to establish territory, the deep hammering chants of bullfrogs, the high, metallic cry of crickets in heat, the territorial disputes of stray dogs. But nothing in Bali is built to be closed. Even the best-built houses do not block out the environment they are in, but permeate the sound of Bali. In a “western world” far away from Bali, privacy is sacred, where the ideal home is a sealed fortress of temperature control and personal space. There, silence is built with double glazing, thick carpets, and doors that lock not just sound, but the world itself, out. There, individuality is a virtue—a lifestyle, even. We cultivate solitude. We make appointments to meet. We schedule connection. Noise is disturbance, uninvited presence, a trespass on the self. Here—closer to the equator—life is a permeable membrane. Boundaries are porous. A voice, suddenly at my door: “Hello?” And there, already standing in the open doorway, a neighbor, a delivery man, a stranger with a question, that cannot remain unattended. And sometimes it is me who is calling my friend’s name to share a thought, but she is already gone, having slipped barefoot through the same open door that lets the world in. Even inside your home, you are never entirely alone. You are part of something, whether you like it or not. The sound of a motorbike offers information: someone is arriving, someone is leaving The RAIN announces itself -long before it touches the earth. You hear the wall of downpour coming closer, feel it rolling in through the trees like a growing drumbeat—and then it’s upon you. It drowns out the roosters, the frogs, the dogs and even your thoughts if you let it. This rain is not a disruption. It’s the cleansing voice of the earth, reminding you: You’re not in control. Give up on your plan for the moment, or the whole day. That’s the truth of life in this place. You cannot close the door on the world because the world is permeating. It took effort—yes. It took maybe years, to stop resisting the world as it poured in through the thin windows of my house. Instead, I began to listen. To the tropical, natural sounds in the distance. To the ceremonies rising in chorus from a nearby temple. To the old woman sweeping her courtyard at dawn, rhythmically, patiently, as if brushing yesterday from the earth. In the tropics, life is a shared event. Sound is a companion. Not all of it pleasant, but all of it is shared. Bali is not only full of people, it is brimming—overflowing—with sound There is no mute button. There is no pause. It took effort to stop fighting, and start listening. That process is similar to refining the musical senses, the ear for tones and overtones, . By listening to the spaces in between notes we hear sounds that are present. Not produced by instruments (or by roosters and street sellers) – but are part of the brimming ever-present sound of the island.

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Being asked often by foreigners and by locals alike: “What do you see as the most drastic change during the past 35 years?”, my answer is free of doubt: The most drastic transformation in Bali over that time span may not be the tourist villas or the traffic jams — but globalization. Before the year 2000, people spent their evenings in small groups, gathering at the balai (public gazebos). The young played cards, listened to music, drank local palm wine (tuak), or sat on the beach. They talked — mostly small talk or village gossip — but they were engaging with one another. They wore sarongs and T-shirts. No one thought about followers or Photoshop for Instagram posts. There were no selfies and no online updates, because there was no internet to update. Girls only wore makeup during temple ceremonies, along with their ceremonial kebaya and golden sashes. Today, in 2026, every woman and girl wears expensive makeup, follows global fashion, and clutches her smartphone — even while riding a motorbike, scrambling across rocks at the beach, going to bed, or sitting on the toilet. Their vision is locked at 30 cm, both thumbs endlessly scrolling. Men and women drive with one hand on the wheel and the other holding a phone—even if they’re not making a call. Construction workers keep their phones in their back pockets or next to the cement mixer, playing pop music while hammering and drilling. The information flowing from these devices is a steady stream of global topics, global tastes, global marketing for global products. What people see on TikTok, Instagram, Facebook, or local apps isn’t very Balinese, nor even distinctly Indonesian. It may be in the Indonesian language—but the content and message are global. That is the biggest influence. The greatest change. People are being shaped by what they see and hear every day. Deep in their hearts, they may still hold on to superstition, religion, belief in fate, black magic, and moral consequences—but in their lifestyle, they’re losing something sacred: the serenity and quiet dignity of the Balinese spirit. The people of Bali became global citizens, or to put it more correct: global consumers in a huge global Mega Mall. The unique Bali culture is still engraved. Social conditioning in how to do things and how not to do is still present, but the layer gets thinner and the ‘global citizen’ is a challenge and a distant longing.  

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A journey through the spiritual and natural heart of Bali, across seven places that tell the most authentic story of the island. Sacred temples hidden in the forest, agricultural terraces recognised by UNESCO, holy lakes and sunsets over the ocean: this is the Bali that lies beyond the crowds — the one worth seeking when you travel across Asia with intention and curiosity. Batukaru Temple: Spirituality Deep in the Forest Hidden on the slopes of Mount Batukaru, far from the most visited tourist routes, Batukaru Temple is one of the most significant sacred sites in Bali. The atmosphere is humid, intimate, almost suspended in time: shaded courtyards, dark moss-covered stone, natural springs flowing in silence. This is not a temple that impresses with grandeur. It impresses with authenticity. It is one of those places where Balinese spirituality manifests in a quiet, personal way, in perfect harmony with the nature that surrounds it. An essential stop for anyone who wants to discover the true religious soul of the island. Jatiluwih Rice Terraces: UNESCO Heritage and Unfiltered Beauty The Subak: An Ancient System That Still Feeds the Island The terraced rice fields of Jatiluwih stretch as far as the eye can see across the hills of Bali’s interior, shaping a landscape that is both orderly and breathtakingly harmonious. Behind this beauty lies the subak — the ancient communal irrigation system that has regulated the island’s agricultural life for centuries, and which earned Jatiluwih its recognition as a UNESCO World Heritage Site. Walking among these terraces means entering a delicate balance between people, water and land, where daily work still follows the rhythms of nature. It is one of the most profound and authentic expressions of Balinese culture, and one of the travel images from Asia that stays with you forever. Kopi Luwak: Indonesia’s Most Famous Coffee A stop at the Jati Wangi Coffee plantation offers a chance to discover the celebrated Kopi Luwak — coffee made from beans partially digested by the Asian palm civet. The visit takes place in a relaxed, green setting, among coffee plants and tropical spices, with guided tastings of unusual varieties including coconut and lemongrass coffee, each said to carry its own health benefits according to local tradition. A light and enjoyable experience, perfect for a fun break between one temple and the next. Ulun Danu Beratan: The Temple That Floats on the Lake On the shores of Lake Bratan, in Bali’s central highlands, stands Ulun Danu Temple, dedicated to Dewi Danu, goddess of water and fertility. Its pagodas appear to float on the surface of the lake, surrounded by cool mountain air and often wrapped in soft morning mist. During a visit it is common to encounter worshippers in traditional dress, with grains of rice on their foreheads as a sign of blessing. Ulun Danu is not a museum temple — it is an active place of worship, where spirituality, landscape and daily life coexist in perfect balance. The Ubud Monkey Forest: Nature, Monkeys and Hidden Temples In the heart of Ubud, the Sacred Monkey Forest Sanctuary is a lush green area crossed by shaded paths leading through ancient trees, old temples and moss-covered statues. Hundreds of Balinese long-tailed macaques roam freely within the forest, organised into territorial groups with their own hierarchies and social dynamics. Observing their behaviour — the interactions, the play, the occasional tensions between groups — is a direct and authentic encounter with an animal community living by its own rules. A must for families travelling to Bali or for anyone who loves nature up close. Taman Ayun: The Quiet Elegance of Mengwi Taman Ayun Temple, in Mengwi, is surrounded by a wide moat that symbolically separates it from the outside world. Built in the 17th century as the spiritual centre of the Mengwi dynasty, it expresses traditional Balinese architecture with elegance and restraint: layered thatched roofs, wooden structures and stone carvings in conversation with manicured gardens and towering trees. Walking through its courtyards means moving through a space designed for contemplation — a quiet testament to the culture and history of the island. Tana Lot: Sunset Over the Island of the Gods No itinerary in Bali is complete without Tana Lot. Perched on a rock surrounded by the ocean and accessible only at low tide, this temple is one of the most iconic symbols of the island. Dedicated to the spirits of the sea, it stands as one of the sacred pillars of Balinese spirituality connected to water and the protection of the island. As the sun descends over the ocean and the light shifts through shades of gold and orange, Tana Lot brings the day to a close with a simple yet powerful image: sunset over the Island of the Gods. The perfect ending to a journey through temples, nature and everyday life — and a reminder of why Bali, among all travel destinations in Asia, remains truly one of a kind. Have you visited Bali? Share your experience in the comments or explore more itineraries at asianitinerary.com.

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Asia’s beaches are a playground of turquoise waters, golden sand, and vibrant culture, each destination offering its own flavor of paradise. Whether you’re chasing luxury, comfort, or something wallet-friendly, there’s a stretch of coast here waiting to be explored. Phuket, Thailand – Luxury Phuket is Thailand’s crown jewel for beach lovers. From the soft sands of Patong and Kata to the quieter retreats in Kamala and Surin, the island blends lively energy with indulgent calm. Luxury resorts with private pools, beach clubs, and spa services make it easy to spend days lounging by the sea. Beyond the resorts, vibrant markets and rich street food culture ensure there’s always a reason to step off the sand. Bali, Indonesia – Mid-Range Bali hits the sweet spot for travellers seeking charm without a luxury price tag. Seminyak and Nusa Dua offer well-kept beaches with plenty of cafes, surf lessons, and boutique hotels, while quieter spots like Canggu give solo travellers and couples alike a more relaxed pace. Sunsets over the Indian Ocean are a daily spectacle, and the island’s lush interiors make for easy day trips when a change of scenery calls. Boracay, Philippines – Budget-Friendly Boracay’s White Beach is synonymous with tropical bliss, with powdery sand and clear, shallow waters perfect for swimming or simply stretching out under the sun. Even on a budget, travellers can find hostels, guesthouses, and affordable beachfront stays. Days can be spent exploring hidden coves, paddleboarding, or enjoying fresh seafood from local vendors. Nights bring lively bars and fire-dancing shows along the shore. Langkawi, Malaysia – Mid-Range Langkawi’s island group is a mix of soft sand beaches, emerald waters, and dense rainforest. Cenang Beach is lively and easy to access, while Tanjung Rhu offers a quieter, postcard-perfect escape. Mid-range resorts and boutique stays give visitors a comfortable base, with easy access to mangroves, waterfalls, and local night markets that add a cultural twist to any beach holiday. HaLong Bay, Vietnam – Unique & Affordable While known for its dramatic limestone karsts, Hạ Long Bay also offers stretches of calm beaches perfect for a quieter getaway. Budget-conscious travellers can find homestays and small hotels along the coast, making it possible to enjoy the area without breaking the bank. Kayaking, boat trips, and fresh seafood are all part of the appeal, with the scenery providing a stunning backdrop that feels almost otherworldly. Asia’s beaches offer a little something for everyone, from indulgent luxury to laid-back budget escapes. Whether you’re chasing sunset cocktails, surf lessons, or just a quiet spot to watch the waves, the region’s coastline is ready to deliver. Planning ahead for the right accommodation can make all the difference, letting you focus on what really matters: sun, sea, and sand.

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Gamelan is one of the most fascinating and representative aspects of Indonesia’s musical culture, especially on the islands of Java and Bali. This musical tradition, rich in history and spirituality, offers a unique experience that captures the heart of anyone lucky enough to hear it live. In this article, you’ll discover what makes Gamelan from Java and Bali so special, the differences between the two traditions, and why this music deserves a prominent place in your Indonesian travel itinerary. What is Gamelan? The term “Gamelan” refers to a set of traditional musical instruments, mainly percussion, consisting of gongs, metallophones, xylophones, bells, and other brass and bronze instruments. This music, which can be sacred or secular, is performed in ensembles of various sizes, often accompanying religious ceremonies, cultural rituals, dances, and theatrical performances. Its unique sound, characterized by rich, resonant, and hypnotic tones, creates an atmosphere of spirituality and meditation. Gamelan of Java Javanese Gamelan, also known as “Gamelan Jawa,” is one of the oldest and most complex in the country. It features instruments such as the gong ageng (large gong), the gender (keyboard metallophone), the bonang (series of bells), and the kendang (drum). Javanese music is deeply rooted in the island’s religious and cultural traditions, often associated with Hindu and Buddhist ceremonies, traditional dances, and theatrical performances like wayang kulit (shadow puppets). Javanese Gamelan is distinguished by its intricate structure and tightly synchronized rhythms, creating a rich tapestry of nuances and dynamics. The music is often accompanied by symbolic movements and dances that tell mythological stories, making each performance a truly spiritual experience. Gamelan of Bali Balinese Gamelan, on the other hand, is known for its vibrant energy, fast rhythms, and more aggressive melodies compared to Java’s. In Bali, Gamelan is closely tied to religious celebrations, purification rituals, and public events such as festivals and traditional dances. Main instruments include the gangsa (metallophone), kendang, bells, and other percussion instruments. One of the defining features of Balinese Gamelan is its role in sacred dances like Barong and Legong, accompanied by lively and engaging music. Balinese music often features improvisations and spontaneous variations, reflecting the island’s energetic and spiritual essence. Differences Between Javanese and Balinese Gamelan Although both types of Gamelan share instruments and basic characteristics, there are key differences: Sound and rhythm: Javanese Gamelan tends to have a softer tone, with slower, more structured melodies, while Balinese Gamelan is faster, more aggressive, and dynamic. Usage: Javanese Gamelan is often linked to religious ceremonies and formal theatrical performances, while Balinese Gamelan is more lively, used in festivals and public celebrations. Instruments: Both traditions use similar instruments, but playing techniques and arrangements differ, resulting in unique and recognizable sounds. Why Listen to Gamelan During Your Trip to Indonesia? Watching a Gamelan performance from Java or Bali is an unmissable experience for visitors to these stunning islands. Traditional music offers a deep immersion into Indonesia’s cultural, religious, and artistic roots, providing insight into its ancient traditions. Many tourist spots and temples host public or private concerts, perfect opportunities to discover and appreciate this unique art form. Conclusion Java and Bali’s Gamelan represent an invaluable cultural heritage capable of conveying emotion and spirituality through ancient sounds. Whether you’re passionate about music, culture, or spirituality, witnessing a Gamelan performance will undoubtedly be a memorable highlight of your Indonesian journey. Don’t miss the chance to explore this captivating musical tradition and let yourself be transported by its deep, ancient melodies.

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Escape to the serene beauty of northern Bali with a stay at Rumah Bali, a charming and private traditional Balinese house nestled in the heart of the authentic village of Kalibukbuk in Lovina, in the pristine and lush north of Bali. Perfect for couples or small families seeking peace, natural beauty, and an immersive Balinese experience. Your Perfect Bali Retreat Set amidst lush rice fields and tranquil village life, Rumah Bali offers a cozy modern Balinese home with authentic touches. Surrounded by friendly locals and close to Lovina Beach, this peaceful villa is your gateway to exploring Bali’s stunning waterfalls, vibrant markets, and scenic coastlines. Comfort & Privacy in an Idyllic Setting This private, lockable room features a comfortable king-sized bed with fresh linen, air conditioning, and ample closet space. Enjoy complete privacy with your own stylish outdoor bathroom, equipped with hot water and modern amenities. A spacious balcony provides a shaded spot to unwind, relax on the large sofa, and soak in the lush garden views. Fully Equipped for a Home Away from Home Cook your favorite meals in the modern kitchen, stocked with fresh ingredients from the local market. Dine together in the dedicated dining area, or let Ibu Kadek prepare authentic Balinese cuisine for you (additional charge, vegetarian options available). Wi-Fi is included, making it easy to stay connected. Explore & Experience Bali Guests have full access to the villa’s private space. Wander through the village, visit local warungs, or indulge in dining at nearby restaurants in Singaraja, Seririt, or Lovina. For a special treat, Ibu Kadek can prepare traditional Balinese meals right in your kitchen—just let the owners know in advance! Important Details Located just 2.5 hours from Ngurah Rai Airport, with scenic mountain views on the drive. Not wheelchair accessible; stairs are required to enter. Motorbike rentals can be arranged locally. Electricity is not included for stays over 3 days (costo should not exceed 200,000 IDR (10 eur)/week). Experience authentic Balinese village life with the comfort and privacy of Rumah Bali. Book now for a peaceful escape filled with natural beauty, warm culture, and unforgettable memories. For bookings, click on Airbnb portal or contact us on WhastsApp on +66822773629. https://www.airbnb.com/rooms/810997079179681422?source_impression_id=p3_1765793593_P37uAaVDeXmS2jm4

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In a significant acknowledgment of eco-conscious innovation, Ronald Akili, the visionary founder of Desa Potato Head Bali, has been named to TIME’s prestigious TIME100 Climate Leaders list for 2025. This recognition highlights his trailblazing efforts to transform hospitality into a powerful force for environmental sustainability. Akili’s “good times do good” philosophy underpins his approach to responsible tourism. His flagship property, Desa Potato Head Bali, located in the vibrant Seminyak area, exemplifies a sustainable resort that champions circular economy principles. Remarkably, the resort diverts 99.5% of its waste from landfills, repurposing much of it into designer homeware, thus blending luxury with eco-awareness seamlessly. Leading the Way in Sustainable Hospitality In 2024, Akili expanded his impact with the launch of the Community Waste Project, a 23,000-square-foot waste processing facility situated near Bali’s overwhelmed Suwung landfill. This innovative project has already processed over 3.3 million pounds of waste, transforming Bali’s waste management landscape. It provides a scalable model for sustainable tourism, inspiring destinations worldwide to adopt similar practices. Akili’s work aligns with Bali’s growing reputation as a hub for eco-friendly travel. His efforts not only help preserve the island’s natural beauty but also demonstrate how sustainable practices can be integrated into luxury tourism, creating positive social and environmental impacts. About Desa Potato Head Bali and Potato Head Brand Founded in 2010, Potato Head is an Indonesian brand where creativity, culture, and environmental care converge. Desa Potato Head Bali, designed by architectural firms OMA and Andra Matin, is more than a hotel; it’s a cultural hub. Spread across 225 suites and studios, it features a variety of social spaces, including bars, restaurants, sculpture gardens, outdoor amphitheaters, wellness facilities rooted in local culture, a beach club, and an underground Hi-Fi nightclub. Recognized among the World’s 50 Best Hotels in 2023 and 2024, Desa Potato Head Bali is also B-Corp certified, reflecting its commitment to social and environmental responsibility. The resort’s achievement of a 0.5% waste-to-landfill rate exemplifies the “Good Times Do Good™” ethos, proving that luxury and sustainability can go hand-in-hand. Why Sustainable Tourism Matters As travelers increasingly seek authentic and eco-friendly experiences, Bali continues to lead by example. The innovative initiatives led by figures like Ronald Akili show that responsible tourism is not only necessary but also profitable and enriching for local communities. Visitors can indulge in Bali’s beauty while supporting projects that protect its environment. For those interested in exploring Bali’s sustainable side, consider visiting Desa Potato Head Bali or supporting local eco-initiatives. To learn more about Akili’s work and Bali’s green tourism efforts, visit the official website: Seminyak.potatohead.co.

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This season at Desa Potato Head Bali, live music takes centre stage. Across two special nights, artists from opposite sides of the world arrive in Bali to share something personal and profound, a meeting point of sound, soul, and culture. First, New Zealand’s Connan Mockasin transforms Klymax Discotheque with his cinematic dreamscapes and surrealist charm. A week later, Brazil’s Azymuth and Sabrina Malheiros join Indonesia’s Indra Lesmana on the Beach Club grass area for a one-night-only jazz celebration that bridges continents and generations. 29th October | Connan Mockasin New Zealand musician, singer, and producer Connan Mockasin brings his distinctive world of psychedelic pop, funk, and experimental soul to Klymax for an intimate live show. Known for his dreamlike compositions and singular artistry, Mockasin has garnered a cult following through albums like Caramel (2013) and Jassbusters (2018), along with collaborations with James Blake and Charlotte Gainsbourg. For one night only, Klymax slows down for something different — a rare, unplugged, fully seated performance, with a film component woven throughout the evening. The result is a cinematic, slow-burning experience that redefines the boundaries of a live show. Please find more information HERE 7th November | Azymuth, Sabrina Malheiros and Indra Lesmana A week later, the stage shifts to the Beach Club grass area for a cross-continental celebration of jazz and soul. Brazil’s jazz-funk pioneers Azymuth — often called the godfathers of Brazilian jazz-fusion — return to Asia as part of their 2025 album tour. They’re joined by Sabrina Malheiros, bringing the sound of contemporary bossa nova, and Indonesia’s own Indra Lesmana, a defining figure in the nation’s jazz movement for over four decades. Together, these icons trace a rare and beautiful line between Brazil and Indonesia’s jazz traditions — a dialogue that merges rhythm, heritage, and improvisation under the open Bali sky. Supporting sets come from Eric Duncan, Luma, and Marvel. Please find more information HERE Both events continue Desa Potato Head’s commitment to creativity, community and sustainability – where music, art, and culture come together on Bali’s Petitenget Beach.

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Tucked away in the foothills of Mount Agung, Bali’s most sacred volcano, Sidemen is a serene valley that seems frozen in time. Here, the island’s soul still breathes through emerald rice terraces, quiet temples, and friendly smiles. It’s a place for those who seek authenticity, not nightlife; peace, not pace. Located about two hours from Ubud or Seminyak, Sidemen is a world apart from Bali’s bustling tourist hubs. The journey itself is a scenic reward — winding roads reveal traditional villages, verdant valleys, and locals harvesting rice by hand. As soon as you arrive, the rhythm of life slows down, inviting you to breathe deeply and reconnect with nature. Things to Do in Sidemen While Sidemen is not about ticking off attractions, it offers plenty for travelers looking for immersive experiences. 1. Wander the Rice TerracesSidemen’s rice fields are among the most stunning in Bali — rivaling even Tegallalang but without the crowds. Wander through narrow paths lined with palm trees, spot farmers in conical hats, and listen to the symphony of nature echoing from the valley below. 2. Take a Cultural Class The valley is known for its traditional crafts. Talisman offers weaving workshops, where you can learn the art of creating intricate songket textiles. Agung Silver, on the other hand, runs silver-smithing classes — a hands-on way to craft your own Balinese jewelry. Cooking classes are also popular, teaching visitors how to prepare fragrant Balinese dishes using local ingredients. 3. Visit Temples and Take Scenic Drives A scenic drive through the lush countryside leads to Pura Besakih, Bali’s “Mother Temple,” perched dramatically on the slopes of Mount Agung. Along the way, you’ll encounter small shrines, waterfalls, and sweeping views of the valley that make the slow journey more than worthwhile. 4. Adventure and NatureFor the adventurous, Sidemen offers trekking routes that wind through forests and hidden villages, as well as rafting trips on the Telaga Waja River. Local tour operators can arrange sunrise climbs up Mount Agung — an unforgettable experience for those seeking spiritual and natural elevation. Where to Stay Most of Sidemen’s accommodation options are clustered around Tabola Village, where boutique resorts and eco-lodges blend harmoniously into the landscape. Many offer infinity pools overlooking rice terraces, yoga sessions at dawn, and organic meals sourced from local farms. This balance between comfort and authenticity is what makes Sidemen ideal for those seeking rest and renewal. Tips for Visiting Sidemen Best time to visit: April to October offers dry, clear weather and the brightest greens in the rice fields. Getting there: The easiest way is by private driver from Ubud or Candidasa. Expect a 90-minute to two-hour drive. Stay connected: Internet can be spotty — a blessing if you’re hoping to truly disconnect. What to bring: Comfortable walking shoes, insect repellent, and your camera — sunrise and sunset light here are magical. Why Sidemen Should Be on Your Bali Itinerary Sidemen isn’t about doing more; it’s about feeling more. It’s about waking to the call of roosters, watching mist lift from Mount Agung, and savoring a simpler way of life that feels deeply grounding. As Bali grows ever busier, Sidemen stands as a gentle reminder of the island’s original charm — a hidden valley of tranquility. For more Bali travel ideas and inspiration, visit Wonderful Indonesia’s official site.

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Bali continues to establish itself as a global destination not only for sun and surf but also for cutting-edge music experiences. On September 27, 2025, the island will host one of the UK’s most innovative producers, Vegyn, as he brings his distinctive sound to Desa Potato Head, an iconic oceanside venue known for redefining culture and nightlife in Bali. The Artist Behind the Sound Vegyn is no stranger to the global stage. Hailing from London, he has become one of the most quietly influential figures in modern music. With collaborations spanning Frank Ocean, Travis Scott, and JPEGMafia, his production style fuses glitchy electronics, delicate ambience, and left-field hip hop. Beyond collaborations, his solo work speaks volumes. Albums such as The Road to Hell Is Paved with Good Intentions (2024) and Air-bending Blue Moon Safari (2025) reflect his unique artistic vision, balancing experimental soundscapes with emotional depth. For music lovers in Asia, seeing Vegyn live is more than just a concert — it’s an invitation into an immersive world of sound. The Bali Showcase Set against the stunning backdrop of Potato Head’s oceanside deck, Vegyn’s Bali performance will be part of his Asia Pacific tour. The night promises a carefully curated sonic journey, bringing together forward-thinking sounds, eclectic beats, and a creative atmosphere that matches the energy of the island itself. Adding to the experience, Bali-based tastemakers Reemo and Faktta will open the evening. Both artists are known for their ability to create dynamic sets that blend genres seamlessly — the perfect prelude to Vegyn’s headline act. More Than Music: Light Sound Vibration Session Vegyn’s time in Bali goes beyond the DJ set. On the weekend of September 20–21, 2025, he will host a Light Sound Vibration session titled “The Rite of Rekindling.” This unique residency series is designed as an artistic exploration of sound and poetry, inviting participants into a meditative and conceptual journey. For 60 minutes, attendees will be immersed in frequencies carefully composed to shift mood and energy, while a poem provides an emotional entry point into the experience. Following in the creative footsteps of NOTEP and Bea1991, Vegyn’s session will run through December 2025, offering travelers and locals multiple chances to connect with this boundary-pushing format. Why This Event Matters Bali has long been known for its natural beauty and vibrant culture, but its emergence as a hub for global music is equally exciting. Events like this place the island firmly on the international creative map, attracting artists who thrive at the intersection of art, sound, and community. For travelers, attending Vegyn’s set is not only about hearing world-class music but also about experiencing the unique fusion of culture, creativity, and place that Potato Head embodies. Plan Your Visit Date: September 27, 2025 Location: Desa Potato Head, Bali Performers: Vegyn (DJ Set), Reemo, Faktta Special Session: The Rite of Rekindling — Sept 20–21 onwards, running until Dec 2025 Whether you’re a local music enthusiast or a traveler looking for an unforgettable night in Bali, this is an event not to be missed. Final Thoughts Vegyn’s upcoming appearance at Potato Head is more than just another stop on his tour. It’s a celebration of artistry, innovation, and community, set in one of Bali’s most iconic venues. With Reemo and Faktta adding local flavor, and the Light Sound Vibration residency offering something deeper, this September marks a cultural highlight for anyone on the island. For full event details and ticketing, visit Potato Head.

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Oshom Bali, an intentionally designed boutique hotel within the visionary Nuanu Creative City, has officially opened its doors. Set on Bali’s pristine black-sand Pantai Nyanyi beach in Tabanan, Oshom is a haven for modern travellers where hospitality meets creativity with a sophisticated yet playful twist. From sunrise over the mangroves to sunset across the ocean, Oshom offers a serene and breathtaking setting. Every corner invites stillness and escape—whether through sunset yoga with panoramic views or cozy nooks for quiet reflection. More than a hotel, Oshom is a canvas for renewal, connection, and inspiration at every curve. “Oshom is a future-forward arts-meets-hospitality concept that delivers barefoot luxury while fostering creativity, mindfulness, and sparkling moments,” says Daisy Angus, Visionary Founder & Creator of Oshom. “We’ve created a holistic lifestyle resort for the soul. Guests can unwind and immerse in curated indulgence and beauty; Oshom is a place where meaningful connections are made and remembered.” Where Design Meets Nature Oshom’s design reflects the wabi-sabi philosophy—finding beauty in imperfection—balancing raw nature with refined elegance. Locally rooted craftsmanship shines through reclaimed teakwood, hand-drawn furniture, and volcanic sand walls. Bamboo “nests” designed by architect Pablo Luna offer sculptural hideaways, while bespoke artwork from Balinese artists turns interiors into a living gallery. Walk-in wardrobes with playful disco balls add a cheeky dash of joy. Sustainability lies at the core: breathable non-toxic materials, rewilded native flora, elevated walkways, and a saltwater pool lined with Sukabumi stone all protect the ecosystem. Handmade lava tiles at the pool bar mirror the hues of the nearby ocean. Immersive Stays: Suites & Treehouses The 18-key retreat features direct beach access, with 11 Ocean Suites and 7 secluded Treehouse Hideaways. The Ocean Suites overlook the Indian Ocean, while the treehouses nestle in lush mangroves along the river for a true back-to-nature escape. The Indigo Dreams Suite is crafted for indulgence, offering a private jacuzzi, alfresco massage room for two, spa-style bathroom, and a hanging sofa with sweeping ocean views. The Artist’s Suite, a showcase of Bali’s creative talent, features an indoor-outdoor bar, private meditation dome, and tropical shower. Sunset Restaurant-Lounge At the heart of Oshom is its 65-seat cliffside restaurant-lounge, where strangers become friends as the sun dips below the horizon. The rotating menu highlights seasonal produce and the day’s freshest catch, paired with botanical cocktails and fine wines. A Gateway to Nuanu Oshom curates a vibrant calendar of experiences—supper clubs, poolside lectures, DJ sunset sessions, and wellness rituals like sound healing, breathwork, and cacao ceremonies. Guests also enjoy The Library, a 24-hour nook for reading, conversation, wine, or even co-working. As part of Nuanu Creative City, Oshom connects guests to a world of art, culture, and conscious living. Nuanu spans 44 hectares, with 70% dedicated to green space and electric-powered vehicles. Its Social Fund directs 5% of revenue to local initiatives, contributing Rp788 million to surrounding communities last year. Beyond Nuanu, Oshom’s location makes exploring Bali effortless—from Tanah Lot temple (10 minutes) to the trendy dining of Canggu (15–20 minutes) and Ubud (50 minutes). Opening Offer Oshom Bali is now taking reservations with an exclusive grand opening package, including: Daily à la carte breakfast Afternoon tea at the oceanfront restaurant (4–5 PM) One signature sunset cocktail per guest Daily wellness and cultural experiences Guided tour of Nuanu Creative City Unlimited access to Luna Beach Club For details and bookings: Oshom Bali Official Website

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WASTED by Potato Head has announced the launch of Collection 001, a homeware range developed in collaboration with renowned British designer Max Lamb. Launching exclusively online at shop.potatohead.co on 4 August and in selected stores on 8 August 2025, the collection transforms discarded materials into intentional, functional objects – reimagining waste as the raw material of the future. Rooted in Potato Head’s philosophy of “Good Times, Do Good”, WASTED reflects a lifestyle grounded in the nourishment of nature and the progression of culture. Built on years of in-house research and development, the collection represents a closed-loop, circular design system that redefines how materials are sourced, made, and valued. Over the past several years, Desa Potato Head has radically transformed its operations, achieving 99.5% diversion from landfill and launching the Community Waste Project to expand its environmental impact island-wide. Beyond waste management, the Desa has reimagined discarded materials into homeware and furniture that merge design innovation with traditional Balinese craftsmanship. This first instalment in the ongoing WASTED initiative is the result of a five-year collaboration between Lamb and the Potato Head team. Every piece is handmade in Bali by local artisans, blending Max’s experimental, process-driven design approach with Indonesia’s rich craft traditions. The debut collection comprises eight distinct material families, each derived from a specific local waste stream – including recycled HDPE plastics, natural dyes made from composted organic matter, retired hotel linens, broken glass repurposed through mouth-blown techniques, used cooking oil transformed into refillable candles, salvaged ceramics given new form, composite waste materials such as Styrofoam and oyster shells, and sustainably harvested, hand-woven Balinese bamboo. Using methods such as natural dyeing with marigold and indigo, ceramic glazing, plastic casting, traditional weaving, and glassblowing, the collection reveals the raw integrity of each material. From marbled plastic chairs and refillable candles to hand-shaped ceramics and bamboo lounge seating, these objects are both purposeful and poetic – reshaping our relationship with waste through design. Designed to evolve in response to the materials available at any given time, the collection offers a scalable, place-based model for circular design. No two pieces are ever exactly the same, reinforcing the value of process, locality, and regeneration in every object. This dynamic, localised system holds the potential for global adaptation through regional partnerships that harness local waste streams. “Designers have a responsibility to justify every product we bring into the world,” says Max Lamb. “With WASTED, we’re not just rethinking materials – we’re celebrating the human hands and knowledge that shape them.” WASTED by Potato Head is more than a homeware range; it is a manifesto for conscious living, a fusion of global vision and local tradition that proves design can be both beautiful and regenerative. WASTED by Potato Head Collection 001 will launch exclusively online at shop.potatohead.co on 4 August 8AM GMT and from 8 August at Desa Potato Head in Bali, and at selected retailers. Learn more about Wasted and Collection 001 on thewastedco.com.

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Potato Head, the renowned lifestyle and hospitality brand is excited to announce the launch of their newest swimwear collection, an extension of their commitment to a lifestyle that celebrates culture, community, and regeneration. This exclusive collection, designed for both men and women, embodies values through sustainable materials and meaningful design rooted in Balinese philosophy. The prints and graphic designs seamlessly blend elements of music, art, design, and wellness, reflecting Potato Head’s vibrant and multifaceted identity. Staying true to Potato Head’s commitment to sustainability, the collection features fabrics selected for their eco-friendly properties, such as recycled polyester and EcoVero, a viscose fiber sourced from certified, renewable wood. These light, cool, and quick-drying materials provide comfort in tropical climate, ensuring style and sustainability come together effortlessly. The new patterns are inspired by Balinese Hindu philosophy, incorporating elements that represent Fire, one of the five key elements alongside Water, Wind, Space, and Earth. The monogram print draws on the philosophy of Rwa Bhineda, symbolizing balance and harmony through contrasting forces like light and dark, day and night, positive and negative. This concept of balance is further reflected in a unique yin-yang pattern, which merges the iconic symbol with images of the Earth, Moon, and Sun. Explore the latest collection via Potato Head’s online store or in person at Desa Potato Head. The collection will also feature new designs launching soon, along with limited-edition music merchandise. The swimwear is priced between $1,552,106IDR ($99USD) and is available online and at Desa Potato Head, Bali.

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